scholarly journals DIASPORIC IDENTITY: MIRRORING CHITRA BANERJEE DIVAKARUNI

2020 ◽  
Vol 8 (8) ◽  
pp. 1223-1226
Author(s):  
Parmendra Kumar Mishra ◽  
Keyword(s):  
Diasporic Identity ◽  
Chitra Banerjee Divakaruni

A DYSTOPIAN VISION IN THE PALACE OF ILLUSION- A CRITICAL STUDY

2021 ◽  
pp. 11-12
Author(s):  
Simran Siwach
Keyword(s):  
South Asian ◽  
The United States ◽  
Asian Immigrants ◽  
Critical Study ◽  
Psychological Approach ◽  
South Asian Immigrants ◽  
Indian American ◽  
Alternative Perspective ◽  
Chitra Banerjee Divakaruni ◽  
Indian Epic

Chitra Banerjee Divakaruni is an author, poet, activist and professor. She is considered an Indian American writer. Divakaruni often focuses on the experience of South Asian immigrants and her works are largely set in India and the United States. The present paper deals with the reading of Chitra Banerjee Divakaruni's remarkable historical ction- “The Palace of Illusion”. A number of researches have been done on this work with a Feminist and Psychological approach. This research paper will attempt the analyzing the work with an alternative perspective which is a Dystopian vision. With answering these questions- How Divakaruni's work- 'The palace of Illusion' is re-imaging the protagonist's perspective in a dystopian society instead of retelling the Indian epic? How dystopian vision is an appropriate choice for analyzing the present work? The paper will also argue that Dystopia is not just bounded to science ction although it can also be related to other genres of ction.

scholarly journals IDENTITAS DIASPORIS TIGA GENERASI PEREMPUAN CINA DALAM ONLY A GIRL KARYA LIAN GOUW (Diasporic Identity of Three Generations of Chinese Females in Only A Girl Written by Lian Gouw)

ATAVISME ◽  
2019 ◽  
Vol 22 (1) ◽  
pp. 15-31
Author(s):  
Ratna Asmarani
Keyword(s):  
Literary Analysis ◽  
Close Reading ◽  
Female Characters ◽  
Great Role ◽  
Two Cultures ◽  
Three Generations ◽  
Library Research ◽  
Diasporic Identity ◽  
The Social ◽  
Family House

Identity is crucial in a person’s life. Diasporic identity is much more complicated because it involves at least two cultures. The focus of this paper is to analyze the diasporic identity of three generations of diasporic Chinese females as represented in Lian Gouw’s novel entitled Only a Girl. The data and supporting concepts are compiled using library research and close reading. The qualitative analysis is used to support the contextual literary analysis combining the intrinsic aspect focusing on the female characters and the extrinsic aspects concerning diaspora and identity. The results shows that each Chinese female character has tried to construct her own diasporic identity. However, the social, cultural, political, educational, and economic contexts play a great role in the struggles to construct the diasporic identity. It can be concluded that the younger the generation, the braver their effort to construct their diasporic identity and the braver their decision to take a distance with the big family house eventhough they have to face stronger and more complicated conflicts to realize and actualize their personal construction of diasporic identity.

scholarly journals Understanding Currents and Theories in Indian and African Postcolonial Literature: Themes, Tropes and Discourse in the Wider Context of Postcolonialism

2020 ◽  
Vol 25 (2) ◽  
pp. 379-393
Author(s):  
Shivani Ekkanath
Keyword(s):  
Postcolonial Studies ◽  
Postcolonial Literature ◽  
Special Focus ◽  
Colonial Literature ◽  
Literary Works ◽  
Post Colonial ◽  
Diasporic Identity ◽  
The Voice ◽  
Diaspora And Transnationalism

The postcolonial narratives we see today are a study in contrast and tell a different tale from their colonial predecessors as minorities and individuals finally have found the voice and position to tell their stories. Histories written about our culture and societies have now found a new purpose and voice. The stories we have passed down from generation to generation through both oral and written histories, continue to morph and change with the tide of time as they re-centre our cultural narratives and shared experiences. As a result, the study of diaspora and transnationalism have altered the way in which we view identity in different forms of multimedia and literature. In this paper, the primary question which will be examined is, how and to what extent does Indian post-colonial literature figure in the formation of identity in contemporary art and literature in the context of ongoing postcolonial ideas and currents? by means of famous and notable postcolonial literary works and theories of Indian authors and theoreticians, with a special focus on the question and notion of identity. This paper works on drawing parallels between themes in Indian and African postcolonial literary works, especially themes such as power, hegemony, east meets west, among others. In this paper, European transnationalism will also be analysed as a case study to better understand postcolonialism in different contexts. The paper will seek to explore some of the gaps in the study of diasporic identity and postcolonial studies and explore some of the changes and key milestones in the evolution of the discourse over the decades.

Witnessing Trauma: Abjection and Sadomasochism in Trần Vũũ's Short Stories

2008 ◽  
Vol 3 (2) ◽  
pp. 66-100
Author(s):  
Christine Cao
Keyword(s):  
Short Stories ◽  
Asian American ◽  
Sexual Deviance ◽  
Psychic Trauma ◽  
Diasporic Identity ◽  
Trauma Informed

This article analyzes three short stories of refugee expulsion, immigrant displacement, and exilic return by contemporary writer Trần Vũũ. Beyond the binary of nostalgia and assimilation, Vietnamese diasporic identity emerges in these narratives as the tenuous subject of physical and psychic trauma. Informed by postcolonial theories of diasporic identity, Asian American scholarship on racial abjection, and psychoanalytic and feminist analyses of trauma and sexual deviance, I argue that the characters in these stories either succumb to or subvert the unwitting repetition of trauma in their attempts to challenge, if only precariously, patterns of domination through sadomasochism and counternationalist historiography.

Assia Djebar: Algerian Images-son in Experimental Documentaries

2017 ◽  
Author(s):  
Stefanie Van de Peer
Keyword(s):  
Assia Djebar ◽  
African Woman ◽  
North African ◽  
Historical Reality ◽  
International Trends ◽  
Political Experience ◽  
Diasporic Identity ◽  
Feminist Work ◽  
Creative Production

This case study looks at French-Algerian author Assia Djebar, who made two little-known films. This chapter is an exploration of the limited but highly complex and challenging work of an important pioneering North African woman. Algeria’s particularly complex historical and political experience of independence from France, its relationship with Islam and its war-torn historical reality, have determined the lacunae in creative production. As some of the only films to ever have been made by an Algerian woman, La Nouba (1978) and La Zerda (1982) are masterpieces of feminist and anti-colonialist filmmaking. La Nouba is an explicitly feminist work, a documentary interlaced with experimental, symbolic fragments referring to international trends in feminist filmmaking in the seventies. As scholars of Algerian cinema have stated, cinema in the country is steeped in amnesia, consisting of fictional efforts that look away from reality. This chapter frames Djebar’s films differently from previous readings, and draws more challenging conclusions with regard to her transnational identity and her approach to women. More than feminist films, they reveal the filmmaker’s struggle with her own diasporic identity.

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