"An Iconographic Study on the Characteristics of Royal Family Sponsored Buddhist Painting at Heungcheonsa Temple and the Split Screen Type Painting of Nine Stages of Sukhavati"

2020 ◽  
Vol 55 (0) ◽  
pp. 15-34
Author(s):  
Myung‐dae Moon
1970 ◽  
Vol 4 ◽  
pp. 32-47
Author(s):  
H. B. Acton

It is easy to understand why Hegel's philosophy should be little studied by English-speaking philosophers today. Those who at the beginning of the twentieth century initiated the movement we are now caught up in presented their earliest philosophical arguments as criticisms of the prevailing Anglo-Hegelian views. It may now be thought illiberal to take much interest in this perhaps excusably slaughtered royal family, and positively reactionary to hanker after the foreign dynasty from which it sometimes claimed descent. Hegel was a systematic philosopher with a scope hardly to be found today, and men who, as we say, wish to keep up with their subject may well be daunted at the idea of having to understand a way of looking at philosophy which they suspect would not repay them for their trouble anyway. Furthermore, since Hegel wrote, formal logic has advanced in ways he could not have foreseen, and has, it seems to many, destroyed the whole basis of his dialectical method. At the same time, the creation of a science of sociology, it is supposed, has rendered obsolete the philosophy of history for which Hegel was at one time admired. In countries where there are Marxist intellectuals, Hegel does get discussed as the inadvertent forerunner of historical and dialectical materialism. But in England, where there is no such need or presence, there do not seem to be any very strong ideological reasons for discussing him. In what follows I shall be asking you to direct your thoughts to certain forgotten far-off things which I hope you will find historically interesting even if you do not agree with me that they give important clues for an understanding of human nature and human society.


2004 ◽  
Vol 58 (3) ◽  
pp. 345-365 ◽  
Author(s):  
Stéphane Lacroix

The last few years in Saudi Arabia have witnessed the rise of a new trend made up of former Islamists and liberals, Sunnis and Shi'ites, calling for democratic change within an Islamic framework through a revision of the official Wahhabi religious doctrine. These intellectuals have managed to gain visibility on the local scene, notably through a series of manifestos and petitions, and their project has even received support from among the Royal Family. Indeed, the government has since then taken a number of preliminary steps towards political and religious reform. But does this mean that Saudi Arabia is about to enter the era of Post-Wahhabism?


Author(s):  
Yeni Budi Rachman ◽  
Tamara Adriani Salim

Abstract Daluang or dluwang is an Indonesian traditional ‘near paper’ that is made of Saeh, a type of mulberry plant. Daluang or dluwang were used as a writing material in Java during the Islamic era. Cirebon, West Java Province, Indonesia, is one of daluang manuscript collection sources in Indonesia. The manuscripts belong to the local society and the royal family. The objective of this research is to provide a brief history of daluang production and use and to identify deterioration phenomena of daluang manuscripts which belong to the Cirebon society. The data was collected by literature study, interviews and a survey examining daluang manuscripts. The findings from this study are an important documentation of the present condition of daluang manuscripts in Cirebon. Furthermore, this paper offers guidance for a condition survey of daluang manuscript collections and identifies weaknesses in the current practice of preservation, offering suggestions for optimized storage conditions.


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