Une coupe transversale naturelle du versant S du massif de la Tete de Gaulent (Hautes-Alpes); la rive gauche du torrent de Tramouillon pres de Saint-Crepin

1951 ◽  
Vol S6-I (1-3) ◽  
pp. 185-190
Author(s):  
Jacques Debelmas

Abstract Describes and illustrates a crosssection of the south slope of the Tete de Gaulent massif in Hautes-Alpes, France, exposed along the right bank of the Tramouillon torrent near Saint-Crepin. Two Brianconnais nappes are superposed, with a zone of thrust slices lying between. Several repeated series in the high massif are interpreted as frontal crenulations of the upper nappe. Gliding took place along Carboniferous beds, which are laminated and attenuated.

2019 ◽  
Vol 4 (1) ◽  
pp. 8
Author(s):  
Ibnu Kanaha

The purpose of this study was to determine the performance of employees (ASN) in the South Morotai District office. The form of this research is descriptive qualitative, with data collection techniques through observation and in-depth interviews with the subdistrict head, subdistrict head secretary, employees, and the community. This study concluded that employees at the South Morotai District Office were not disciplined in terms of time, both when they entered the office and after working hours. Employees are not able to make the best use of time to do productive work to improve performance. employees generally do not know and understand their respective fields of duty. The concept of the right man in the right place is not applied in the placement of employees. Performance evaluation of employees at the South Morotai District Office is difficult because of unclear job descriptions and division of tasks for the state apparatus. This causes the work performance is not measurable both in quality and quantity..


1929 ◽  
Vol 19 (1) ◽  
pp. 67-87 ◽  
Author(s):  
Jocelyn Toynbee

The paintings in the triclinium of the Villa Item, a dwelling-house excavated in 1909 outside the Porta Ercolanese at Pompeii, have not only often been published and discussed by foreign scholars, but they have also formed the subject of an important paper in this Journal. The artistic qualities of the paintings have been ably set forth: it has been established beyond all doubt that the subject they depict is some form of Dionysiac initiation: and, of the detailed interpretations of the first seven of the individual scenes, those originally put forward by de Petra and accepted, modified or developed by Mrs. Tillyard appear, so far as they go, to be unquestionably on the right lines. A fresh study of the Villa Item frescoes would seem, however, to be justified by the fact that the majority of previous writers have confined their attention almost entirely to the first seven scenes—the three to the east of the entrance on the north wall (fig. 3), the three on the east wall and the one to the east of the window on the south wall, to which the last figure on the east wall, the winged figure with the whip, undoubtedly belongs.


1923 ◽  
Vol 25 ◽  
pp. 408-428
Author(s):  
C. A. Boethius
Keyword(s):  

Among the ruins of the Hellenistic buildings at the south end of the Great Ramp, in the fourth or southern chamber (Pl. I. 34), three fragments of a stele (now in the Nauplia Museum) were found. The stele is of a simple and common type, and is made of the same white limestone as the other Mycenaean stele found by Tsountas, which it closely resembles even in its weathering. Except for the top left-hand corner and a gap on the right side the whole stele is preserved. It is ·969 m. in height, ·41–·436 m. in breadth (·41 m. at the ninth line of the inscription) and ·11–·125 m. thick. At the top there is a plain frieze, ·065 m. high : ·02 m. below the frieze begins an inscription which fills twenty lines and ends ·50 m. above the bottom of the stele. The letters are ·008–·01 m. high. The space between the lines is ·009–·011 m. The surface of the stone is very much worn, and it was consequently difficult to make out the letters and their accurate forms. The sketch (Fig. 93) shows the arrangement of the text.


Iraq ◽  
1992 ◽  
Vol 54 ◽  
pp. 157-182 ◽  
Author(s):  
David Tucker ◽  
David S. Reese

Khirbet Karhasan was excavated by the British Archaeological Expedition to Iraq, as part of the Saddam Dam Salvage Project. The excavations brought to light a hoard of Middle Assyrian faience ornaments, which formed a coherent assemblage. Collections of similar ornaments are known from Assur and Nimrud where they have been variously interpreted as decorating the rich garments for a god, a divine image, and even the walls of temples. In the absence of any other persuasive view a hypothesis is advanced based on the evidence of archaeological context, iconographic associations and a viable reconstruction, that the ornaments are equally adaptable to the decoration of ceremonial horse-harness.The tell of Khirbet Karhasan is situated on the right bank of the Tigris approximately 75 km north-west of Mosul. The site on the edge of a prominent terrace overlooks a broad floodplain. In 1986, prior to the flooding of the site, the Tigris channel was 3 km north of the tell. The tell was sheltered by low hills which formed the western slope of the valley some 500 m to the south of the site. The hills rose some 40 m above the tell to approximately 50 m above the floodplain.


2021 ◽  
pp. 1-21
Author(s):  
Sungik Yang

The New Right movement that arose in the early 2000s in South Korea was a response to a change in ownership of Korean nationalist discourse during the preceding decades. Although nationalism was the preserve of the South Korean right wing from the trusteeship crisis in 1945 through the end of the Park Chung Hee regime, a historiographical revolt in the 1980s that emphasized the historical illegitimacy of the South Korean state allowed the Left to appropriate nationalism. With the loss of nationalism from its arsenal, the Right turned to postnationalist neoliberal discourse to blunt the effectiveness of leftist nationalist rhetoric. An examination of New Right historiography on the colonial and postliberation periods, however, shows that despite the recent change in conservatives’ stance on nationalism, a preoccupation with the legitimacy of the South Korean state remains at the center of right-wing historical narratives. The New Right represents old wine in new bottles.


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