scholarly journals Susan Manning The Puritan-provincial Vision: Scottish and American Literature in the 19th Century;and David Moody, Scottish Local History & Cecil Sinclair, Tracing Your Scottish Ancestors

2008 ◽  
Vol 16 ◽  
Author(s):  
John Walker ◽  
E. J. Cowan
Polar Record ◽  
2011 ◽  
Vol 48 (3) ◽  
pp. 291-303 ◽  
Author(s):  
Maria Lähteenmäki

ABSTRACTThe academic study of local and regional history in Sweden took on a quite new form and significance in the 18th century. Humiliating defeats in wars had brought the kingdom's period of greatness to an end and forced the crown to re-evaluate the country's position and image and reconsider the internal questions of economic efficiency and settlement. One aspect in this was more effective economic and political control over the peripheral parts of the realm, which meant that also the distant region of Kemi Lapland, bordering on Russia, became an object of systematic government interest. The practical local documentation of this area took the form of dissertations prepared by students native to the area under the supervision of well known professors, reports sent back by local ministers and newspaper articles. The people responsible for communicating this information may be said to have functioned as ‘mimic men’ in the terminology of H.K. Bhabha. This supervised gathering and publication of local information created the foundation for the nationalist ideology and interest in ordinary people and local cultures that emerged at the end of the century and flourished during the 19th century.


Anclajes ◽  
2021 ◽  
Vol 25 (1) ◽  
pp. 71-86
Author(s):  
Rocío Fernández ◽  

The fascination of Latin American modernism for 19th century French fashion merchandise has been widely addressed in literary theory. Texts filled with diverse cultural materials, textures and objects configured a poetics of the bazaar that became part of a series of strategies through which Latin American literature defined and linked itself to hegemonic aesthetics of the 19th century. The poems and chronicles of Cuban writer Julián del Casal (1863-1893) are no exception; this proliferation of merchandise reveals how the gaze and the images become configured as empty fictions, filled by a cosmopolitan desire. This feature, tied to the function and configuration of images in Cuban modernism, makes possible an anachronical reading of the presence of State merchandise at the other end of the century: Antonio José Ponte’s decadent reality in post-Soviet Cuba.


Author(s):  
El’mira V. Vasil’yeva

The article deals with Mikhail Bakhtin’s term «the chronotope of the castle» analysed on the material of two New England Gothic novels – «The House of the Seven Gables» by Nathaniel Hawthorne and «The Haunting of Hill House» by Shirley Hardie Jackson. The author assumes that chronotope is not just a spacetime characteristic, but a set of motifs – the motive of dark past, the motif of spatial and temporal isolation, and the motif of «sentient» house. All of these motifs were used by classic Gothic novel writers of the 1760s to 1830s, and were as well employed in later quasi-Gothic texts. At the turn of the 19th century, Gothic novel commenced its parallel development in American literature, where it subsequently became one of the national genres. American writers aspired to adapt Gothic poetics to the cultural context of the country. For instance, in New England Gothic fi ction, the chronotope of the castle was transformed into the chronotope of the «bad» house. However, the set of motifs has remained the same: both Hawthorne and Jackson consistently used the motifs, provided by British Gothic fi ction, yet they further explored them and came up with their own interpretations.


Author(s):  
E. V. Kapinos ◽  
E. E. Khudnitskaya ◽  
A. V. Ulvert

The publication is the selection of the poems by the forgotten Siberian poetess Anna Konstantinovna Fefelova, who is under the pseudonym N. Arkadina or Nina Arkadina was published in the 1910–1920s in the newspapers and magazines “Voice of the Urals” (Chelyabinsk), “Siberian Dawn” (Barnaul), “Siberian Life” (Tomsk), “Siberian Student” (Tomsk), “Unity” (Petropavlovsk), “Our Dawn” (Omsk), “Krasnoyarsk Worker”. The selection was made for the publications stored in the archives and libraries of Siberia, and includes about 40 texts of various subjects. The foreword provides a brief reference about Fefelova’s biography, the poetess’ biography has not been studied in more detail yet, but research in this direction is being conducted in the Krasnoyarsk Regional Local History Museum. Arkadina’s landscape, meditation and populist lyrics collected here continue the traditions of Nekrasov and Russian classics of the 19th century.


