A Letter of Gordian III from Aphrodisias in Caria

1969 ◽  
Vol 59 ◽  
pp. 56-58 ◽  
Author(s):  
Kenan T. Erim ◽  
Joyce Reynolds

During the 1965 and 1966 campaigns of excavation at Aphrodisias in Caria, conducted under the aegis of New York University, investigations of the large Theatre of the city were initiated. The Theatre lies mostly buried along the eastern slope of the ‘acropolis’, a conical hillock in the southeastern part of the site. Dr. Elisabeth Alföldi-Rosenbaum supervised four initial trenches and soundings (Theatre I to IV) excavated on the north side of the building, which revealed the proscenium, the adjacent lowest tiers of seats, the north parodos and the analemma. In August, 1966, two adjoining pieces of a large block of coarse-grained local marble inscribed with a letter from Gordian III were discovered. The lower piece of the inscription was found built into the analemma, facing the north parodos at a height slightly above eye-level. The upper fragment came to light on the parodos floor and was removed to the surface and photographed by Dr. E. Alföldi. Progress in the excavation of the parodos in 1967 and 1968 allowed careful inspection of the lower portion which remains in situ. The two fragments (inv. nos. 66–608 A and B) are well-preserved and constitute virtually the whole block, although some damage is evident on the upper left-hand corner of the face and along the break. The total measurements are 1·53 m. × 0·72 m. × 0·72 m. It cannot be entirely excluded that the block may have been reused in the analemma wall since there is some evidence of repairs in this area. The letters average 0·025 m. in height and are cut in a style typical of the later second and third centuries A.D. at Aphrodisias; particularly characteristic is the form of B, see Pl. I.

Archaeologia ◽  
1860 ◽  
Vol 38 (1) ◽  
pp. 135-148
Author(s):  
Weston Styleman Walford

The Deed exhibited this evening by Mr. Joseph Jackson Howard has appeared to me sufficiently interesting to justify a few remarks on its contents. It bears date the 7th of August 1456 (34 Hen. VI.). By it Richard Acreman granted to John Oudene, master of the fraternity or guild of St. George of the Men of the Mystery of Armourers of the city of London, to John Ruttour and William Terry, the wardens, and to the brothers and sisters of the same guild the advowson of or right of presenting a chaplain to the chantry which Joan, formerly the wife of Nicholas de Wokyndon, Knight, founded at the altar of St. Thomas the Martyr in the new work of the cathedral church of St. Paul, London, viz. on the north side of the same church; which altar was, at the time of this grant, placed in the chapel then commonly called the chapel of St. George within the said church, in which chapel the said guild was then lately founded and established by King Henry VI.: this advowson the said Richard Acreman had of the grant of Thomas Coburley and Thomas Burghille, who had it (inter alia) of the gift of Richard Bastard of Bedford and Isabella his wife, who was kinswoman and heiress of the said Nicholas de Wokyndon. The deed was witnessed by William Marwe, the Mayor of the city of London, and John Yonge and Thomas Ouldegreve, the Sheriffs.


Author(s):  
M. I. Rodriguez-Laiton ◽  
H. A. León-Vega ◽  
E. Upegui

Abstract. The following article describes the implementation of a methodology for the structural reconstruction of the Heroes monument and the statue on the north side of Simon Bolivar Ecuestre located between the intersection of the north highway and 80th Street in Bogota (Colombia) from the acquisition of SFM photogrammetry methods and images, using low-cost sensors for this process and making use of drones from the obtaining of frames of a video to for areas with lower altimetric reach, and thereby creating an analysis in their accuracy, sizing and quality within the framework of appropriation and documentation of the cultural assets in the public space of the city Bogotá taking this data as a starting point for future developments in the process of 3D reconstructions Colombia.


