Consciousness on Female and Social and Political Consciousness in Yeom Sang-seop"s Novels in the 1950s －Focusing on 『The Younger Generation』, 『Passing Down the Generations』

2021 ◽  
Vol 81 ◽  
pp. 83-112
Author(s):  
Jong-goo Kong
Keyword(s):  
Political Consciousness ◽  
Younger Generation ◽  
The 1950S

Settler Histories and Indigenous Pasts: New Zealand and Australia

2018 ◽  
Author(s):  
Bain Attwood
Keyword(s):  
New Zealand ◽  
Cultural History ◽  
Indigenous Peoples ◽  
Race And Ethnicity ◽  
First Generation ◽  
Historical Writing ◽  
Younger Generation ◽  
The 1950S

This chapter focuses on historical writing in New Zealand and Australia, which has been transformed since 1945. In the 1950s and 1960s, as the number of academic historians increased exponentially and growing professionalization occurred, a project of constructing a progressive story of masculinist nation-making and nationalism became dominant, while in the 1970s and 1980s, a younger generation of historians—many of them women and first-generation Australians—challenged this triumphant nationalist story of self-realization as they embraced social and cultural history and their emphases on the differences of class, gender, sexuality, race, and ethnicity. There is one area in which historical writing in New Zealand and Australia has undoubtedly been distinctive, at least in terms of its public impact; namely, that concerning the pasts of the indigenous peoples. The chapter then looks at the historiography of aboriginal–settler relations in Australia and New Zealand.

The Music of Magnus Lindberg

Tempo ◽  
1992 ◽  
pp. 25-30 ◽  
Author(s):  
John Warnaby
Keyword(s):  
Computer Technology ◽  
The Other ◽  
Orchestral Music ◽  
Avant Garde ◽  
Studying Abroad ◽  
Younger Generation ◽  
The 1950S ◽  
Post War ◽  
The One

Among composers born in the 1950s, who witnessed the decline of the post-war avant-garde – together with its most cherished principle, integral serialism – the Finn Magnus Lindberg has produced some of the most challenging responses. It is tempting to attach considerable significance to Lindberg's national origins. Born in 1958, he belongs to a particularly vital generation of Finnish composers whose output extends from traditional symphonic forms to experimental creations involving electroacoustic and computer technology. On the one hand, they have benefitted from the example of composers (such as Aulis Sallinen) who emerged from Sibelius's shadow not only by founding a strong operatic tradition, but also by generating their own brand of orchestral music. On the other, several of the younger generation have continued the practice of studying abroad, though without sacrificing their independence from the European mainstream.

Stary Theatre: Ensemble in a New Climate

1992 ◽  
Vol 8 (32) ◽  
pp. 377-379
Author(s):  
Kate Raper
Keyword(s):  
Younger Generation ◽  
The 1950S ◽  
A Company

ARTISTICALLY, Stary Theatre, Krakow, has maintained an impressive record since the 1950s. It has been a source of innovative directors including such giants as Swinarski, Jarocki, and Wajda, as well as a talented younger generation – Bradecki, Gzegor-zewski, and Lupa. It has also been a focus for good actors and designers: quite simply, it is a company for which almost everybody wants to work.

scholarly journals The Problem of “Polishness” in the London Student Periodicals („Życie Akademickie" – „Kontynenty”)

2020 ◽  
Vol nr specjalny 1(2020) ◽  
pp. 248-274
Author(s):  
Rafał Moczkodan ◽  
Keyword(s):  
National Identity ◽  
Witold Gombrowicz ◽  
Czeslaw Milosz ◽  
Three Generations ◽  
Younger Generation ◽  
The 1950S

Theis article presents the views and opinions expressed in two London periodicals published in the 1950s and 1960s by Polish students living in exile, namely „Życie Akademickie” and „Kontynenty”, focusing on the problem of preservation of “Polishness” among Polish emigrants of the younger generation. In the first part of the text, the views presented, include those of the members of the older generation of emigrants and refugees (e.g. Czesław Miłosz or Witold Gombrowicz), giving advice to the young, as well as of the young themselves (e.g. Wiktor Poznański or Wojciech Gniatczyński). The second part of the article refers to the notion of patriotism and the problem of national vices, which were also subject to a discussion which went on in the émigré press. The aim of the article is to illustrate the discrepancies between the attitudes of two – or even three – generations of Polish emigrants, concerning the issue of Polish national identity.

