scholarly journals Problems of media ownership in Serbia

2016 ◽  
pp. 475-488
Author(s):  
Irina Milutinovic
Keyword(s):  
Public Interest ◽  
Market Model ◽  
Media Policy ◽  
Global Media ◽  
Media Ownership ◽  
Public Discussion ◽  
Media System ◽  
Current Trends ◽  
In The Beginning ◽  
New Millennium

Different implications of media ownership on democratic capacity of Serbian society in the beginning of the new millennium are analyzed in the paper. The frame of the research is democratic and market model of media policy which was established after political changes in Serbia in 2000. The aim of the paper is to identify the main problems of media ownership in Serbia in the process of adjustment to the European media policy. In order to understand the genesis of marked problems, they are observed in the context of current trends on wider - global - media market. It can be concluded that democratic and market model of media system does not guarantee the conditions for democratic public discussion and satisfaction of public interest.

Monopoly Control over Digital Infrastructures

2019 ◽  
pp. 104-135
Author(s):  
Victor Pickard
Keyword(s):  
Public Interest ◽  
News Media ◽  
Media Policy ◽  
Media Content ◽  
Ownership Structures ◽  
Media System ◽  
Digital Divides

Chapter 4 brings into focus various structural threats to journalism, including monopoly control over media infrastructures, the loss of public interest protections, digital divides, and the “Facebook problem.” It examines how monopolies—from platforms to traditional conglomerates and broadband cartels—threaten the entire news media system. The chapter goes on to provide an overview of why media policy matters for journalism and how different ownership structures affect media content. It then concludes with an in-depth discussion of Facebook’s relationship to journalism and the different schools of thought on how we should rein in monopolies.

The Samarin Family and the Parish Question in the Russian Empire. 1860s–1910s

2019 ◽  
Vol 54 ◽  
pp. 235-246
Author(s):  
Alexey L. Beglov
Keyword(s):  
Twentieth Century ◽  
Russian Empire ◽  
Public Discussion ◽  
The Public ◽  
The Social ◽  
Church Life ◽  
The Russian Empire ◽  
In The Beginning ◽  
The Church ◽  
Do So

The article examines the contribution of the representatives of the Samarin family to the development of the Parish issue in the Russian Empire in the late 19th and early 20th centuries. The issue of expanding the rights of the laity in the sphere of parish self-government was one of the most debated problems of Church life in that period. The public discussion was initiated by D.F. Samarin (1827-1901). He formulated the “social concept” of the parish and parish reform, based on Slavophile views on society and the Church. In the beginning of the twentieth century his eldest son F.D. Samarin who was a member of the Special Council on the development the Orthodox parish project in 1907, and as such developed the Slavophile concept of the parish. In 1915, A.D. Samarin, who took up the position of the Chief Procurator of the Most Holy Synod, tried to make his contribution to the cause of the parish reforms, but he failed to do so due to his resignation.

Digitally Mediated Identity in the Cases of Two Sámi Artists

2017 ◽  
Author(s):  
Ann Werner
Keyword(s):  
Cultural Issues ◽  
Global Media ◽  
Dominant Form ◽  
Industry Studies ◽  
Media System ◽  
Internet Users ◽  
System P ◽  
Music Consumption ◽  
History Of ◽  
Streaming Services

This chapter explores identity issues in commercial streaming services, which have grown steadily in the 2010s to become the dominant form of music consumption in the Nordic countries, with about 60% of all Internet users in 2015. The chapter offers an alternative to the dominant trend in music industry studies by focusing not on the industry’s interests but instead on broader cultural issues. The chapter presents case studies of two female Sámi artists and their representations on Spotify, YouTube, MySpace, and artists’ websites, taking various aspects of the services into account, including the interface and the algorithm-based recommendations. Informed by feminist cultural studies, the argument is that the industry continues a history of reinforcing stereotypes of ethnicity, indigeneity, and femininity. Thus, commercial streaming is not only making music available to global audiences, it is also selling images of Otherness within an unequal capitalist global media system.

