scholarly journals Lydie Salvayre et Kamel Daoud : « Ma nuit au musée ». S’identifier au miroir de l’art

2021 ◽  
Vol 41 ◽  
pp. 218-228
Author(s):  
Agnès Lhermitte ◽  
Keyword(s):  
Similar Experience ◽  
Images Of Paintings

"Both Lydie Salvayre and Kamel Daoud, writers foreign by their social and geographical origins to the Parisian art sphere, relate a similar experience: a night spent alone in the museum amid works by Giacometti and Picasso. This confrontation, through unsimilar inner journeys, reveals their skewed, complex and changing identity as socially (split), intimate (traumatized) and artistic (marginal) being. Their identity is revealed through the encounter with the images of paintings and sculptures."

“I've also experienced loss and fear”: Effects of prior similar experience on empathy

2009 ◽  
Vol 50 (1) ◽  
pp. 65-69 ◽  
Author(s):  
JAKOB EKLUND ◽  
TERESIA ANDERSSON-STRÅBERG ◽  
ERIC M. HANSEN
Keyword(s):  
Similar Experience ◽  
Fear Effects

scholarly journals Problems in the Diagnosis of Progressive Supranuclear Palsy (Steele — Richardson — Olszewski Syndrome)

1978 ◽  
Vol 5 (2) ◽  
pp. 167-173 ◽  
Author(s):  
George David Perkin ◽  
Andrew John Lees ◽  
Gerald Malcolm Stern ◽  
Roman Stefan Kocen
Keyword(s):  
Progressive Supranuclear Palsy ◽  
Eye Movement ◽  
Clinical Picture ◽  
Respiratory Rhythm ◽  
Cortical Atrophy ◽  
Radiological Investigation ◽  
Encephalitis Lethargica ◽  
Eye Movement Disorders ◽  
Similar Experience

SUMMARY:Five patients with progressive supranuclear palsy are described, in whom the ophthalmoplegia developed late in the course of the disease. In two, an internuclear component was identified in the ophthalmoplegia, and one patient had an alternating nystagmus of a type not previously described in this condition.The late appearance of the ophthalmoplegia, with a corresponding delay in establishing the diagnosis, is compared to the similar experience of Pfaffenbach et al (1972) in six patients.Other clinical features, previously seldom described, have been encountered. Dysphasia was seen in two cases, both of whom had evidence of cortical atrophy on neuro-radiological investigation. The evidence that cortical changes, in particular the presence of neurofibrillary tangles, may be a specific morphological characteristic of the disease rather than a chance association is discussed. Disorders of respiratory rhythm in four patients were similar to those described by Mastaglia et al. (1973), and indistinguishable from those occurring after encephalitis lethargica.A review of cases resembling progressive supranuclear palsy in the early part of the century fails to show any with post-encephalitic features, nor does a search of reviews of eye movement disorders in encephalitis lethargica and post-encephalitic Parkinsonism provide comparable cases. None of the forty patients with post encephalitic Parkinsonism examined at the Highlands Hospital had a clinical picture resembling progressive supranuclear palsy.It is suggested that neither on clinical nor pathological grounds is it justifiable to equate this disorder with known postencephalitic syndromes.

scholarly journals Blossoms Perfuming the Garden: From Peony Pavilion to Don Quixote

2016 ◽  
Vol 2 (1) ◽  
pp. 1
Author(s):  
Zhu Xuchen
Keyword(s):  
Don Quixote ◽  
Western Literature ◽  
Writing Skill ◽  
Tang Xianzu ◽  
Peony Pavilion ◽  
Similar Experience

<p>Based on the framework of language</p><p>construction and psychoanalysis, this study</p><p>analyzes love and worldly ideal, which are</p><p>presented by Tang Xianzu and Cervantes in</p><em></em><p><em>Peony Pavilion </em>and <em>Don Quixote</em>. Due to the</p><p>similar experience and life sentiment, the two</p><p>authors showed amazing consistency on creative</p><p>thinking, writing skill, creative psychology and</p><p>even marriage notion, which verified the</p><p>communicative idiomatum between eastern</p><p>and western literature in the same era</p>

scholarly journals My Dissertation Healed Me: A Retrospective Analysis Through Heuristic Inquiry

2017 ◽  
Author(s):  
Smita Kumar
Keyword(s):  
Retrospective Analysis ◽  
Partner Violence ◽  
Personal Experience ◽  
Theory And Practice ◽  
Heuristic Inquiry ◽  
Strong Recommendation ◽  
Japanese Art ◽  
Personal Experiences ◽  
Similar Experience ◽  
Collection Phase

It was my personal experience of intimate partner violence (IPV) that motivated me to undertake my dissertation, but during the process I was haunted by my “IPV survivor” identity. Little did I know that my intellectual pursuit was an invitation into personal healing through heuristic inquiry. During the data collection phase of my dissertation, I unconsciously embarked on the initial engagement phase of heuristic inquiry, but only 2 years after completing my dissertation did I realize I experienced six phases of Moustakas’s (1990) heuristic inquiry. In this article, I share how my dissertation healed me through a retrospective analysis using heuristic inquiry. Through the coresearchers’ narratives, I began the process of embracing my IPV survivor identity—analogous to Kintsugi, the Japanese art of joining broken pottery with gold to form a new version of it. Through this process, I have begun to acknowledge my resiliency and, most importantly, feel empowered to engage with others who have had similar experience, connecting to a collective voice of IPV survivors. Thus, I argue that heuristic inquiry not only transforms the researcher but also has a powerful impact on others (Moustakas, 1990), empowering coresearchers and communities. I conclude with a strong recommendation to foster research of personal experiences, as it has the potential to bridge the gap between theory and practice (hooks, 1994).

