The Pedagogy of Johann Sturm (1507-1589) and its Evangelical Inspiration

1966 ◽  
Vol 13 ◽  
pp. 200-219 ◽  
Author(s):  
Pierre Mesnard
Keyword(s):  
Sixteenth Century ◽  
The Other ◽  
Religious Movements ◽  
Cultural Institutions ◽  
Other Hand ◽  
The One

The period we are living in is perhaps the first in which the historian is well situated for understanding the sixteenth century. On the one hand, the various literary, political, and religious movements arising from the great historical crisis of the Renaissance all seem to have run their course, while the goals aimed at perhaps still lie ahead of us. On the other hand, the urgency of having cultural institutions better adapted to our world, both present and future, makes us better understand the rhythms of decomposition and creation which direct every age of widespread reform, and particularly that one.

scholarly journals Prodigious Births and Death in Childbirth in Le Palais des Nobles Dames, (Lyons, 1534)

1997 ◽  
Vol 33 (3) ◽  
pp. 43-62
Author(s):  
Brenda Dunn-Lardeau
Keyword(s):  
Sixteenth Century ◽  
Religious Faith ◽  
The Other ◽  
Gestation Length ◽  
Other Hand ◽  
The One

In 1534 Pierre de Sainte Lucie published Jehan Du Pré's Le Palais des Nobles Dames in which the treatment of the theme of prodigious births and death in childbirth is of particular interest compared to that of his sixteenth century contemporaries. On the one hand, the author's religious faith enables him to adopt a sympathetic attitude toward certain aspects of pregnancy such as unusual variations in gestation length. On the other hand, the same faith limits Du Pré's critical powers since it prevents him from distinguishing legend from reality. His conception of motherhood is confined to the biological level. Finally, the woodcuts represent midwives still playing a major role in obstetrics in contrast with their growing marginalization by surgeons in the fifteenth and sixteenth centuries.

scholarly journals Cinc edicions del Venturós Pelegrí a la Bibliothèque Mazarine de París

2015 ◽  
Vol 5 (5) ◽  
pp. 122
Author(s):  
Joan Mahiques Climent
Keyword(s):  
Sixteenth Century ◽  
The Other ◽  
French Translation ◽  
Modern Age ◽  
Other Hand ◽  
The One ◽  
The Way

Resum: El ms. 4504 de Bibliothèque Mazarine de París aplega, per una banda, cinc exemplars impresos de la “Peregrinació del Venturós Pelegrí” ab les “Cobles de la Mort” i, per altra banda, una còpia manuscrita parcial del Venturós Pelegrí amb una traducció francesa incompleta a cura de Josep Tastu (1787-1849), que s’encarregà de compilar tots els materials del volum. A banda de presentar el contingut general del ms. 4504, descrivim amb detall cada una de les cinc edicions, posant especial èmfasi en la més antiga, probablement datada de mitjan segle XVI o poc després. Pel fet d’ésser el testimoni més antic que coneixem del Venturós Pelegrí, aquest exemplar acèfal i àpode, estampat a línia seguida amb tres gravats encara visibles, aporta dades rellevants per al coneixement de les vies de difusió d’aquesta obra als segles XVI-XVII. Paraules clau: Edad Moderna, Poesia catalana, Impremta, Xilografia, Josep Tastu.  Abstract: The Ms. 4504 of the Bibliothèque Mazarine in Paris contains, on the one hand, five printed copies of the “Peregrinació del Venturós Pelegrí” ab les “Cobles de la Mort” and, on the other hand, a partial hand-written copy of the Venturós Pelegrí with an incomplete French translation by Josep Tastu (1787-1849), who compiled all the materials of this volume. Apart from presenting the general content of the ms. 4504, we describe in detail the five editions with particular emphasis on the oldest one, probably dating from the mid-sixteenth century or shortly thereafter. This printed book, now acephalous and apodous, in which the lines go all the way across the page, still preserves three woodcuts. As the earliest witness we know of the Venturós Pelegrí, this printed copy provides some evidences to understand the dissemination of this work during the sixteenth and seventeenth centuries.Keywords: Modern Age, Catalan poetry, Printing, Woodcut, Josep Tastu.

scholarly journals La rocca Paolina di Perugia. Da baluardo dell’inaccessibilità a landmark dell’accessibilità

