(J.) Boardman Intaglios and rings: Greek, Etruscan and Eastern from a private collection. London: Thames and Hudson. 1975. Pp. 118, numerous illus. (some col.) £12·50.

1976 ◽  
Vol 96 ◽  
pp. 255-256
Author(s):  
Reynold Higgins
Keyword(s):  
Private Collection

Restoration of two great auk (Pinguinus impennis) eggs: Bourman Labrey's egg and the Scarborough egg

2020 ◽  
Vol 47 (2) ◽  
pp. 392-401
Author(s):  
T. R. Birkhead ◽  
G. Axon ◽  
J. R. Middleton
Keyword(s):  
Black Light ◽  
Private Collection ◽  
Different Types ◽  
The Media ◽  
Media Reports ◽  
Public Museums ◽  
Private Collections ◽  
Time Of Collection ◽  
Extensive Damage

Most of the approximately 75 known eggs of the extinct great auk ( Pinguinus impennis) are in public museums, with a few in private collections. A small number of these eggs has sustained damage, either at the time of collection or subsequently, and two of these eggs are known to have been repaired. The two eggs suffered rather different types of damage and were subsequently restored using different techniques. The first, known as Bourman Labrey's egg, sustained extensive damage sometime prior to the 1840s, when the shell was broken into numerous pieces. This egg was repaired by William Yarrell in the 1840s, and when it was restored again in 2018, it was discovered that Yarrell's restoration had involved the use of an elaborate cardboard armature. This egg is currently in a private collection. The second egg, known as the Scarborough egg, bequeathed to the Scarborough Museum in 1877, was damaged (by unknown causes) and repaired, probably by the then curator at Scarborough, W. J. Clarke, in 1906. This egg was damaged when one or more pieces were broken adjacent to the blowhole at the narrow end (where there was some pre-existing damage). The media reports at the time exaggerated the extent of the damage, suggesting that the egg was broken almost in two. Possible reasons for this exaggeration are discussed. Recent examination using a black light and ultraviolet (UV) revealed that the eggshell had once borne the words, “a Penguin's Egg”, that were subsequently removed by scraping.

The scientific bibliography of Roberto Lawley (1818–1881) and his contribution to the study of fossil sharks

2006 ◽  
Vol 33 (2) ◽  
pp. 267-281
Author(s):  
Giuseppe Manganelli ◽  
Andrea Benocci ◽  
Valeriano Spadini
Keyword(s):  
New Taxa ◽  
Scientific Community ◽  
Publishing House ◽  
Main Interest ◽  
Private Collection ◽  
Scientific Papers

Roberto Massimo Lawley (1818–1881) was a non-academic naturalist who made a major contribution to the Tuscan scientific community of his time. He was involved in the foundation of two societies (Società Italiana di Malacologia, 1874–1899; Società Toscana di Scienze Naturali, 1874–today) and a publishing house (Biblioteca Malacologica Italiana). He first devoted himself to malacology, but Neogene fossil fishes became his main interest. Over the years, he gathered a huge private collection of fossils and produced 18 scientific papers, dealing mainly with fossil sharks. Subsequent revisers criticized his approach to fossil taxa: their observations were generally sound, but they failed to fully recognize Lawley's scientific merits. His scientific papers, new taxa established by him and eponymys are given in the Appendix.

8. Infrared Reflectography of Edward Hopper’s High Noon: Questions of Authentication

2018 ◽  
Author(s):  
Ian E. Longo
Keyword(s):  
Near Infrared ◽  
Early American ◽  
Edward Hopper ◽  
Private Collection ◽  
The Media ◽  
Catalogue Raisonne ◽  
Infrared Reflectography ◽  
Shed Light ◽  
Ir Reflectography ◽  
High Noon

An unprovenanced oil study, purportedly by the early American realist Edward Hopper (188* -1967), was purchased in 2007 on eBay by a pair of brothers from Ontario. It is a smaller, poorly-executed near-copy of Hopper’s High Noon at the Dayton Art Institute. Given that detailed diary entries by Hopper’s wife, Josephine, note only that four charcoal sketches preceded the final version of High Noon, and fail to mention an oil study, Gail Levin, the author of Hopper’s catalogue raisonné, has conservatively concluded that it can at best be assigned to a dedicated follower. Can Infrared Reflectography of the two paintings shed light on the question of authenticity? Many pigments used by Hopper become transparent in the Near Infrared spectrum, a fact verified by a test-panel. By using a DSLR camera, converted to detect IR, charcoal sketches on the primed canvas of the original were revealed. While IR Reflectography reveals earlier stages in the composition of the authentic High Noon, stages suggested by the charcoal sketches, IR does not provide positive proof for the authenticity of the oil sketch. The issue of authenticity became further complicated when the media, led by the Globe and Mail, took up the case of the owners and overstated the IR results. At present the IR investigation suggests only that the oil study was painted by a follower working from either Josephine’s diary or, more intriguingly, from Hopper’s own sketches, which are held in a private collection.