scholarly journals The younger generation's magazines in the eyes of the communist ideologues

2019 ◽  
Vol 15 (1) ◽  
pp. 35-61
Author(s):  
Aleš Gabrič
Keyword(s):  
Coming Out ◽  
Social Issues ◽  
Judicial Process ◽  
Critical Attitude ◽  
Parallel Processes ◽  
Younger Generation ◽  
The 1950S ◽  
Post War ◽  
The One ◽  
In The Beginning

The contribution analyses the increasing criticism, voiced by the younger generation of Slovenian intellectuals from the first post-war years until the end of the 1950s. The critical attitude towards the pressing social issues started developing in the beginning of the 1950s, as Mladinska revija – the first post-war literary magazine, published between 1946 and 1951 – was still subject to thorough scrutiny by the authorities. In the period of its successor – the Beseda magazine between 1951 and 1957 – certain more radical debates or critiques of the existing situation were already published. This publication stopped coming out in 1957. However, contrary to what the authorities had expected, a similar circle of the associates of this magazine's successor, the Revija 57 magazine (published in 1957 and 1958), was even more critical of the situation in the state. This contribution thus follows two parallel processes: on the one hand the increasingly critical attitude of the younger-generation intellectuals towards the authorities; and on the other hand the mounting pressure that the authorities exerted against magazines that published critical texts. At first the publications were merely the focus of political disapproval, followed by the abolishment of subsidies and thus consequently the cancellation of the magazines; while towards the end of the 1950s we can already come across a judicial process against an author of socially-critical articles. The leading politicians at the end of the period under consideration already saw the younger generation of intellectuals as the (cultural) opposition.

Yoshihara, Jiro

2018 ◽  
Author(s):  
Joel Robinson
Keyword(s):  
World War Ii ◽  
New Media ◽  
Abstract Expressionism ◽  
Audience Participation ◽  
World War ◽  
Younger Generation ◽  
The 1950S ◽  
The 1960S ◽  
Gutai Art Association

Jiro Yoshihara was the founder—with Shozo Shimamoto and a younger generation of students—of the Gutai Art Association (1954–72). He organized the association’s events, such as Outdoor Exhibition to Challenge the Midsummer Sun in 1955, promoting the event with his manifesto of 1956, and then a journal. He first showed his work with the Nika Society but, after World War II, rejected its orientation toward salon painting, and turned to a bolder, gestural abstraction, which accommodated his interest in calligraphy. His oils on canvas from the 1950s exemplify exchanges taking place at this time between the Japanese—proponents of Tachisme (Art Informel)—and Abstract Expressionism. This exchange may be seen in such works as Yoshihara’s White Painting, shown at New York’s Martha Jackson Gallery in 1958. Under the leadership of Yoshihara, Gutai (meaning "concrete embodiment") picked up on the performative nature of these tendencies, taking a multimedia approach that encompassed happenings, installation, new media, everyday materials, and eliciting audience participation. With the exception of interactive works such as Room and Please Draw Freely, both shown at the second outdoor Gutai exhibition of 1956, Yoshihara was chiefly a painter, remembered today for his Zen-inspired minimalist rectangular and circular forms on black, red, or white ground, to which he devoted himself through the 1960s.

Rethinking the 1950s

2013 ◽  
Author(s):  
Jennifer A. Delton
Keyword(s):  
The 1950S

On the Individual

1999 ◽  
Vol 4 (4) ◽  
pp. 205-218 ◽  
Author(s):  
David Magnusson
Keyword(s):  
School Psychologist ◽  
Real Life ◽  
Psychological Research ◽  
Developmental Research ◽  
Future Directions ◽  
The 1950S ◽  
The Individual ◽  
Over Time

A description of two cases from my time as a school psychologist in the middle of the 1950s forms the background to the following question: Has anything important happened since then in psychological research to help us to a better understanding of how and why individuals think, feel, act, and react as they do in real life and how they develop over time? The studies serve as a background for some general propositions about the nature of the phenomena that concerns us in developmental research, for a summary description of the developments in psychological research over the last 40 years as I see them, and for some suggestions about future directions.

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