X ◽  
2020 ◽  
Author(s):  
Paolo Belardi ◽  
Luca Martini ◽  
Valeria Menchetelli
Keyword(s):  
Nineteenth Century ◽  
Sixteenth Century ◽  
The Other ◽  
Historical Events ◽  
Continuous Evolution ◽  
Other Hand ◽  
The One

The Rocca Paolina of Perugia. From a fortress of inaccessibility to a landmark of accessibilityBuilt in the Perugia acropolis in the mid-sixteenth century as a physical expression of the oppressive reprisal of Pope Paul III against the city’s seigniory of the Baglioni family, the Rocca Paolina has always been hated by the Perugia people who, on several occasions during the nineteenth century, did not hesitate to demolish it. The historical events of this fortified architecture are ambiguously linked with its iconographic value, oscillating around a balance in continuous evolution that sees it on the one hand as a fortress of inaccessibility and on the other hand as a flywheel of accessibility.

Encountering the Present II

2018 ◽  
pp. 85-102
Author(s):  
Andy Kesson
Keyword(s):  
Sixteenth Century ◽  
Early Period ◽  
English Word ◽  
The Other ◽  
Classical Concept ◽  
Active Intervention ◽  
Vernacular English ◽  
Other Hand ◽  
Multiple Meanings ◽  
The One

This chapter rereads the generic boundaries of Shakespeare’s writing by exploring two different, and potentially opposed, meanings of the word ‘comedy’ in the sixteenth century. On the one hand, comedy was a recognizable classical concept, representing a range of generic possibilities with implications for tone, prosody, character range and narrative expectation. On the other hand, comedy had also become a vernacular English word which might mean little more than play or story, with no implication about content or style. This chapter suggests that Shakespeare was much more active than previously recognized in creating a dramatic genre built around self-consciously classical principles. The subsequent canonization of Shakespeare’s idiosyncratic take on the genre has in turn inflected the way the much more fluid work of his contemporaries has been read and understood. This chapter explores the multiple meanings of comedy in this early period alongside Shakespeare’s active intervention within it.

Language and dialect between past and future

2020 ◽  
pp. 296-302
Author(s):  
Raf Van Rooy
Keyword(s):  
Sixteenth Century ◽  
Common Knowledge ◽  
The Other ◽  
Viable Option ◽  
Modern Language ◽  
Other Hand ◽  
The One ◽  
Societal Role

Chapter 24 surveys the book’s main arguments, which include especially the emergence of the modern language / dialect distinction during the early sixteenth century and the subsequent formulation of its main interpretations. Above all, however, this chapter emphasizes that the language / dialect distinction unmistakably has a history, for too long neglected, and that it is not a timeless and self-evident given. Having established its historicity, Chapter 24 fields the question of whether the conceptual pair has a future, to which an answer, both tentative and brief, is offered. On the one hand, it is suggested that a reconceptualization of the distinction can be a viable option. On the other hand, the fact that the conceptual pair has become common knowledge gives linguists not only the opportunity but also, and especially, the responsibility to take on a more prominent societal role in language / dialect disputes.

scholarly journals Die gestaltes van Philipp Melanchthon se Spreukekommentaar

2017 ◽  
Vol 73 (4) ◽  
Author(s):  
James Alfred Loader
Keyword(s):  
Sixteenth Century ◽  
Martin Luther ◽  
The Other ◽  
John Calvin ◽  
Teaching Activities ◽  
Other Hand ◽  
Philipp Melanchthon ◽  
The One ◽  
German Universities ◽  
The Way

This article argues the following thesis: The distinctive characteristics of Philipp Melanchthon’s Explicatio Proverbiorum Salomonis (1525 and following years) and the differences between the several editions or versions of it can only partly be explained by the origins of the book in Melanchthon’s teaching activities during the ferment at German universities in the course of the sixteenth century Reformation. Both the peculiarities of the commentary itself and the way several differing versions of it were tolerated alongside one another only become explicable when a theological consideration is brought into the equation. On the one hand this resides in the view of Holy Scripture shared by Melanchthon and Martin Luther, and on the other hand in the humanist notion of context that Melanchthon’s exegetical work had in common with that of John Calvin.

