Management of the Dutch Waddensea

1984 ◽  
Vol 16 (3-4) ◽  
pp. 485-495 ◽  
Author(s):  
D Vreugdenhil
Keyword(s):  
The Netherlands ◽  
Middle Ages ◽  
Human Activities ◽  
Nature Reserve ◽  
The Other ◽  
Hydrological Processes ◽  
Dutch Government ◽  
Shallow Sea ◽  
Management Objectives ◽  
Late Middle Ages

It was not until the late Middle Ages that the sea penetrated far into the interior of The Netherlands, thus flooding three quarters of a million hectares of land. Since then half a million hectares have been reclaimed from the sea. The Dutch Government chose to preserve the remaining quarter of a million hectares of shallow sea with mudflats of the Waddensea as a nature reserve. The management objectives are at one hand to preserve all characteristic habitats and species with a minimal interference by human activities in geomorphological and hydrological processes, and at the other hand to guarantee the safety against the sea of the inhabitants of the adjacent mainland and islands and to facilitate certain economic and recreational uses of the Waddensea without jeopardizing the natural qualities. These objectives are being elaborated in managementplans.

A new attribution to Brassart?

1994 ◽  
Vol 3 (1) ◽  
pp. 23-43
Author(s):  
Peter Wright
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
The Other ◽  
Late Middle Ages

A badly trimmed ascription can be more a matter for relish than regret: if enough of the composer's name survives to permit informed speculation, the musicologist's sense of pleasure is likely to outweigh his sense of loss. Most musical manuscripts from the late Middle Ages have visibly suffered at the hands of the binder's knife, but perhaps none more so than the famous ‘Aosta Manuscript’ (I-AO15), one of the central sources of early fifteenth-century sacred polyphony. In his inventory of the manuscript Guillaume de Van reported no fewer than twenty names as surviving in varying states of incompleteness. In fifteen instances he was able to decipher the composer's name or supply it from the manuscript's index or a concordant source, while the other five apparently defeated him. Two of the names have since been deciphered, and a third has been identified from another source, but the remaining two have attracted no further comment.

The Contours of the Non-Lutheran Reformation in Germany, 1522–1546

2021 ◽  
Vol 101 (2-3) ◽  
pp. 167-174
Author(s):  
James M. Stayer
Keyword(s):  
Roman Empire ◽  
Middle Ages ◽  
Roman Catholic ◽  
Holy Roman Empire ◽  
The Other ◽  
Alternative View ◽  
Late Middle Ages ◽  
The Common

Abstract Among the common ways of portraying Reformation divides are the following categories: Magisterial vs Radical Reformations; or a “church type” vs a “sect type” of reform. This essay offers an alternative view. It underscores the differences between Lutherans and Anglicans on one side; and the Reformed, Anabaptists, and Schwenckfelders on the other. The Lutherans, like the Anglicans under Henry VIII, worshipped in altar-centered churches which were Roman Catholic in appearance. They presented themselves as reformers of Catholic errors of the late Middle Ages. By contrast, when the Reformed, Anabaptists, and Schwenckfelders met for worship, it was in unadorned Bible-centered meeting houses. The Anabaptists were targeted for martyrdom by the decree of the Holy Roman Empire of 1529 against Wiedertäufer (“rebaptists”). Contrary to the later memory that they practiced a theology of martyrdom, the preference of apprehended Anabaptists was to recant.

scholarly journals Between health and pleasure

2019 ◽  
Vol 1 (2) ◽  
pp. 182
Author(s):  
Hélène Jawhara Piñer
Keyword(s):  
Middle East ◽  
Iberian Peninsula ◽  
Middle Ages ◽  
Healthy Food ◽  
The Other ◽  
Late Middle Ages ◽  
Other Hand ◽  
Good For ◽  
Medical Treatises ◽  
Medical Recommendations

