The Birth of an Empire

PMLA ◽  
1999 ◽  
Vol 114 (5) ◽  
pp. 1068-1079 ◽  
Author(s):  
Amy Kaplan
Keyword(s):  
American History ◽  
The Philippines ◽  
American Film ◽  
Cuban American ◽  
American Cinema ◽  
History Of

The Spanish-Cuban-American war of 1898 was one of the first wars in history to be filmed. Yet despite its participation in the birth of American cinema, the war disappeared as a subject from the later archives of filmmaking. No major films chronicle the three-month war in Cuba or the subsequent three-year war in the Philippines, although films have been made about virtually every other war in American history. My paper is about that duality, about the formative presence and telling absence of this pivotal war in the history of American film.

Passing and Posing between Black and White

2021 ◽  
Author(s):  
Lisa Gotto
Keyword(s):  
Mixed Race ◽  
Early History ◽  
Turn Of The Millennium ◽  
American Film ◽  
Color Line ◽  
Racial Boundaries ◽  
Black And White ◽  
American Cinema ◽  
History Of

Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state — it has much more to do with disputing boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium.

Messy, Energetic, Intense: A Roundtable Conversation among New York's Asian American Experimental Filmmakers of the Eighties with Roddy Bogawa, Daryl Chin, Shu Lea Cheang, and Rea Tajiri

2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri
Keyword(s):  
New York ◽  
New York City ◽  
Asian American ◽  
York City ◽  
American Film ◽  
The Sixties ◽  
History Of

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.

Courting Migrants

2020 ◽  
Author(s):  
Katrina Burgess
Keyword(s):  
Dominican Republic ◽  
Regime Change ◽  
The Philippines ◽  
Feedback Loops ◽  
The State ◽  
Historical Case ◽  
Qualitative Comparison ◽  
Integrative Theory ◽  
History Of ◽  
History Of Migration

This book examines state–migrant relations in four countries with a long history of migration, regime change, and democratic fragility: Turkey, the Dominican Republic, Mexico, and the Philippines. It uses these cases to develop an integrative theory of the interaction between “diaspora-making” by states and “state-making” by diasporas. Specifically, it tackles three questions: (1) Under what conditions and in what ways do states alter the boundaries of political membership to reach out to migrants and thereby “make” diasporas? (2) How do these migrants respond? (3) To what extent does their response, in turn, transform the state? Through historical case narratives and qualitative comparison, the book traces the feedback loops among migrant profiles, state strategies of diaspora-making, party transnationalization, and channels of migrant engagement in politics back home. The analysis reveals that most migrants follow the pathways established by the state and thereby act as “loyal” diasporas but with important deviations that push states to alter rules and institutions.

Novel Approaches for Assessing the Preservation of Historic Silks: A Case Study of the First Ladies' Gowns

MRS Bulletin ◽  
1992 ◽  
Vol 17 (1) ◽  
pp. 39-44 ◽  
Author(s):  
Mary Becker ◽  
Noreen Tuross
Keyword(s):  
American History ◽  
The United States ◽  
National Museum ◽  
First Ladies ◽  
Current Conservation ◽  
Unique Challenge ◽  
Conservation Project ◽  
The Arts ◽  
History Of ◽  
Analytical Approaches

Friable natural products are often used in articles of personal adornment, and the perishable nature of these materials presents a unique challenge to museums. At the Smithsonian's National Museum of American History, a collection of gowns worn by the First Ladies of the United States is a popular display of historical and sentimental import. Opened to the public on February 1, 1914, fifteen gowns were displayed as part of a “Period Costumes“ exhibit in the U.S. National Museum (now known as the Arts and Industries Building). Within just a few years, the exhibit was recognized as “one of the most interesting and popular in the Museum.” A First Ladies' Hall was created in the mid-1950s to exhibit the gown collection in period room settings. This design theme continued when the Hall moved to the Museum of American History and Technology (now the National Museum of American History) in 1964. The First Ladies' Hall was closed for renovation in 1987, allowing the curatorial staff to reassess the collection's use and conservators to perform long overdue examinations and treatments. Reinstallation of the exhibit is scheduled for spring 1992.The First Ladies' conservation project includes a history of each gown's use and exhibition as related to its physical condition and also includes stabilization treatments to meet the demands of future display. The current conservation project provided an unusual opportunity for extensive research into fabric deterioration of a popular and important collection. The goals of the research are twofold: first, to determine each object's state of preservation by studying the effectivenss of several analytical approaches with minimal destructive sampling and, second, to begin investigating the mechanisms involved in the degradation of silk, the material predominant in this collection.

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