scholarly journals POLITICAL TALK SHOW ON UKRAINIAN TV CHANNELS: OBSERVANCE OF THE PRINCIPLE OF OBJECTIVITY (ON THE EXAMPLE OF THE TV CHANNEL 1+1, THE PROGRAM “PRAVO NA VLADU”)

Author(s):  
Iryna Putsіata ◽  
2013 ◽  
Author(s):  
Tamara Mattheiß ◽  
Carina Weinmann ◽  
Charlotte Löb ◽  
Katharina Rauhe ◽  
Katharina Bartsch ◽  
...  
Keyword(s):  

Journalism ◽  
2017 ◽  
Vol 20 (6) ◽  
pp. 807-826 ◽  
Author(s):  
Stephanie Edgerly ◽  
Emily K Vraga

This study uses two experimental designs to examine how audiences make genre assessments when encountering media content that blends elements of news and entertainment. Study 1 explores how audiences characterize three different versions of a fictitious political talk show program. Study 2 considers whether audience perceptions of ‘news-ness’ are influenced by shifts in headline angle and source attribution. The implications of audience definitions of news and its social function are discussed.


Author(s):  
Agata Krzywdzińska

The aim of the article is to analyze the image of Poland on Russian state television in the context of the introduction of a new decommunization law in Poland. The subjects of qualitative analysis are Russian information and journalistic programs devoted to the demolition of Soviet soldiers‘ monuments in Poland. The author hypothesizes about a change in the provision of information and sharpening media narrative. The application of the content analysis of the presenters and guests‘ statements made it possible to obtain an answer on Poland‘s image and current level of political and social talk shows. Selected programs deal not only with the demolition of monuments to Soviet soldiers but are also devoted to current Russian-Polish political relations. The conclusions that can be drawn from the analysis of the programs indicate a significant increase in anti-Polish sentiments, intensified by the leading journalists. Political talk show programs spread a negative and biased picture of Poland in Russian society.


2017 ◽  
pp. 69-80 ◽  
Author(s):  
O. A. Mikhaylova ◽  
◽  
Yu. S. Kharitonova ◽  
Keyword(s):  

Tripodos ◽  
2021 ◽  
pp. 71-87
Author(s):  
Àlvar Peris Blanes ◽  
Javier Pérez-Sánchez

This article analyses how in the main political talk show on television in Spain, La Sexta Noche, the main themes of the European agenda were silenced or conditioned by the themes of the national, regional and local agenda during the last European elections. The media debate was oriented towards an analysis of the results of national elections and the campaign for regional and local elections that allowed for a greater spectacle, thanks to the shock effect of such polarized ideologies and the trivialization of national politics. This research has studied all the shows of the programme broadcast as of the national elections on 28th April 2019 up until the European elections held on 26th May 2019, analysing the main topics covered and the kind and tone of discourses made. Due to the fact that controversial political issues are preferred to more relevant ones in order to generate a spectacle and bigger audiences, the results indicate that the political talk show analysed contributes to the trivialization of debates and the impoverishment of public space, aided by formal elements inherent in the infotainment genre.


2007 ◽  
Vol 39 (8) ◽  
pp. 1388-1419 ◽  
Author(s):  
Gerda Lauerbach
Keyword(s):  

2020 ◽  
pp. 016344372097423
Author(s):  
Petr Gulenko

This article explores the mechanisms used by the creators of Russian political talk shows to turn public discussion into a propaganda display. Analysis of three popular shows demonstrates that informational selectiveness combined with an illusion of equal representation among guests with opposing views are the main mechanisms in the process of pre-production. The roles chosen by talk show hosts demonstrate the various communicative techniques used to achieve propaganda objectives, while the major propagandistic tool is discrediting opponents of the Russian authorities. The reactions of the audience are framed to create a fictitious background of ‘nationwide support’ for the propaganda discourse.


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