Between pleasure and health, why should we have to choose? Though this combination did not mainly concern the culinary tradition of the Christian Middle Ages, on the other hand, it fits fully into an Arabic tradition of both East and West of the said period. In the late Middle Ages under Islamic domination, doctors, agronomists or botanists, offer –through multiple medical treatises on food or agriculture–, culinary recipes good for health. Thus, for Ibn Rush, Ibn Rāzī, Avicenne or Maimonides –as for many others scholars–, foodstuffs play a key role in its benefits for health. In this way, cookbooks occupy pride of place in this alliance between health and cooking. Therefore, the culinary recipes of half a dozen cookbooks of the Muslim Middle East dating back to the 10th-14th centuries, suggest this combination: listen to your body, take pleasure when you eat, do it according to your health and eat in a measured way. Cookbooks of the Iberian Peninsula written in Arabic in the Dar al-Islam testify to the transmission –from the Muslim Middle East– of the medico-culinary tradition based on humoral theory and culinary practices. This paper will focus on the place occupied by dietetic in the first known cookbook of the Iberian Peninsula: the Kitāb al-ṭabīẖ [The cookbook]. Its anonymous author quote Galen and Hippocrates that, therefore, inscribes the Kitāb al-ṭabīẖ in the influence of the Greek dietetic tradition. Furthermore, the knowledge of the anonymous author concerning medicine, dietetic, and cuisine is undeniable. Through half a thousand recipes, I will first present a reflection on this source commonly named “The Cookbook”, and then underscore the proportion of dishes containing medical recommendations. Then I will offer an approach to frequently used foodstuffs in the recipes where health seems to take precedence over the pleasure of eating the dish. Curing the illness, avoiding it, take pleasure, what is the goal of the culinary recipes? Thus, the aim is to identify both the most common dietetics recommendations and the disease that seem the most important to avoid. Finally, I will provide a glimpse of one of the most characteristic culinary recipes of this alliance health/pleasure that can offer the Andalusian cookbook. A brief reflection can be conducted on the current phenomenon that shows the willingness to return to healthy food which recommendations can be found in the cookbooks dating from the Middle Ages.

The Devil Wears White: Teutonic Knights and the Problem of Evil in Polish Historiography

2019 ◽  
Vol 46 (1) ◽  
pp. 135-155
Author(s):  
Adam Kożuchowski
Keyword(s):  
Middle Ages ◽  
Point Of View ◽  
The Other ◽  
Historical Imagination ◽  
Historical Discourse ◽  
Late Middle Ages ◽  
The Problem Of Evil ◽  
The One ◽  
The Devil ◽  
Teutonic Knights

This paper addresses the intersection of moral condemnation, national antagonism, and civilizational critique in the images of the Teutonic Order as presented in Polish historical discourse since the early nineteenth century, with references to their medieval and early modern origins. For more than 150 years, the Order played the role of the archenemy in the historical imagination of Poles. This image is typically considered an element of the anti-German sentiment, fueled by modern nationalism. In this paper I argue that the scale and nature of the demonization of the Teutonic Knights in Polish historiography is more complex, and should be interpreted in the contexts of pre-modern religious rhetoric on the one hand, and the critique of Western civilization from a peripheral or semi-colonial point of view on the other. The durability and flexibility of the black legend of the Order, born in the late Middle Ages, and adapted by Romantic, modern nationalist, and communist historians, makes it a unique phenomenon, surpassing the framework of modern nationalism. It is the modern anti-German stereotype that owes much to this legend, rather than the other way around.

scholarly journals West-Eastern Poetic Compositions of the First Third of the 19th Century: from Goethe’s Divan to the ‘Sonnet/Ghazal’ by Mickiewicz / Topczi-Baszy

2020 ◽  
Vol 5 (3) ◽  
pp. 68-103
Author(s):  
Alexander B. Kudelin
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
The Other ◽  
Poetic Form ◽  
The West ◽  
Persian Version ◽  
Late Middle Ages ◽  
Other Hand ◽  
The 19Th Century ◽  
Persian Translation

The article is concerned with reciprocity between Western and Eastern literatures of the 19th century, when Orientalist motives began to take hold in European writings. Goethe, in his “West-Östlicher Divan” (1819), attributed this interest to the everlasting excellence and value, which the Eastern masterpieces hold for the West. However, as it is clear nowadays, the ‘West-Eastern’ compositions cannot be seen as truthfully retaining the spirit of the Eastern classics, which was based on a different system of meanings and values. On the other hand, it became clear that the Eastern reception of these European works in the 19th century could not be true to the Western original, either, since even most progressive Eastern literatures of the time kept to artistic principles and system of genres of the Late Middle Ages. Against this historical and critical background, the article investigates the outcome of one venture — the emergence of a Persian translation of Adam Mickiewicz’s poem, commissioned by himself for his “Sonnets” (1826). Dzafar Topczi-Baszy adjusted the sonnet for an Eastern audience. Having presented his translation as a sample of the medieval genre of tadhkira (which has to contain both biographical and anthological features), Topczi- Baszy supplied the Persian version of the poem with facts about Mickiewicz; he cast the poem into a Persian poetic form — ghazal; he replaced the elements of Romantic imagery with the Eastern ones.

