scholarly journals Giorgos Vavouranakis, Constantinos Kopanias, Chrysanthos Kanellopoulos (eds.), Popular Religion and Ritual in Prehistoric an Ancient Greece and the Eastern Mediterranean, Archaeopress Archaeology, Oxford 2019, pp. XIV + 168, ISBN 978-17-896-9045-3

ΠΗΓΗ/FONS ◽  
2020 ◽  
Vol 5 (1) ◽  
pp. 177
Author(s):  
Francisco L. Lisi Bereterbide

Reseña

Author(s):  
Nicola Cusumano

VAVOURANAKIS, GIORGOS, KOPANIAS, KONSTANTINOS, and KANELLOPOULOS, CHRYSANTHOS (eds.) (2018). Popular Religion and Ritual in Prehistoric and Ancient Greece and the Eastern Mediterranean. Oxford: Archaeopress. 188 pp., 38,40€ [ISBN 978-1-7896-9045-3] [Reseña]


Author(s):  
Matt Gatton

The Mysteries of Eleusis in ancient Greece were the foremost sect of the mystery religions that dominated the eastern Mediterranean sphere for almost 2,000 years. The staying power of the Eleusinian rite stemmed from its convincing presentation of an otherworldly drama about the goddesses Demeter and Persephone. Initiates endured a harrowing experience in darkness that somehow evoked death, before seeing beatific visions, the climax of which was the appearance of the goddess manifest as light. How was the apparition of the goddess conjured? This study surveys extant epigraphical and archaeological information to formulate a research question: could the anaktoron have acted as a box of light, a fire illuminating figurines and projecting their images out into the darkened telesterion? A set of experiments was performed that confirmed the operational feasibility of an ‘Eleusinian Projector’. The appearance of the goddess as light can be explained physically as well as mythologically.


Author(s):  
Laerke Recht ◽  
Christine E. Morris

This paper offers a new comprehensive catalogue and discussion of Late Helladic III chariot kraters, and explores what they reveal about horse–human relations in Greece and Cyprus in the Late Bronze Age. The nearly 400 known examples of chariot kraters were produced in mainland Greece and exported to Cyprus and the Levant. Although the vessels were surely adapted to local contexts, the motif of horses and chariot was part of the ‘international’ spirit of the Late Bronze Age and was meaningful throughout the eastern Mediterranean. Following a discussion of the chronological and geographical distribution of the kraters, alongside notes regarding changes in shape, we examine each of the elements of the characteristic horses-and-chariot motif in depth. This close analysis, supplemented by evidence from faunal remains, Linear B and other visual media, and combined with modern equine knowledge, allows us to understand some of the complexities of horse–human relations in ancient Greece and Cyprus. Through this, we see a co-becoming and mutual training of horse and human in the endeavour to become a successful chariot team; we can also recognise elements of ancient acknowledgement of equine agency and personhood. Horses and humans acted and reacted to each other, thereby living and learning together. The images on the chariot kraters reflect both ancient observation and knowledge of horses and caballine behaviour and artistic conventions and developments. Finally, horses were expensive animals to breed, keep and train (with accompanying expensive gear), and direct physical contact would have been for the fortunate few. The chariot kraters allowed a broader segment of the population to engage with horses and chariots, albeit indirectly.


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