The Greek Drama in Crete in the Seventeenth Century

In the history of Greek literature, as regarded by the general reader, there are two remarkable intermissions. The first occurs when ancient Greek literature comes to an end with Lucian in the second century after Christ; or perhaps when the hexameter itself begins to dissolve in the hands of Nonnus in the fourth. The second break naturally follows when Byzantine literature is cut short by the fall of Constantinople in 1453—after which it is commonly and wrongly supposed that hardly a Greek put pen to paper, save in the way of commerce or grammar, until the revolutionary songs of Eegas heralded the revival at the beginning of the nineteenth century. It is, however, one of the fascinations of Greek studies that they introduce us to a language that can be traced in an unbroken descent from Homer to the present day: and wherever the Greek language has been spoken the art of literature has never quite perished, though its traces are sometimes rather faint and its beauties rare. But for the complete study of a language second-rate authors must not be neglected where masterpieces are few and far between. Unfortunately it is only in the last fifty years that scholars have turned their attention to publication of the obscure works that carry on the literary tradition from Byzantium to modern Greece. Of these authors ‘of the Turkish period’ the learned Sophocles, in the introduction to his Lexicon, remarks (1860) : ‘It is unnecessary to inform the reader here that, with very few exceptions, they are beneath criticism.’