scholarly journals On the saints represented in the Byzantine icon of the Triumph of Orthodoxy in the British Museum in London

2017 ◽  
pp. 251-278
Author(s):  
Tatjana Starodubcev
Keyword(s):  
British Museum ◽  
Byzantine Icon ◽  
Made In

The article is dedicated to the study of the saints depicted in the representation of the Triumph of Orthodoxy in the icon probably made in Constantinople around 1400 which is now kept at the British Museum in London. New identifications of certain figures are proposed. Questions are posed as to how the scene was shaped and which writings were the basis for its creation.

III.—A Portable Dial in the form of a book, with Figures derived from Raymond Lul

Archaeologia ◽  
1925 ◽  
Vol 74 ◽  
pp. 89-102 ◽  
Author(s):  
O. M. Dalton
Keyword(s):  
British Museum ◽  
Society Of Jesus ◽  
The North ◽  
The Subject ◽  
Lower Cover ◽  
Made In

The dial forming the subject of this paper, acquired by the British Museum in 1923, is of gilt copper, made in the form of a book, along the edges of which are inscribed in capitals the words: Lucerna instrumentalis | intellectus directiva | sive instrumentum sciendi. The dial-plate which is fixed in the interior has a compass and two very short gnomons. It is for use in the latitudes of 42 and 45, and would serve for Rome and one of the large towns in the North Italian plain, perhaps Milan or Venice. It was made at Rome in the year 1593, as shown by the inscription on the dial-plate. On the cover is a shield of arms, barry, and in chief the letters I H S surmounted by a cross, a feature perhaps indicating that the owner was a member of the Society of Jesus; a fuller device, in which the three nails of the Passion are seen below the sacred monogram and cross, occupies the centre of the figure on the outside of the lower cover. The identification of the arms presents difficulties. They might be those of the Caraffa (gules, three bars argent), a member of which family, Vincenzio Caraffa, was general of the Jesuits in 1645.

VI.—Researches at Rickmansworth: Report on Excavations made in 1914 on behalf of the British Museum

Archaeologia ◽  
1915 ◽  
Vol 66 ◽  
pp. 195-224 ◽  
Author(s):  
Reginald A. Smith ◽  
Henry Dewey
Keyword(s):  
British Museum ◽  
Vice President ◽  
Geological Survey ◽  
Leave Of Absence ◽  
High Terrace ◽  
Made In ◽  
At Home

After two short seasons spent in investigating the high terrace of the lower Thames, it was considered desirable to examine the gravel of a tributary, in order to equate if possible the various deposits in the two valleys, and to confirm or correct the sequence deduced from former excavatións at home and abroad. Two sites near Rickmansworth, at and just below the junction of the Gade and Colne rivers, have been known for years as productive of palaeoliths, and every facility was readily afforded for examining the gravel in pits at Croxley Green and Mill End by the respective owners, Gonville and Caius College, Cambridge, and Lord Rendlesham, and the lessees, the RickmansworthGravel Co., Ltd., and Messrs. Horwood Bros. Leave of absence was granted by the Trustees of the British Museum, and nine days were devoted to the work in October, the means being provided from a fund under the control of our Vice-President, Sir Hercules Read, Keeper of the Department concerned. Assistance from the geological side was given unofficially by Mr. Dewey, of H.M. Geological Survey, who has read through the paper in manuscript, and contributes an appendix dealing with some of the geological problems involved.

An Inscribed Lead Plaque from Korkyra

1971 ◽  
Vol 66 ◽  
pp. 79-93 ◽  
Author(s):  
P. Calligas
Keyword(s):  
British Museum ◽  
Lower Edge ◽  
The Right ◽  
Made In

In the store-rooms of the British Museum is kept a fragment belonging to a lead plaque which bears the traces of an inscription written boustrophedon in the Corinthian alphabet. This lead plaque was part of the collection of J. Woodhouse, which was made in Corfu, and following the death of the collector in 1866 was bequeathed to the British Museum.In 1868 the plaque was catalogued and described in the Museum's Register. According to a sketch, also included, it is clear that at that time more of it was preserved and that besides the upper and lower edge possibly the right end was also retained. It was described as containing seven lines of a boustrophedon inscription, of which only the first, second, and seventh lines were transcribed. The inscription was incomprehensible, and that may have been the reason for its not being published hitherto.

scholarly journals XIX. On the photographic arc spectrum of iron meteorites

1894 ◽  
Vol 185 ◽  
pp. 1023-1028
Keyword(s):  
Royal Society ◽  
Solar Spectrum ◽  
British Museum ◽  
Iron Meteorites ◽  
Electrolytic Iron ◽  
Comparison Spectrum ◽  
Size And Shape ◽  
Previous Communication ◽  
Oxyhydrogen Flame ◽  
Made In

In a communication to the Royal Society in 1887, I gave an account of certain experiments which I had made in connection with the spectra of various meteorites at various temperatures. The spectra were observed at the temperature of the oxyhydrogen flame and the electric spark without jar, and when glowed in vacuum tubes. Some larger specimens of the iron meteorites, Nejed and Obernkirchen, cut so that they were of a size and shape suitable for forming the poles of an arc lamp, having afterwards been kindly placed at my disposal by the Trustees of the British Museum, it became possible to study the arc spectra of these meteorites under very favourable conditions, all impurities introduced by the use of the carbon poles being thus avoided. The region of the spectrum photographed extends from K to D, in the case of each meteorite, and in addition to the solar spectrum, that of electrolytic iron, prepared by Professor Roberts-Austen, referred to in a previous communication, has been used as a comparison spectrum in one case.