The Contributions of Emotion and Reward to Aesthetic Judgment of Visual Art

2021 ◽  
pp. 83-87
Author(s):  
Oshin Vartanian
Keyword(s):  
Magnetic Resonance Imaging ◽  
Visual Cortex ◽  
Magnetic Resonance ◽  
Brain Activation ◽  
Brain Regions ◽  
Aesthetic Judgment ◽  
Aesthetic Preference ◽  
Aesthetic Experiences ◽  
Preference Ratings ◽  
Images Of Paintings

It has long been assumed that emotions play an important role in our interactions with artworks. Similarly, how rewarding we find an artwork could also be an important driver of our aesthetic preference for it. Vartanian and Goel (2004) tested this idea by presenting participants with images of paintings in the functional magnetic resonance imaging (fMRI) scanner, recording brain activation as they viewed and rated them on aesthetic preference. Their results demonstrated that activation in brain regions that encode reward and emotions—including the caudate nucleus, cingulate sulcus, and the visual cortex—covaried with preference ratings assigned to the paintings. This study represented an early example of how brain imaging could be used to test theoretically derived predictions from empirical aesthetics. Indeed, data from that study and several others since have accumulated to demonstrate that emotions and rewards are a cornerstone of our aesthetic experiences in relation to artworks and other classes of stimuli.

A Survey of Craniofacial Fellowships in North America: The Craniofacial Fellowship Experience Outside of the Operating Room

FACE ◽  
2020 ◽  
Vol 1 (2) ◽  
pp. 114-123
Author(s):  
Jenny Lee Nguyen ◽  
Colin M. Brady ◽  
Joseph K. Williams
Keyword(s):  
Operating Room ◽  
Online Survey ◽  
International Experience ◽  
Craniofacial Surgery ◽  
Core Faculty ◽  
Multidisciplinary Clinic ◽  
Fellowship Programs ◽  
Program Characteristics ◽  
Similar Experience ◽  
Educational Meetings

Residencies are governed by the Accreditation Council for Graduate Medical Education’s (ACGME) common program requirements to help ensure that residents are adequately trained to practice medicine independently. Fellowships either rely on ACGME accreditation for standardization, have developed their own specialty accreditation councils, or have no governing body to monitor programs, such as in craniofacial surgery. This study was designed to capture the clinical, educational, and scholarly experiences of craniofacial fellows to better understand the current craniofacial fellowship landscape. An anonymous online survey was sent to all North American craniofacial surgery fellowship program directors via email. The first question group focused on program characteristics: ACGME accreditation, core faculty, and patient population. The second question group focused on the fellow’s scholarly experience: educational meetings and research requirements. The third question group focused on the fellow’s non-operative experience: clinic participation and call experience. The fourth question group focused on the fellow’s international experience. A total of 22 of 31 programs directors (71%) responded to the survey. The majority of fellowship programs (95.5%) had an educational program of meetings. The majority of programs (82.8%) mandated clinic time for the fellows. Five programs (22.7%) had a fellow’s clinic. The majority of fellowship programs (95.5%) had research expectations for the fellow. Call type and frequency varied widely between fellowship programs. Less than half (47.6%) of programs had an international experience for the fellow. Three-fourths of fellows only interacted with subspecialties of the cleft and craniofacial multidisciplinary clinic during clinic time. A total of 16 fellowship programs (72.7%) were non-ACGME accredited. Despite rapid growth in craniofacial fellowships and a lack of current oversight as to content, programs provide a similar experience for fellows outside of the operating room. Areas for further discussion regarding standardizing programs may include international experiences and formal exposure to other disciplines within the cleft and craniofacial clinic.

Experimental Age Discrimination Evidence and the Heckman Critique

2016 ◽  
Vol 106 (5) ◽  
pp. 303-308 ◽  
Author(s):  
David Neumark ◽  
Ian Burn ◽  
Patrick Button
Keyword(s):  
Older Women ◽  
Older Workers ◽  
Capital Investment ◽  
Large Scale ◽  
Past Research ◽  
Age Discrimination ◽  
Scale Field ◽  
Large Scale Field ◽  
Similar Experience ◽  
Robust Evidence

We design and implement a large-scale field experiment on age discrimination to address limitations of past research that may bias their results. One limitation is the practice of giving older and younger applicants similar experience in the job to which they are applying, to make them “otherwise comparable.” The second limitation is ignoring the likelihood of greater variation in unobserved differences among older workers owing to human capital investment. Based on evidence from over 40,000 job applications, we find robust evidence of age discrimination in hiring against older women, but considerably less evidence of age discrimination against older men.

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