Assessment of public interest and current trends in testosterone replacement therapy

2021 ◽  
Author(s):  
Wade Muncey ◽  
Danly Omil-Lima ◽  
Erin Jesse ◽  
Karishma Gupta ◽  
Ahmed ElShafei ◽  
...  
Keyword(s):  
Replacement Therapy ◽  
Public Interest ◽  
Testosterone Replacement ◽  
Testosterone Replacement Therapy ◽  
Current Trends

022 Assessment of Public Interest and Current Trends in Testosterone Replacement Therapy

2021 ◽  
Vol 18 (3) ◽  
pp. S13
Author(s):  
W. Muncey ◽  
E. Jesse ◽  
D. Omil-Lima ◽  
K. Gupa ◽  
N. Thirumavalavan
Keyword(s):  
Replacement Therapy ◽  
Public Interest ◽  
Testosterone Replacement ◽  
Testosterone Replacement Therapy ◽  
Current Trends

Re-Visiting Tom O’Regan’s Australian Television Culture: Why Media Ownership, Regulation and Policy Still Matter

2021 ◽  
Vol 180 (1) ◽  
pp. 17-23
Author(s):  
Anna Potter
Keyword(s):  
Media Industries ◽  
Media Policy ◽  
Television Studies ◽  
Media Ownership ◽  
Ownership Structures ◽  
Analytical Frameworks

Almost 30 years after its publication, Tom O’Regan’s innovative and ambitious, multi-layered analysis of Australian television culture remains an important text for contemporary scholars of television studies, cultural and communications studies, and media industries. In this article, I re-visit the multiple lessons of value that we can take from Australian Television Culture and its distinctive analytical frameworks. Two of the book’s key areas of focus, media ownership structures, and media policy and regulation are explored further, including in work Tom and I would go on to do together.

scholarly journals Media policy in the 21st century: from national interest to cultural stewardship

Matrizes ◽  
2015 ◽  
Vol 9 (1) ◽  
pp. 13
Author(s):  
Michael Curtin
Keyword(s):  
21St Century ◽  
First Century ◽  
Media Policy ◽  
Global Media ◽  
Cultural Expression ◽  
Policy Perspective ◽  
Commercial Media ◽  
Media Regulation ◽  
Media Institutions ◽  
Fundamental Shift

This essay provides a framework for understanding the twenty-first century dynamics of the global media economy. It has four central objectives: (1) explain the fundamental shift in media regulation engendered by neo-liberal globalization; (2) describe the operations of transnational commercial media enterprises and show how their practices and protocols have affected media institutions at the local, national, and regional levels; (3) identify issues that have risen to the forefront of media policy deliberations with respect to cultural expression and creative labor; and (4) elaborate an alternative policy perspective based on the principle of stewardship.

Mapping Global Media Policy: Concepts, Frameworks, Methods*

2010 ◽  
Vol 3 (2) ◽  
pp. 150-169 ◽  
Author(s):  
Marc Raboy ◽  
Claudia Padovani
Keyword(s):  
Media Policy ◽  
Global Media

scholarly journals FOLLOW THE MONEY: A LARGE-SCALE INVESTIGATION OF MONETIZATION AND OPTIMIZATION ON YOUTUBE

2020 ◽  
Author(s):  
Oscar Coromina ◽  
Ariadna Matamoros-Fernández ◽  
Bernhard Rieder
Keyword(s):  
Large Scale ◽  
The Other ◽  
Media Industries ◽  
Global Media ◽  
Media System ◽  
Critical Media ◽  
Revenue Streams ◽  
Dominant Actor ◽  
The One ◽  
The Relationship

While YouTube has become a dominant actor in the global media system, the relationship between platform, advertisers, and content creators has seen a series of conflicts around the question of monetization. Our paper draws on a critical media industries perspective to investigate the relationship between YouTube’s evolving platform strategies on the one side and content creators’ tactical adaptations on the other. This concerns the search for alternative revenue streams as well as content and referencing optimization seeking to grow audiences and algorithmic visibility. Drawing on an exhaustive sample (n=153.770) of “elite” channels (more than 100.000 subscribers) and their full video history (n=138.340.337), we parse links in video descriptions to investigate the appearance and spread of crowdfunding platforms like Patreon, but also of affiliate links, merchandise stores, or e-commerce websites like Etsy. We analyze the evolution of video length and posting frequency in response to platform policy as well as visibility tactics such as metadata and category optimization, keyword stuffing, or title phrasing. Taken together, these elements provide a broad picture of “industrialization” on YouTube, that is, of the ways creators seek to develop their channels into media businesses. While this contribution cannot replace more qualitative, in-depth research into particular channels or channel groups, we hope to provide a representative picture of YouTube’s elite channels and their quest for visibility and success from their beginnings up to early 2020.

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