"The Self-Same Song that Found a Path": Keats and The Great Gatsby

1971 ◽  
Vol 42 (4) ◽  
pp. 521 ◽  
Author(s):  
Dan McCall
2017 ◽  
Vol 6 (2) ◽  
pp. 299
Author(s):  
Zamira Hodo

The American Dream is one of the most important issues, which has drawn the attention of literary criticism through many years. It represents the ideals of a nation: equality, liberty, pursuit of happiness and democracy; ideals that have been understood in different ways by people. The real values related to these ideals changed and deviated from what it was meant into the enormous desire and greed for wealth and power. Fitzgerald tried to reveal that social discrimination is present and no one is treated as equal to others. The following research over the novel “The Great Gatsby” demonstrates how the dream cannot be successful because of the way it is misunderstood by the society and people’s materialism view of modern life. The characters and their attitudes through the chronology of the story are the embodiment of disappointment and the lack of moral values in the pursuance of a dream. Qualitative research used in this study aims to give a clear image and a deep analysis of the novel’s major themes, symbols, the period of writing, author’s life, various perspectives of the American Dream and its failure. We expect this thesis to be a good guide for further readings and projects with an explicit goal that the achievement of a dream does not necessarily requires the loss of the self and an excessive significance to what ruins the personal and the others future.


2020 ◽  
pp. 41-62
Author(s):  
Mark Sandy

This chapter argues that sympathetic ambivalence is the hallmark of F. Scott Fitzgerald’s mode of narration (for instance, exemplified in The Great Gatsby (1925) by Nick Carraway’s curious ambivalence towards the subject of his narration, Jay Gatsby). Paradoxically, Fitzgerald portrays subjectivity as involved in both an intimate immediacy from within and an incisive viewpoint marshalled from without. Fitzgerald’s narrative technique – one of empathetic engagement and critical distance – constitutes a form of Keats’s negatively capable poetics. Fitzgerald’s negatively capable poetics depict a process of self-dissolution which reconfigures the relationship between inner and outer identities, as well as the dynamics between self and world. Such fictions of the self, for Fitzgerald, are paradoxically a release from and an imposition on subjectivities (as played out through Dick Diver’s dilemma in Tender is the Night (1934)) and the environs they occupy.


1988 ◽  
Vol 34 (4) ◽  
pp. 541-558
Author(s):  
Jerome Mandel

1996 ◽  
Vol 54 (4) ◽  
pp. 233-236 ◽  
Author(s):  
Nigel Brooks

2021 ◽  
pp. 110054
Author(s):  
Andros Kourtellos

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