Author(s):  
David Grant

Though political scientists and historians of the 19th-century United States have always turned to newspapers as an important source, there has in recent years been a growing interest in newspapers as a distinct object of study among historians, communications scholars, and literary critics. Newspapers were not only publishers and promoters of important literature but also central to the culture of literary production and consumption. All the scholarship, by various disciplines, produced on newspapers is relevant to the ongoing project to historicize, interpret, contextualize, and theorize 19th-century American literature in all its varied relations to its readership and to the nation generally. Though circulation grew rapidly over the century, the reach of newspapers was not limited to official subscription lists or, later, to street sales. As both scholars and contemporary observers have noted, various mechanisms—formal exchanges between newspapers hundreds of miles apart, reading rooms, coffee houses, and the general cultural practice of reusing and sharing newspapers—meant that the readership for newspapers extended beyond their paying subscribers throughout the century, but especially in the antebellum years. Although in some senses newspapers may in the 19th century have ceded to magazines their 18th-century function of presenting a miscellany of material, for all practical purposes throughout the 19th century many newspapers, most often only four pages long, continued to play that role—they included poems, reviews, serialized novels, orations and lectures, cultural laments, letters from abroad, and reports on scientific discoveries along with the more expected news, random reflections or anecdotes, and editorial opinion. Through most of the century, however, the majority of newspapers devoted at least a quarter of their space to advertising. In the first third of the 19th century, party organs and commercial papers for the mercantile class grew to the point where they came to be seen as representing the two primary functions of the American newspaper. From the 1830s to the Civil War, various developments, including the penny press, the reform press, the religious press, and the African-American press, changed the character of newspapers, even though their party functions remained uppermost. After the war, urban newspapers gradually grew in length and in the range of their coverage. Commercialization and the first steps toward professionalization began to change the mission of journalism, so that by the 1890s many urban papers more closely resembled newspapers of the next fifty years than they did newspapers of the previous generation.


2018 ◽  
pp. 105-119
Author(s):  
Urszula Kizelbach

This article analyses the influence of Sir Walter Scott’s historical fiction (Rob Roy) on the development of the historical novel in Russia in the first half of the 19th century, based on the example of Pushkin’s The Captain’s Daughter. The author argues that both Scott and Pushkin had a similar approach to their national and local history and collected historical material in the same way (through archival research and by contacting local people who had witnessed the events of the Jacobite Rebellion, 1715, and the Pugachev Rebellion, 1773–1775). A close analysis of both texts presents examples of a similar poetics of the narration, dialectal use of language and dialogue, and the use of local colour and folk elements, such as folk songs or old sayings, which serve as mottos for particular chapters in the novels.


Author(s):  
Alla S. Mayorova ◽  

The issue of the Saratov Volga region settlement by the peasantry was covered in the first works on local history. The beginning of its special study was associated with the need to clarify the reasons for the tense social situation that had developed in the region by the middle of the 19th century. A. N. Minh’s monograph was the first attempt at a purposeful search and consolidation of evidence on peasant colonization. It opens a series of papers devoted to this problem and published by members of the Saratov Scientific Archive Commission.


2009 ◽  
Vol 1 (1) ◽  
pp. 250-269
Author(s):  
Eduardo Mejía Prado

El autor ofrece un ensayo reflexivo sobre su experiencia investigativa en la realización del proyecto Historia de Bugalagrande. Describe la forma en que investigó y escribió la historia local de su terruño natal, un pueblo en el Valle del Cauca, desde el establecimiento de estancias a comienzo del siglo XVII, su transformación en hacienda y luego indivisos, hasta constituirse físicamente en un pueblo con sus calles y plazas a finales del siglo XIX. El texto referencia los apoyos teóricos, metodológicos, manejo de fuentes y la narrativa desarrollada por el autor. Las reflexiones desnudan la influencia de historiadores clásicos del marxismo inglés, la microhistoria italiana, la microhistoria mexicana e historiadores locales del Valle del Cauca. El proyecto y la experiencia se desarrollaron durante el periodo sabático del investigador.Palabras clave: Bugalagrande, teoría, metodología, fuentes, historia local.My way of killing fleas AbstractThe author offers a reflective essay on his research experience in the execution of the Historia de Bugalagrande project. He describes the way in which he researched and wrote on the local history of his native soil, a town in Valle del Cauca, from the establishing of ranches in the beginning of the 17th century, it’s transformation into an estate, and later, undivided property, until physically constituting itself into a town with its streets and plazas at the end of the 19th century. The text gives reference to the theoretical and methodological contributions, the handling of sources, and the narration developed by the author. The reflections lay bare the influence of the classical English Marxist historians, Italian microhistory, Mexican microhistory, and local historians from Valle del Cauca. The project and the experience were developed during the researcher’s sabbatical. Keywords: Bugalagrande, theory, methodology, sources, local history


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