scholarly journals Arkistotoimen organisointi Suomen senaatissa kaksi vuosisataa sitten

2017 ◽  
Vol 36 (2) ◽  
Author(s):  
Eljas Orrman
Keyword(s):  
19Th Century ◽  
Russian Empire ◽  
Administrative Process ◽  
National Archives ◽  
The Creation ◽  
The Russian Empire ◽  
In The Beginning ◽  
The 19Th Century ◽  
Grand Duchy

The paper deals with the organization of records and archives management in the middle of 1810s at the Senate, i. e. the supreme administrative board of the Grand Duchy of Finland, belonging to the Russian Empire. Also the reasons why the creation of the position of an archivist at the Senate was proposed by the Senate to the Emperor-Grand Duke Alexander I are dealt with. Likewise the administrative process resulting in the appointment of the first archivist is described. The new position of archivist at the Senate formed the embryo of the National Archives of Finland in our days. The international, especially Swedish and Russian background, to the establishment of this position is also described. It becomes evident why the new position got the title “archivist” (in Swedish: arkivarie), not “actuary” (in Swedish: aktuarie). In the Russian administration an archivist was responsible for the preservation of noncurrent and semi-current records but in the Swedish administration this title was very seldom used in the beginning of the 19th century. There actuaries were in charge of the preservation of noncurrent and semi-current records.

scholarly journals Catching up through comparison: The making of Finland as a political unit, 1809–1863

2021 ◽  
pp. 0961463X2199034
Author(s):  
Jussi Kurunmäki ◽  
Jani Marjanen
Keyword(s):  
19Th Century ◽  
Russian Empire ◽  
State Institutions ◽  
Catching Up ◽  
Temporal Features ◽  
Before And After ◽  
The Creation ◽  
The Russian Empire ◽  
The 19Th Century ◽  
Grand Duchy

The creation of Finland as a grand duchy within the Russian Empire in 1809 opened up the question of what Finland was, in fact. Comparing Finland synchronously with other countries and diachronically with itself before and after its elevation into a grand duchy gained temporal features in which its level of development was assessed. Such temporal comparisons during the first half of the 19th century were used to shape Finland as a political unit, as they facilitated assessment of which parts of society needed to improve in order to make the country comparable with imagined or real others. Given that the Diet (the Estate Assembly) was not convened between 1809 and 1863, these comparative notions largely dealt with questions of political constitution and state institutions. The comparative mindset of the Finnish actors also developed in the process of conducting temporal comparisons. These comparisons can be analyzed through the analytical categories of descriptive synchronization, comparative synchronization, and participative synchronization, the last mentioned being possible only when Finnish actors began to think that Finland, indeed, had developed to a level of maturity.

Reasons for the Onset of the Uniat Clergy’s Movement Towards Orthodoxy in the Russian Empire in the Beginning of the 19th Century

2020 ◽  
Vol 58 ◽  
pp. 293-317
Author(s):  
Protopriest Alexander Romanchuk
Keyword(s):  
19Th Century ◽  
Government Policy ◽  
Catholic Church ◽  
Russian Empire ◽  
Latin Church ◽  
The Government ◽  
The Russian Empire ◽  
In The Beginning ◽  
Church Service ◽  
The 19Th Century

The article studies the system of pre-conditions that caused the onset of the uniat clergy’s movement towards Orthodoxy in the Russian Empire in the beginning of the 19th century. The author comes to the conclusion that the tendency of the uniat clergy going back to Orthodoxy was the result of certain historic conditions, such as: 1) constant changes in the government policy during the reign of Emperor Pavel I and Emperor Alexander I; 2) increasing latinization of the uniat church service after 1797 and Latin proselytism that were the result of the distrust of the uniats on the part of Roman curia and representatives of Polish Catholic Church of Latin church service; 3) ecclesiastical contradictions made at the Brest Church Union conclusion; 4) division of the uniat clergy into discordant groups and the increase of their opposition to each other on the issue of latinization in the first decades of the 19th century. The combination of those conditions was a unique phenomenon that never repeated itself anywhere.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

The Germans and their Jewish Neighbors on the Ukrainian Areas at the Second Half of the 19th Century

2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Russian Empire ◽  
Early Years ◽  
Criminal Cases ◽  
South West ◽  
Multiethnic Population ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Relationship

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.

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