The Meyrick Types of Scopariinae (Lepidoptera: Pyralidae) in the British Museum (Natural History), Exclusive of Hawaiian Species

1960 ◽  
Vol 92 (12) ◽  
pp. 891-897
Author(s):  
Eugene Munroe
Keyword(s):  
Natural History ◽  
British Museum ◽  
Type Material ◽  
Number Of Species ◽  
Hawaiian Species ◽  
Lepidoptera Pyralidae ◽  
Made In

The purposes of this paper are: (1) to validate a considerable number of lectotype selections made in the course of a revisional study of the Scopariinae, and (2) to give, for the convenience of students, a list of Meyrick holotypes and lectotypes in the collection of the British Museum (Natural History), which now contains the types of all but five of the large number of species described by Meyrick in this group. The Hawaiian species have been omitted as volume 8 of Zimmerman's Insects of Hawaii gives full particulars of the type material of Hawaiian Scopariinae, including Zimmerman's lectotype selections.

Two Archaic Terracottas

1954 ◽  
Vol 74 ◽  
pp. 177-177 ◽  
Author(s):  
R. A. Higgins
Keyword(s):  
British Museum ◽  
Made In

The British Museum recently bought by auction a number of terracottas in a lot together, of which two (1953, 4–10, 1 and 2) are of more than usual interest (Fig. 1). These are virtually identical and must have been made in the same mould. They are hollow, moulded front and back, and open underneath; there is no vent in the back. The modelling of the front is summary but careful: that of the back is sketchy in the extreme; this is due not to careless moulding, but to the cursory treatment of the back of the model from which the mould was made. The clay is rather coarse but homogeneous, pale orange in colour, and contains a fair amount of mica.

scholarly journals I.—On the Bone-beds of Pikermi, Attica, and on similar Deposits in Northern Eubœa

1901 ◽  
Vol 8 (11) ◽  
pp. 481-486 ◽  
Author(s):  
A. Smith Woodward
Keyword(s):  
British Museum ◽  
Geological Museum ◽  
The University ◽  
Made In ◽  
Bone Beds

At the suggestion of the British Minister at Athens, Sir Edwin H. Egerton, K.C.B., the Trustees of the British Museum recently undertook a series of excavations in the well-known bone-beds of Pikermi, in Attica, and I was honoured by being entrusted with the supervision of the work. The owner of the estate, Mr. Alexander Skousés, former Minister of War, most cordially assented, and gave every possible facility for the undertaking; while Sir Edwin Egerton's unflagging interest and zeal combined to ensure the greatest success. My wife and I went into residence at the farm of Pikermi early in April, and we continued to occupy the simple but comfortable room which Mr. Skousés had kindly placed at our disposal, until the cessation of digging in the middle of July. During much of the time we were accompanied by Dr. Theodore Skouphos, Conservator of the Geological Museum in the University of Athens, which claims some share of the results of all such excavations made in Greece. We have to thank him for much help in dealing with the workmen, who spoke only a language with which I was at first unfamiliar.

The enamelled baldric of Thomas Randolph, 1st Earl of Moray (c 1280–1332)

2021 ◽  
Vol 150 ◽  
pp. 49-62
Author(s):  
John Cherry
Keyword(s):  
British Museum ◽  
14Th Century ◽  
Made In

The baldric of Thomas Randolph, 1st Earl of Moray (died 1332), a companion in arms of King Robert I, was made in the first half of the 14th century and taken to England before 1604, since which time it has been attached to the Savernake horn, now in the British Museum. It is elaborately decorated with champlevé and translucent enamel, and bears the arms of argent three cushions gules within a royal tressure, which were adopted by Thomas Randolph after he was created Earl of Moray in 1312. The baldric shows Scottish heraldry and ownership, and so appears to be an example of Scottish enamelling. This article examines both the enamel decoration and the life of Thomas Randolph and suggests that there is a greater probability that it was made in France, possibly Paris or Avignon, rather than Scotland.

More Addenda from Toprak Kale.

1972 ◽  
Vol 22 ◽  
pp. 163-178 ◽  
Author(s):  
R. D. Barnett
Keyword(s):  
Preliminary Report ◽  
Model Building ◽  
British Museum ◽  
Present Writer ◽  
Wall Panel ◽  
Made In ◽  
Museum Conservation

Over twenty years have passed since the present writer first drew attention to the remarkable but completely forgotten archaeological discoveries made at the Urartian site of Toprak Kale, discoveries made in 1880 by Rassam and his associates, Dr. Raynolds and Captain Clayton, acting for the British Museum. I also summarised the results of the work in 1898 at the same site done by Lehmann (afterwards Lehmann-Haupt) and Belck; these finds are now all well-known. Since then, modern museum conservation work and study has resulted in several new achievements, such as in a fresh publication of the candelabrum at Hamburg Museum, the discovery and publication by Professor G. R. Meyer of a small silver pectoral at Berlin with a presentation scene and á detailed study by him also of the large bronze figure of a “eunuch” in the same museum. Professor Meyer also mentions a fine bronze palmette forming part of a wall panel of bronze plate made up of 17 fragments, also part of a bronze model building similar to that in the British Museum. Lastly, a brief preliminary report of the fruitful excavations of Professors Afif Erzen and Emin Bilgiç, in 1959–61, has been published. One of their most notable finds was another shield similar to those found by Rassam and Lehmann-Haupt with concentric friezes of lions and bulls and a dedicatory inscription of Rusas III.

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