Buddha Images and Relics

Author(s):  
Angela S. Chiu

Images and bodily relics are often categorized together as representations making the Buddha ‘present’ for his worshippers. At the same time, due to their physical form, relics have often been viewed as more immediately channeling his presence. Nonetheless, as Robert Sharf has remarked, fragments and ash require reliquaries as frames to indicate their sacred status. Lanna and Burmese chronicles also provide frames by describing a particular visual imagery for relics. This emphasizes the significance of visuality for Buddhist devotion, raising the question of whether relics were always understood as more direct representations of the Buddha than images. Chronicles also indicate how Lanna devotees distinguished relics and statues. Stories of relics inevitably highlight the connection between Buddha and place, and relics did not journey like the travelling images. This theme of place was shared by Burmese stories but less so by Lankan accounts, which emphasize a social hierarchy of relic handling.

Author(s):  
David Quinter

The “visualization/contemplation sutras” (Ch. guan jing觀經) refers to six scriptures in the modern Sino-Japanese Buddhist canon Taishō shinshū daizōkyō大正新脩大藏經 (“T”). The six scriptures are each devoted to particular buddhas and bodhisattvas, and in some cases, the pure lands or heavens linked to them. They include: (a) Sutra on the Sea of Samādhi Attained through Contemplation of the Buddha (Guan fo sanmei hai jing觀佛三昧海經; T 643); (b) Sutra on the Contemplation of the Buddha of Immeasurable Life (Guan Wuliangshoufo jing觀無量壽佛經; T 365); (c) Sutra on the Contemplation of the Two Bodhisattvas Bhaiṣajyarāja and Bhaiṣajyasamudgata (Guan Yaowang Yaoshang erpusa jing觀藥王藥上二菩薩經; T 1161); (d) Sutra on the Contemplation of Maitreya Bodhisattva’s Ascent to Rebirth in Tuṣita Heaven (Guan Mile Pusa shangsheng doushuaitian jing觀彌勒菩薩上生兜率天經; T 452); (e) Sutra on the Contemplation of the Cultivation Methods of the Bodhisattva Samantabhadra (Guan Puxian Pusa xingfa jing觀普賢菩薩行法經; T 277); and (f) Sutra on the Contemplation of the Bodhisattva Ākāśagarbha (Guan Xukongzang Pusa jing觀虛空藏菩薩經; T 409). All six scriptures use the Chinese term guan觀 (or kuan) in their titles. All also feature instructions on contemplative techniques, which include fantastic visual imagery and other visionary phenomena. Due largely to these visual qualities, in English-language scholarship since the late 1950s, the most common translation for guan in their titles has been “visualization.” There is, however, no scholarly consensus for an Indic-language equivalent to guan in these scriptures, and the “visualization” designation has been increasingly questioned since the 2000s. Thus many scholars prefer the translation “contemplation,” while some opt for “discernment.” Further complicating study of the visualization/contemplation sutras are persistent questions of their provenance. The traditional translator attributions preserved in the Taishō canon all credit Indian or Central Asian monks for the “translations.” However, all six scriptures are extant only in Chinese or in translations based on the Chinese, and those translator attributions have been widely contested. Scholars thus variously posit Indian, Central Asian, or Chinese origins for the individual scriptures. The consensus as of 2020 is that, as Chinese texts, they all date to around the first half of the 5th century ce, and many scholars do accept the influence of Indian or Central Asian meditation masters active in China then. Such influence receives support in the near-contemporary emergence in China of meditation manuals that share distinctive terminology with the visualization/contemplation sutras and are often grouped with them in modern studies. Further research into the sutras should thus enrich the understanding of scriptural translation processes, the emergence of specific deity cults in East Asian Buddhism, and interlinked developments in the devotional, visionary, and contemplative practices associated with those cults.


2006 ◽  
Vol 59 (4) ◽  
pp. 1117-1163 ◽  
Author(s):  
John T. Paoletti

Medici patronage of the arts in the fourteenth century has gone largely unstudied. Yet there is a notable paper trail, backed by a small number of sculptural remnants of funerary monuments, indicating that prominent members of the family understood the power of visual imagery for establishing their patrilines as leading families, both within the social hierarchy of Florence and within the Medici consorteria. These sculptural remains give clear precedent for the early activity of Giovanni di Bicci and Cosimo de’ Medici as artistic patrons in the fifteenth century.


Author(s):  
Eviatar Shulman
Keyword(s):  

2006 ◽  
Vol 27 (4) ◽  
pp. 218-228 ◽  
Author(s):  
Paul Rodway ◽  
Karen Gillies ◽  
Astrid Schepman

This study examined whether individual differences in the vividness of visual imagery influenced performance on a novel long-term change detection task. Participants were presented with a sequence of pictures, with each picture and its title displayed for 17  s, and then presented with changed or unchanged versions of those pictures and asked to detect whether the picture had been changed. Cuing the retrieval of the picture's image, by presenting the picture's title before the arrival of the changed picture, facilitated change detection accuracy. This suggests that the retrieval of the picture's representation immunizes it against overwriting by the arrival of the changed picture. The high and low vividness participants did not differ in overall levels of change detection accuracy. However, in replication of Gur and Hilgard (1975) , high vividness participants were significantly more accurate at detecting salient changes to pictures compared to low vividness participants. The results suggest that vivid images are not characterised by a high level of detail and that vivid imagery enhances memory for the salient aspects of a scene but not all of the details of a scene. Possible causes of this difference, and how they may lead to an understanding of individual differences in change detection, are considered.


2008 ◽  
Vol 29 (4) ◽  
pp. 181-188 ◽  
Author(s):  
John Allbutt ◽  
Jonathan Ling ◽  
Thomas M. Heffernan ◽  
Mohammed Shafiullah

Allbutt, Ling, and Shafiullah (2006) and Allbutt, Shafiullah, and Ling (2006) found that scores on self-report measures of visual imagery experience correlate primarily with the egoistic form of social-desirable responding. Here, three studies are reported which investigated whether this pattern of findings generalized to the ratings of imagery vividness in the auditory modality, a new version of the Vividness of Visual Imagery Questionnaire ( Marks, 1995 ), and reports of visual thinking style. The measure of social-desirable responding used was the Balanced Inventory of Desirable Responding (BIDR; Paulhus, 2002 ). Correlational analysis replicated the pattern seen in our earlier work and of the correlations with the egoistic bias, the correlation with vividness of visual imagery was largest and significant, the correlation with visual thinking style next largest and approached significance, and the correlation with vividness of auditory imagery was the smallest and not significant. The size of these correlations mirrored the extent to which the three aspects of imagery were valued by participants.


Author(s):  
Olave Krigolson ◽  
Geraldine Van Gyn ◽  
Luc Tremblay ◽  
Matthew Heath
Keyword(s):  

2000 ◽  
Author(s):  
Rita E. Anderson ◽  
Heather Paterson

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