William Faulkner: Self-Presentation and Performance

2002 ◽  
Vol 97 (4) ◽  
pp. 947
Author(s):  
Pamela Knights ◽  
James G. Watson
2002 ◽  
Vol 19 (1) ◽  
pp. 106
Author(s):  
Panthea Reid ◽  
James G. Watson

Author(s):  
Amy Shields Dobson

This chapter examines the representation of female friendship on MySpace, based on a sample of 45 public MySpace profiles owned by young Australian women, aged between 18 and 21 years old. Two prominent constructions of female friendship on this social network site are outlined: firstly, female friendships as idealistically party-oriented, ‘wild’, and rowdy; and secondly, female friendships as close, loyal, and intimate — comparable in the depth of feeling and connection expressed to romantic partnerships or family ties. These idealised, performative constructions of female friendship, in the context of online self-presentation, also seem to rely on exclusivity, and opposition of selves and friendship groups to a feminised outsider/‘other’. Some of the political implications of such representation are discussed from a feminist perspective. I suggest some ways in which ideals and goals of female representation to emerge from second-wave feminist media and performance critique might be said to have actualised and failed to actualise in these online performances of friendship and identity created by young women.


2019 ◽  
Vol 15 ◽  
pp. 133
Author(s):  
Artemis Brod

This article analyzes the performative strategies employed by Favorinus in his Corinthian Oration. Previous scholarship has focused on two aspects of this speech: on the ways in which Favorinus agonistically alludes to Corinthian history, thereby challenging the city’s authority to dismantle his statue; and second, on his insistence that identity is constructed by paideia, a claim that is representative of second century Greek elite culture. I follow the general line of interpretation elaborated in these readings but draw out an aspect of Favorinus’ rhetorical strategy that has been overlooked. Inspired by recent feminist critiques of rectitude and straightness, I argue that Favorinus relies on an orientating rhetoric in order to both resurrect his statue and assert his masculinity against imputations of effeminacy.Artemis Brod is a Visiting Assistant Professor in the Classical Studies department at Indiana University, Bloomington. Currently, she is working on a book project called As Myself: Recognition and Performance in Greek Imperial Oratory in which she investigates techniques of self-presentation used by sophists to gain recognition—aesthetic and social—from their audiences. More broadly, she is interested in representations of the body and narrative form in second century CE literature. She received her PhD from Stanford University in 2016. 


Author(s):  
José Carlos Ribeiro ◽  
Tarcízio Silva

This chapter discusses the use of social applications in the process of the constitution of the self and the production of the self-presentation in digital environments. It examines two modalities: (1) the use of social applications that promote the comparative analysis of actions, speeches, and performance repercussions taken place in the digital environment, and (2) the use of applications and systems that enable the retrieval of the users’ social information in a systematic, sequential, and historical perspective. It also discusses how these applications present users with different methods of monitoring, controlling, visualizing, and planning information that is published not only by individuals themselves but also by the interacting individuals in the social digital environment.


2011 ◽  
Vol 33 (3) ◽  
pp. 441-459 ◽  
Author(s):  
Christopher Mesagno ◽  
Jack T. Harvey ◽  
Christopher M. Janelle

Whether self-presentation is involved in the choking process remains unknown. The purpose of the current study was to determine the role of self-presentation concerns on the frequency of choking within the context of a recently proposed self-presentation model. Experienced field hockey players (N = 45) were randomly assigned to one of five groups (i.e., performance-contingent monetary incentive, video camera placebo, video camera self-presentation, audience, or combined pressure), before taking penalty strokes in low- and high-pressure phases. Results indicated that groups exposed to self-presentation manipulations experienced choking, whereas those receiving motivational pressure treatments decreased anxiety and increased performance under pressure. Furthermore, cognitive state anxiety mediated the relationship between the self-presentation group and performance. These findings provide quantitative support for the proposed self-presentation model of choking, while also holding implications for anxiety manipulations in future sport psychology research.


2010 ◽  
Vol 3 (2) ◽  
pp. 56-73
Author(s):  
Larry Lauer

Many athletes struggle with lack of confidence, especially in adverse situations. They lack the belief to use their overlearned skills, trust in their training, or just plain “go for it” and as a result become tight and hesitant in their performance. Coaches often struggle to help these athletes despite their expertise in teaching their sport. Unfortunately, coaches are not always equipped to deal with the psychological dynamics that create decrements in confidence, including perfectionistic thinking, self-presentation concerns, self-handicapping, and in general, harmful patterns of thinking. This article will describe the patterns of thinking that are troublesome for sustaining high confidence in pressure situations, and important principles and strategies for enhancing the confidence of athletes’ in and out of competition. Often, helping athletes deal with their lack of confidence comes down to focusing on controllable aspects of preparation and performance, developing new patterns of thinking, challenging old, negative habits, and accepting that doubts are normal for the high-achieving athlete. The objective will be to provide coach educators an opportunity to expand their own knowledge of coaching athletes to include confidence and composure.


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