2019 ◽  
Vol 8 (2) ◽  
pp. 1
Author(s):  
Mine Kuset Bolkaner ◽  
Selda İnançoğlu ◽  
Buket Asilsoy

Urban furniture can be defined as aesthetics and comfort elements that reflect the identity of a city and enable the urban space to become livable. Urban furniture is an important element of the city in order to improve the quality of urban life, to create a comfortable and reliable environment and to meet the needs of the users in the best way. For designing these elements, the social, economic, cultural and architectural structure of the city should be considered and evaluated. It is important to adapt the urban furniture to the urban texture and to the cultural structure achieving an urban identity, in order to ensure the survival and sustainability of the historical environments. In this study, a study was carried out in the context of urban furniture in Nicosia Walled City, which has many architectural cultures with its historical texture. In this context, firstly the concept of urban identity and urban furniture was explained and then, information about urban furniture was given in historical circles with urban furniture samples from different countries. As a field study, a main axis was determined and the streets and squares on this axis were discussed. These areas have been explored starting from Kyrenia Gate in North Nicosia; İnönü Square, Girne Street, Atatürk Square, Arasta Square, Lokmacı Barricade and on the south side Ledra Street and Eleftherias Square. In this context, the existing furniture in the North and South were determined and evaluated in terms of urban identity accordingly. As a result, it can be suggested that the existing street furniture equipments, especially on the north side, do not have any characteristic to emphasize the urban identity. According to the findings, it was determined that the urban furniture in the streets and squares on the north side is generally older and neglected, and does not provide a unity with the environment, whereas on the south side, these elements on the street and square are relatively new, functional and environmentally compatible.Key words: urban furniture, historical environment, urban identity, Nicosia Old City


2021 ◽  
pp. 1-13
Author(s):  
Brad A. Jones

This introductory chapter provides an overview of how the American Revolution shaped a popular transatlantic understanding of British loyalism, focusing on the four port cities spanning the North Atlantic: New York City; Kingston, Jamaica; Halifax, Nova Scotia; and Glasgow, Scotland. During the early stages of the revolution, a shared transatlantic understanding of what it meant to be British in these four communities initially crumbled in the face of the Patriots' assertion that their cause was rooted in a defense of Protestant British liberty. Patriot arguments led loyal Britons in these places to question what defined their attachment to the empire. Out of these crises there emerged a new understanding of loyalism rooted in a strengthened defense of monarchy and duly constituted government. After the Franco-American alliance of 1778, loyal Britons were also able to reclaim their belief in the supremacy of Protestant British liberty, which they contrasted with the alleged tyranny of American Patriots and their French Catholic allies. Ultimately, the British loyalism as it developed in the wake of the American war was more conservative and authoritarian, reaching its apogee in the reaction against the radicalism of the French Revolution and the despotism of Napoleon.


1933 ◽  
Vol 70 (10) ◽  
pp. 466-476 ◽  
Author(s):  
F. W. Shotton

During the last two years the Coventry City Corporation has put down three boreholes, for water supply purposes, near Mount Nod Farm, on the north side of Broad Lane, 2 miles 5 furlongs W. 6° N. of the centre of the city.


2019 ◽  
Vol 105 (2) ◽  
pp. 217-225
Author(s):  
James E. Bennett

The mission of the University of Hawai’i at Tell Timai in 2009 began excavating the remains of a limestone temple foundation platform in the north-west area of the site. The foundations had been partially recorded in survey work conducted in 1930 by Alexander Langsdorff and Siegfried Schott, and again in the 1960s by New York University, however no known investigations of the structure were conducted. In 2017 as part of an Egypt Exploration Society Fieldwork and Research Grant, excavations were renewed to finalise the understanding of the temple’s construction techniques, and the date of the temple. The foundations were of a casemate design with internal fills of alternating silt and limestone chips. The ceramic evidence from within the construction fills dates its construction from the end of the Ptolemaic to the early Roman Period, and the temple’s superstructure was most likely taken down and the blocks reused in the late Roman Period (fourth to fifth century ce).


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