III.—A Synopsis of the Remains of Ganoid Fishes from the Cambridge Greensand

1895 ◽  
Vol 2 (5) ◽  
pp. 207-214 ◽  
Author(s):  
Arthur Smith Woodward
Keyword(s):  
Natural History ◽  
British Museum ◽  
Detailed Comparison ◽  
Present Writer ◽  
The Past ◽  
Private Collection ◽  
Definition Of

The remains of fishes discovered in the Cambridge Greensand are all very fragmentary, and have not hitherto been subjected to the detailed comparison with other Cretaceous Ichthyolites which their interesting stratigraphical position renders desirable. Many specimens, however, are capable of at least generic determination, while many others are sufficiently characteristic fragments for the definition of the species. The present writer has thus been much interested during the past few years in studying collections of these fossils, and the following notes embody some of the results in reference to the ganoid fishes. The British Museum (Natural History) having recently acquired the collection made from the Cambridge Greensand by Mr. Thomas Jesson, F.G.S., nearly all the known species are now represented here; but the writer has also availed himself of the privilege of making use of the fine series in the Woodwardian Museum, Cambridge, and the Philosophical Society's Museum, York, thanks to the kindness of Professor McKenny Hughes, Mr. Henry Woods, and Mr. H. M. Platnauer. Mr. James Carter, M.R.C.S., has also kindly lent some Pycnodont jaws from his private collection

scholarly journals Private collection & public exhibition: the Art Gallery of Ontario’s Responding to Photography

2021 ◽  
Author(s):  
Anne Kavanagh
Keyword(s):  
Art Gallery ◽  
Original Photography ◽  
Private Collection ◽  
The Status ◽  
Historical Relationship ◽  
Art Gallery Of Ontario ◽  
Public Exhibition

This paper is a detailed description and analysis of the Art Gallery of Ontario’s 1984 exhibition Responding to Photography: Selected Works from Private Toronto Collections. One of the first original photography exhibitions organized by the gallery and Maia-Mari Sutnik, the 156 works were drawn entirely from private Toronto collections. The exhibition would come to shape the collecting policy of the photography collection at the Art Gallery of Ontario and set it apart from other institutions across Canada. The selected works represented a generalist collecting philosophy (influenced by Sam Wagstaff) that included photographs by anonymous makers and those made for purposes other than art. Through an analysis of the institution’s historical relationship with photography as well as the context in which the show was developed, this paper proposes that Sutnik’s exhibition is a significant historic marker and indicative of the status of photography in Toronto during the 1980s, a time of increased international prominence for the medium.

scholarly journals Diplotemnus balcanicus (Redikorzev, 1928) (Pseudoscorpiones, Atemnidae) rediscovered in Slovakia after 65 years

Check List ◽  
2021 ◽  
Vol 17 (2) ◽  
pp. 347-351
Author(s):  
Katarína Krajčovičová ◽  
Martina Červená ◽  
Peter Gajdoš ◽  
Jana Christophoryová
Keyword(s):  
Short Description ◽  
Private Collection ◽  
Family Home ◽  
Bat Guano

Diplotemnus balcanicus (Redikorzev, 1928) is reported for the second time from Slovakia. The species was first recorded from Slovakia in 1955 when two specimens were found in bat guano on the loft inside a church. After 65 years, one male was discovered inside a private family home 8 km from the 1955 record. The original 1955 material of D. balcanicus, from a private collection, has been revised. Additionally, a short description of the male of D. balcanicus and some identification notes on Eurasian diplotemnids are provided.

scholarly journals Biblioteki i księgozbiory prywatne w Mielcu doby zaborów

2019 ◽  
Vol 11 ◽  
Author(s):  
Krzysztof Haptaś
Keyword(s):  
Secondary School ◽  
School Libraries ◽  
Private Collection ◽  
History Of ◽  
Book Collections ◽  
The Town ◽  
Private Collections

Libraries and Private Book Collections in the Town of Mielec at the Time of the Partition of Poland: An Outline Libraries and private book collections in Mielec at the time of the partition of Poland have not been sufficiently traced and researched so far. The best known are the library of the Mielec secondary school (gimnazjum) and the private collection of the Count Oborski family. General remarks, in the scope of a few sentences at best, pertain to other school libraries and private collections. Numerous collections, some that are known by the name, such as the library of the Trinitarian convent, and some that we are not aware of, still await researchers. Currently, all old books (published before 1945) that are kept in the town of Mielec need to be cataloged in order to start the actual efforts to chart the history of the local libraries and private book collections.

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