Since the attacks of September 11 2001, there has been a marked decline in the number of military comedy films in American cinema. Films like Buffalo Soldiers, a film made prior to September 11 but released in 2003, show how this change first started. Whereas, prior to 2001, military comedies were generally accepted and even profitable, after 2001 the genre effectively disappeared and still to this day has not re-emerged despite military non-comedy films making a clear resurgence after 2008. In this article, the author explores how and why military comedies have declined over time by making comparisons of how popular both military comedy and non-comedy films were in prior periods and today. The purpose of this is to show how the decline of military comedies since 2001 is a symptom of a greater political trend within American political development, specifically the civil–military divide. As this divide has grown in the post-military draft period in the United States, an event like September 11 seems to have ruptured the general acceptability of laughing at the military, which remains improper in cinema to this day. Finally, he examines some of the political consequences of this lack of laughter at the military within the greater political and film studies literature, which include growing tacit support for the military and how the narratives within some of these films leave little room for American civilians to comedically view the military that defends them.
Redrafting the Selective Service Act: Women and the Military Draft
