Images of Violence in Mesoamerican Mural Art

2007 ◽  
pp. 73-90
Author(s):  
Donald McVicker
Keyword(s):  
Mural Art

MURAL, KEKUATAN MODAL, DAN MASYARAKAT

DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Communication Media ◽  
Mural Painting ◽  
The People ◽  
The Media ◽  
Mural Art ◽  
The City ◽  
The Voice ◽  
Special Region

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.

scholarly journals RESEPSI MASYARAKAT DAN WISATAWAN TERHADAP KARYA SENI MURAL DI KAWASAN KRUENG DHO DAN KRUENG DAROY KOTA BANDA ACEH

2020 ◽  
Vol 9 (1) ◽  
pp. 70
Author(s):  
Susandro Susandro ◽  
Hatmi Negria Taruan ◽  
Muhammad Ghifari
Keyword(s):  
Qualitative Methods ◽  
Islamic Law ◽  
Legal Basis ◽  
Literature Study ◽  
Research Results ◽  
The Public ◽  
Islamic Perspective ◽  
Mural Art ◽  
Banda Aceh ◽  
Descriptive Qualitative

AbstrakKarya seni mural berkemungkinan dapat mendorong meningkatkan kepariwisataan, hingga sejalan dengan meningkatnya perekonomian suatu masyarakat atau perihal lainnya. Namun, persoalannya ialah karya seni mural bertentangan dengan suatu ketentuan, khususnya sebagaimana yang terdapat dalam syariat Islam. Secara jelas dinyatakan dalam syariat Islam, dilarang membuat gambar yang menyerupai makhluk yang bernyawa atau memiliki ruh, seperti gambar manusia dan hewan. Akan tetapi, gambar tersebut dapat ditemui di pagar dan dinding-dinding rumah warga di bantaran Krueng Dho dan Krueng Daroy, Kota Banda Aceh. Faktanya, Aceh merupakan satu-satunya provinsi di Indonesia yang menjadikan syariat Islam sebagai landasan hukum Peraturan Daerah. Tujuan penelitian ini tidak bermaksud ‘memperuncing’ kontradiktif tersebut, melainkan ingin mengetahui pandangan masyarakat terhadap karya seni mural dari perspektif Islami dan berbagai kemungkinan dampak lainnya. Guna mencapai tujuan tersebut, penelitian dilaksanakan dengan metode deskriptif kualitatif. Data dikumpulkan dengan cara observasi, melakukan wawancara – terencana maupun tidak terencana – kepada masyarakat yang dianggap relevan, serta studi pustaka. Kemudian hasil penelitian dibangun berdasarkan analisis terhadap data, paparan bagaimana resepsi masyarakat terhadap karya seni mural dari sudut pandang syariat Islam.Kata Kunci: syariat Islam, mural, kontradiktif, resepsi.AbstractMural art is most likely to be able to encourage increased tourism, so that it is in line with plans to increase people's income or other matters. However, the question is the mural art which is opposed to the provisions, especially those relating to Islamic law. Clearly stated in Islamic Shari'a, released images are released that have life or spirit, such as pictures of humans and animals. However, the picture can be found on the fence and walls of the houses of the residents on the banks of Krueng Dho and Krueng Daroy, Banda Aceh City. In fact, Aceh is the only province in Indonesia that makes Islamic Sharia a legal basis for Regional Regulations. The purpose of this study is not to discuss 'trusting' these contradictions, discussing the public about mural works from an Islamic perspective and various other perspective changes. In order to achieve this goal, the study was conducted using descriptive qualitative methods. Data is collected by observation, conducting interviews - unplanned - for the community considered relevant, as well as literature study. Then the research results are built based on an analysis of the data, a presentation about the community of mural art from the perspective of Islamic law.  Keywords: Islamic sharia, murals, contradictions, receptions. 

The Memorial Meaning of the Mural Art of Belfast

Art Rethought ◽  
2015 ◽  
pp. 152-166
Author(s):  
Nicholas Wolterstorff
Keyword(s):  
Mural Art

Mural Art

2013 ◽  
Author(s):  
Dylan A. T. Miner
Keyword(s):  
Mural Art

South African mural art in the 1980s and 1990s: impulses and influences

de arte ◽  
2000 ◽  
Vol 35 (62) ◽  
pp. 46-61
Author(s):  
Sabine Marschall
Keyword(s):  
South African ◽  
Mural Art

Ndebele Mural Art

African Arts ◽  
1985 ◽  
Vol 18 (3) ◽  
pp. 60 ◽  
Author(s):  
Elizabeth Ann Schneider
Keyword(s):  
Mural Art

scholarly journals Neruda's Ekphrastic Experience. Mural Art and Canto general de Hugo Méndez Ramírez

2001 ◽  
Vol 67 (194) ◽  
pp. 333-335
Author(s):  
Rodrigo Cánovas
Keyword(s):  
Mural Art

Discussion on the Artistic Features and Multiple Connotations of Early Architecture and Statues in Dunhuang Grottoes

2019 ◽  
Vol 4 (1) ◽  
pp. 1-5
Author(s):  
Zijian Zhao ◽  
Keyword(s):  
Geographical Location ◽  
Historical Background ◽  
Buddhist Art ◽  
The World ◽  
Mural Art ◽  
Multicultural Art

Grotto art is one of the most important artistic expressions in Buddhist art, it is a comprehensive art that integrates architectural art, statue art and mural art. Dunhuang Grottoes group is one of the four largest grottoes groups in China, and it is also the largest and most abundant grottoes group in the world. This paper selects the early architectural art and statue art of the Dunhuang Grottoes as the research object with describing its artistic characteristics. Furthermore, this paper also attempts to explore the connotation of the multicultural art of the Dunhuang Grottoes based on factors such as the geographical location and historical background of the Dunhuang Grottoes, and ask an expert.

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