The Last Cross: A History of the Suicide Theme in Italian Literature

1983 ◽  
Vol 78 (2) ◽  
pp. 468
Author(s):  
Michael Caesar ◽  
Daniel Rolfs
2020 ◽  
Vol 16 (2 (22)) ◽  
pp. 106-118
Author(s):  
Gabriella Macciocca

The history of the language represents a moment of deep knowledge in the development of the political thought of the Nation. With regard to the Italian language, we must recognize observations and summaries of linguistic history produced ever since the origins of the language itself. A short number of examples, coming from the history of the Italian language, and from the history of Italian literature, will be considered. We will consider in which way the language has been taught over time and the University statement.


Author(s):  
Barbara Henry

Francesco De Sanctis was a literary critic and historian of Italian literature. He is best remembered for his major work, Storia della letteratura italiana (History of Italian Literature), and as a Hegel scholar, reformer and professor at the University of Naples, politician and militant patriot. Commentators are unanimous that De Sanctis’s biographical and intellectual life comprised two inseparable strands, the literary and the political. For this reason all his writings, even the more narrowly literary critical ones, must be read from the point of view of his commitment to promoting the moral and institutional renewal of Italian society. His Storia della letteratura italiana is the ‘civil history’ of Italy. De Sanctis, actively militant on both the Right and Left, defined his position as ‘moderate left-wing, in politics as in art’.


1982 ◽  
Vol 66 (1) ◽  
pp. 111
Author(s):  
Giuseppe Faustini ◽  
J. H. Whitfield

1998 ◽  
Vol 93 (4) ◽  
pp. 1126
Author(s):  
Giulio Lepschy ◽  
Peter Brand ◽  
Lino Pertile

1952 ◽  
Vol 36 (6) ◽  
pp. 306
Author(s):  
D. Vittorini ◽  
Robert Hall

1964 ◽  
Vol 11 ◽  
pp. 151-187 ◽  
Author(s):  
G. N. G. Orsini

Je. Spingarn was the first to observe the considerable influence exercised by Francesco De Sanctis (1818-1883), the Italian critic and literary historian, upon the work of John Addington Symonds. Reviewing in 1908 the new edition of De Sanctis’ study of Petrarch published by Benedetto Croce in 1907, Spingarn said:The name of Francesco de Sanctis is virtually unknown to English readers. A few casual phrases in Symonds's ‘Renaissance in Italy,’ and a friendly but wholly inadequate notice in Saintsbury's ‘History of Criticism,’ are almost the sole references to his work in our language. But with his ideas English-speaking people are more familiar than they suspect; for from his pages much that is illuminating in Symonds's treatment of Italian literature (including many of the most personal ‘impressions’) seems to have been directly transferred.


Italica ◽  
1931 ◽  
Vol 8 (4) ◽  
pp. 129
Author(s):  
Richard T. Holbrook ◽  
Francesco De Sanctis ◽  
Joan Redfern

2020 ◽  

Iacopo Sannazaro’s ‘Arcadia’ (1504) was the first pastoral novel in European literature and it has had an unparalleled impact. The list of writers outside Italy who were inspired by Sannazaro’s novel includes Garcilaso, Montemayor, Cervantes, Sidney, d’Urfé and Opitz, a list that can be extended to practitioners of the fine arts, music and beyond. The book depicts the experiences of Sincero, a Neopolitan nobleman who has been unlucky in love, living among the shepherds of Arcadia, and in his prosimetrum Sannazaro uses a vast array of quotations from the classic works of ancient and Italian literature which he admired. Franiziska Merklin’s translation of ‘Arcadia’ contains an introduction, which interprets Sannazaro’s novel and traces the history of its reception, a commentary and an explanatory index of names.


Sign in / Sign up

Export Citation Format

Share Document