scholarly journals Bohemian rulers of the Luxembourg dynasty and the Poděbrady family in the medieval Silesian and Kłodzko chronicles of canons regulars in Kłodzko, Wrocław and Żagań

2021 ◽  
Vol 18 (1) ◽  
pp. 5-19
Author(s):  
Katarzyna Chmielewska ◽  
Keyword(s):  
Middle Ages ◽  
General Information ◽  
The Other ◽  
Local Society ◽  
Late Middle Ages

The author based on three monastery chronicles of the Late Middle Ages analyses the method of portraying the Bohemian kings from the Luxembourg and Poděbrady families and tries to point out factors which influenced this method of chronicle narration. The sources for this article are canons’ regulars chronicles in Żagań, Wrocław and Kłodzko: Catalogus abbatum Saganensium, Chronica abbatum Beatae Mariae Virginis in Arena i Cronica Monasterii Canonicorum Regularium in Glacz. The figures of rulers appear in the chronicles mainly in the context of their relationships with the particular monastery, especially when it comes to property matters: granting, rights and taxes. The other aspect in which the rulers are mentioned in the chronicles are the conflicts between secular and Church power. From the analysis of the texts a conclusion can be drawn that the picture of the rulers is diverse in different places where the chronicles were written and the attitude of the local society towards the particular ruler. It is best seen on the example of George of Poděbrady, a Hussite on the Bohemian throne. The chronicle of Żagań has a separate position – apart from the local issues, it presents the general information, unrelated to Church, including the ruling persons.

Virtual Segments: The Hexachordal System in the Late Middle Ages

2006 ◽  
Vol 23 (3) ◽  
pp. 426-467 ◽  
Author(s):  
STEFANO MENGOZZI
Keyword(s):  
Middle Ages ◽  
Music Theory ◽  
The Other ◽  
Sight Singing ◽  
Late Medieval ◽  
15Th Century ◽  
Late Middle Ages ◽  
Medieval Music ◽  
Basic Distinction ◽  
Medieval Music Theory

ABSTRACT Music-theoretical writings from the 13th to the 15th centuries maintained a basic distinction between two types of major sixth, customarily labeled hexachordum and deductio (or proprietas). The term hexachordum, more frequently called tonus (or semitonus) cum diapente, designated the interval of a major of minor sixth, frequently expressed by pitch letters only (such as G-e and A-F) and discussed independently of Guidonian solmization. On the other hand, proprietas and deductio indicated a ““virtual segment”” (the set of six syllables ut-la) that could be employed for the purpose of sight singing. Neither set challenged the conceptual primacy of the seven claves, expressed by the letters A-G. Hexachordum was routinely described as a portion of the octave, and the late-medieval notion of proprietas still reflected the principle of octave duplication, which had regulated musical practice since pre-Guidonian times. The ““two-tier”” model of diatonic space encountered in medieval music theory, based on the superimposition of Guido's six syllables onto the seven pitch letters, came to an end in the late 15th century, when authors such as Ramos de Pareja and Franchino Gafori began describing the Guidonian deductio——which they called hexachordum——as the primary mode of organization of the gamut that had superseded the Greek tetrachordum.

The Rabbi and the Mancebo: Arévalo and the Location of Affinities in the Fifteenth Century

2018 ◽  
Vol 24 (1-3) ◽  
pp. 197-225
Author(s):  
Eleazar Gutwirth
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
The Other ◽  
Common Elements ◽  
Late Middle Ages ◽  
The Status ◽  
The Difference ◽  
Historical Moment ◽  
The Town

Abstract The background to this paper is the difference between occasionally atemporal and multinational approaches and local, historical approaches to religious ideas and encounters. The chosen example is that of two authors from one town (Arévalo) and one historical moment (fifteenth-century Castile). The article attempts firstly to identify stylistic, rhetorical, and literary elements in the historiographic traditions about the reputation of the town. Secondly it points to the changes in the status of the town in the late Middle Ages that affected Christians, Muslims, and Jews. Thirdly, after identifying certain tendencies in the writings of the two authors from the town, one Muslim (known as the Mancebo de Arévalo) and the other Jewish, Rabbi Yosef ibn Ṣaddiq de Arévalo, it searches for affinities and common elements in their attitudes.

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