‘An Honourable and Elect Lady’: The Faith of Isabel, Lady Bowes

1999 ◽  
Vol 12 ◽  
pp. 407-419
Author(s):  
Christine M. Newman
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
The Other ◽  
Other Hand ◽  
The Reformation ◽  
The Family ◽  
The One

The Bowes of Streatlam, in the bishopric of Durham, were notable on two counts in the later part of the sixteenth century. On the one hand, they were highly regarded for their uncompromising loyalty to the Crown, an attachment which was to bring them disastrously close to the brink of financial ruin under the parsimonious Elizabeth, who repeatedly failed to reimburse and compensate them for activities undertaken in her name. On the other hand, the family was particularly noted in the religiously conservative north for its staunch adherence to the Protestant faith. The seeds of this Protestantism were in evidence from the earliest years of the Reformation, but it was given greater definition and inspiration by the example of Elizabeth Bowes, the ardent adherent and later mother-in-law of the Scottish reformer John Knox. Yet, if Elizabeth was the first, she was certainly not the only uncompromisingly Protestant matron in the Bowes family during this period. Towards the end of the sixteenth and beginning of the seventeenth century the second wife of her grandson Sir William Bowes was to assume Elizabeth’s spiritual mantle, thereby reinforcing still further the family’s attachment to the Reformed faith.

scholarly journals Utilité et diversité du «romanzo»: Giraldi Cinzio et le contexte français

2003 ◽  
Vol 39 (2) ◽  
pp. 65-75
Author(s):  
Mawy Bouchard
Keyword(s):  
Sixteenth Century ◽  
The Other ◽  
The Novel ◽  
Internal Logic ◽  
Other Hand ◽  
Narrative Practice ◽  
The One

Great epic theories of the Renaissance, mainly inspired by Aristotelian poetics, do not deal with the most widely spread narrative practice of the sixteenth century. The first theoretician of the novel (“romanzo”), Giraldi Cinzio, whose “pre-aristotelian” conception might seem a little backward, establishes a break between ancient and modern narrative. The two traditions are based on different notions of the text: on the one hand, as an object of contemplation with its own internal logic; on the other hand, as an instrument of edification dedicated to the pleasure of and usefulness to as wide and “diverse” a readership as possible. The Giraldian model is more often observed in France, contrary to what the Pléiade accustomed its readers to believe.

scholarly journals ‘The Edification of the Church’: Richard Hooker’s Theology of Worship and the Protestant Inward / Outward Disjunction

Perichoresis ◽  
2014 ◽  
Vol 12 (1) ◽  
pp. 3-18
Author(s):  
W. Bradford Littlejohn
Keyword(s):  
Sixteenth Century ◽  
Roman Catholic ◽  
The Other ◽  
Clear Distinction ◽  
Catholic Theology ◽  
Other Hand ◽  
The One ◽  
The Church ◽  
Public Worship

ABSTRACT Sixteenth-century English Protestants struggled with the legacy left them by the Lutheran reformation: a strict disjunction between inward and outward that hindered the development of a robust theology of worship. For Luther, outward forms of worship had more to do with the edification of the neighbour than they did with pleasing God. But what exactly did ‘edification’ mean? On the one hand, English Protestants sought to avoid the Roman Catholic view that certain elements of worship held an intrinsic spiritual value; on the other hand, many did not want to imply that forms of worship were spiritually arbitrary and had a merely civil value. Richard Hooker developed his theology of worship in response to this challenge, seeking to maintain a clear distinction between the inward worship of the heart and the outward forms of public worship, while refusing to disassociate the two. The result was a concept of edification which sought to do justice to both civil and spiritual concerns, without, pace Peter Lake and other scholars, conceding an inch to a Catholic theology of worship

scholarly journals To cross ten seas: Calvin on the unity of the church – a contribution to a more responsible ecclesiology

2010 ◽  
Vol 44 (2) ◽  
Author(s):  
J.H. Van Wyk
Keyword(s):  
Sixteenth Century ◽  
Catholic Church ◽  
The Other ◽  
Church Of Christ ◽  
Protestant Churches ◽  
Other Hand ◽  
Church Father ◽  
The One ◽  
Biblical Teaching ◽  
The Church

As far as ecclesiology is concerned, Calvin experienced a great dilemma during his lifetime. On the one hand, there was the clear teaching of Scripture on the unity of the church of Christ, as confirmed by the great church father Augustine. On the other hand, a separation from the Catholic Church of the sixteenth century was unavoidable. Calvin wrestled intensely with this problem and tried to adhere to biblical teaching on unity. He was disappointed that the Protestant churches distanced them-selves from the theme of unity and declared himself willing to cross ten seas in order to recapture this unity. This leaves us with the question to what extent the reformational churches today take the (visible) unity of the church of Christ seriously.

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