scholarly journals The path and the Conversation. Self-interpreting Heidegger

Phainomenon ◽  
2021 ◽  
Vol 31 (1) ◽  
pp. 17-40
Author(s):  
Irene Borges-Duarte
Keyword(s):  
Being And Time ◽  
Present Essay ◽  
Dead End

Abstract In his quest to let language speak, Heidegger explored thoroughly the possibilities of meaning of factical language, in its phenomenological and poietic dimensions. He thereby came to characterize Being and Time as a way, a path which must be followed until it ends. He later understood it as a wandering and, finally, as a dead end (Holzweg). The idea of the walker, in conversation with himself, accompanies this entire journey. The present essay seeks to uncover the main moments of Heidegger’s retrospective and self-interpreting way, based on recent publications of the Gesamtausgabe (in particular GA 82 and 70.1), which he himself wanted to see, generally speaking, as the edition of his Wege, nicht Werke.

Objects as such and objects in contexts. Things and equipment

2007 ◽  
Vol 14 (2) ◽  
pp. 131-135 ◽  
Author(s):  
Hans Peter Hahn
Keyword(s):  
Material Culture ◽  
Social Practices ◽  
New Wave ◽  
Culture Studies ◽  
New Approach ◽  
Everyday Objects ◽  
Material Culture Studies ◽  
Present Essay ◽  
Dead End ◽  
Wide Range

In the last two or three decades, material culture as a topic of scientific study has experienced a real boom. Focusing on everyday objects, their contexts and meanings, material culture studies offers important approaches for several disciplines within the humanities. The aim of this new wave of research is to improve the understanding of social practices in a wider sense and thereby contribute to the understanding of societies themselves. Given this ambitious goal, and the wide range of disciplines engaged in studying material culture, the new approach will only have a future if interdisciplinary debates are initiated and succeed in making reciprocal benefits. In particular, the complementarities of different disciplinary methodologies should result in useful synergies. If material culture studies is seen only as a domain within anthropology (or any other discipline) then we risk it coming to a dead end (Bertrand and Jewsiewicki 1999, 181; Hahn 2005, 12). This is the larger context in which I see the relevance of the present essay and, before going into details, I would like to express my support to the ideas expressed by Garrow and Shove.

The Garden as Unfinished Narrative of the Good in C.S. Lewis’ Perelandra

2012 ◽  
Vol 2 (1) ◽  
pp. 49-80
Author(s):  
Evrea Ness-Bergstein
Keyword(s):  
The Novel ◽  
Garden Of Eden ◽  
Adam And Eve ◽  
Dead End ◽  
Growth And Change ◽  
Literary Devices ◽  
Hortus Conclusus

In Lewis’ transposition of Milton’s Paradise to a distant world where Adam and Eve do not succumb to Satan, the structure of Eden is radically different from the enclosed garden familiar to most readers. In the novel Perelandra (1944), C.S. Lewis represents the Garden of Eden as an open and ‘shifting’ place. The new Garden of Eden, with Adam and Eve unfallen, is a place of indeterminate future, excitement, growth, and change, very unlike the static, safe, enclosed Garden—the hortus conclusus of traditional iconography—from which humanity is not just expelled but also, in some sense, escapes. The innovation is not in the theological underpinnings that Lewis claims to share with Milton but in the literary devices that make evil in Perelandra seem boring, dead-end, and repetitive, while goodness is the clear source of change and excitement.

Derwent Moultrie Coleridge's Australian Exile

Romanticism ◽  
2018 ◽  
Vol 24 (1) ◽  
pp. 22-35
Author(s):  
Nicola Healey
Keyword(s):  
Nineteenth Century ◽  
Cambridge University ◽  
Dead End ◽  
Family Home

The literary career and troubled life of Derwent Moultrie Coleridge (1828–80), Derwent Coleridge's eldest son (S. T. Coleridge's first grandson) has been critically overlooked. After a period of alcohol-related, reckless behaviour at Cambridge University, he was exiled to Australia in November 1850, lest he continue to dishonour his father and the Coleridge name. Despite struggling considerably, he quickly became part of an Australian literary circle and he often contributed poems to Sydney newspapers. This essay analyses the most biographical of his poems that was published in the Australian press, ‘The Loafer's Christmas’ (1871) – a hitherto unknown poem – looking, in particular, at the dialogues in which the poem engages with his family, especially S. T. Coleridge's ‘The Rime of the Ancient Mariner’. I also contextualise ‘The Loafer's Christmas’ within nineteenth-century Australian culture. Looking at issues of exile, idleness, addiction, family, home(lessness), and religious redemption, this essay explores the ways in which Derwent Moultrie's exile proved to be both a literary liberation and a dead end, trapping him between times and spaces, real and imaginary. In so doing, I show how the lost life and writings of Derwent Moultrie Coleridge can offer us new perspectives on the Coleridge legacy.

Registration of animal rabies in Krasnodar region

2020 ◽  
pp. 3-4
Author(s):  
Oleg Yu. Chernykh ◽  
◽  
Vadim A. Bobrov ◽  
Sergey N. Zabashta ◽  
Roman A. Krivonos ◽  
...  
Keyword(s):  
Urban Form ◽  
Animal Species ◽  
Farm Animals ◽  
Natural Focus ◽  
Dead End ◽  
Wide Range ◽  
Epizootic Process ◽  
Krasnodar Region ◽  
Spread Of Infection ◽  
Reporting Data

Rabies remains a constant threat to humanity in many parts of the world. At the same time, scientifically grounded antiepizootic measures should be based on the peculiarities of the regional epizootology of this zooanthroponosis. The authors studied the epizootological and statistical reporting data of the Kropotkin Regional Veterinary Laboratory, presented an analysis of the registration of rabies in animals in Krasnodar region. From the obtained data, it should be noted that despite the wide range of animals involved in the epizootic process of rabies infection in Krasnodar region, dogs, cats and foxes play a major role in the reservation and spread of infection, which account for 78.6. Of the total number of registered cases, 15.5% falls on foxes, that indicates the natural focus of the disease, along with the manifestation of the disease in an urban form. At the same time, stray and neglected dogs and cats, which occupy a significant place among the total number of sick animals, are also sources and spread of the infection. Thus farm animals (8.3% of the total number of infected animals) are a biological dead end for the infection. Isolated cases of the disease were noted in muskrat, donkey, raccoon, raccoon dog, marten, ferret and jackal. The authors also established the specific morbidity of various animal species with rabies infection, that is an important aspect in the development and implementation of antiepizootic measures complex

: Last Chants for a Slow Dance (Dead End) . Jon Jost.

1979 ◽  
Vol 32 (3) ◽  
pp. 58-62
Author(s):  
David Coursen
Keyword(s):  
Dead End
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