scholarly journals Lecturas intergeneracionales sobre el gusto y las preparaciones habituales en hogares receptores de programas alimentarios

Author(s):  
María Victoria Sordini
Keyword(s):  

En Argentina, desde los años ochenta, el problema alimentario y las condiciones de pobreza son asistidas por múltiples programas sociales. Actualmente, ante la persistencia de las condiciones de pobreza, tres generaciones han complementado la alimentación de sus hogares con las prestaciones estatales. Objetivo: el objetivo de este artículo es observar las preparaciones que se realizan en un día habitual en los hogares que reciben programas alimentarios desde hace más de tres décadas para describir y comparar de manera intergeneracional las prácticas alimentarias de preparación y consumo de alimentos. Metodología: para ello se realizó un estudio cualitativo con el método biográfico en su modalidad relatos de vida. Con la técnica entrevista en profundidad se indagaron 45 personas entre 18 y 30 años, entre 31 y 55 y mayores de 56 años que corresponden a distintas generaciones y han recibido múltiples programas alimentarios a lo largo de sus biografías en el Partido de General Pueyrredon (PGP), provincia de Buenos Aires, Argentina. Resultados: la primera generación demuestra mayor variedad de alimentos en sus preparaciones; se destaca una perdida en el uso de las verduras en la tercera y segunda generación. La preparación más eficiente es el guiso por su versatilidad en el rendimiento para múltiples comensales o comidas. La tercera generación realiza preparaciones con menor variedad de nutrientes y le asigna a sus comidas el atributo de poderosas. Limitaciones: no se trata de un estudio que analiza la ingesta alimentaria para comparar con las recomendaciones nutricionales, sino que, desde un análisis sociológico, se indagaron las preparaciones habituales, las percepciones en torno a la comida, el acceso a los alimentos. Conclusiones: si bien el gusto se configura por las condiciones de necesidad, también emergen grados de libertad como intersticios en los que se cuelan sabores, saberes culinarios, tradiciones, costumbres, patrones alimentarios y legados intergeneracionales cargados de sentidos y significados.

1982 ◽  
Vol 99 ◽  
pp. 605-613
Author(s):  
P. S. Conti

Conti: One of the main conclusions of the Wolf-Rayet symposium in Buenos Aires was that Wolf-Rayet stars are evolutionary products of massive objects. Some questions:–Do hot helium-rich stars, that are not Wolf-Rayet stars, exist?–What about the stability of helium rich stars of large mass? We know a helium rich star of ∼40 MO. Has the stability something to do with the wind?–Ring nebulae and bubbles : this seems to be a much more common phenomenon than we thought of some years age.–What is the origin of the subtypes? This is important to find a possible matching of scenarios to subtypes.


1998 ◽  
Vol 26 (152) ◽  
pp. 576
Author(s):  
Oscar H. del Brutto Perrone ◽  
José Antonio Bueri ◽  
Antonio Culebras ◽  
Jordi Matías-Guiu Guía ◽  
Marco Tulio Medina Hernández ◽  
...  
Keyword(s):  

2018 ◽  
Vol 36 (2) ◽  
pp. 173-197
Author(s):  
Juliet McMains

This paper interrogates the history of same-sex dancing among women in Buenos Aires' tango scene, focusing on its increasing visibility since 2005. Two overlapping communities of women are invoked. Queer tangueras are queer-identified female tango dancers and their allies who dance tango in a way that attempts to de-link tango's two roles from gender. Rebellious wallflowers are women who practice, teach, perform, and dance with other women in predominantly straight environments. It is argued that the growing acceptance of same-sex dancing in Argentina is due to the confluence of four developments: 1) the rise of tango commerce, 2) innovations of tango nuevo, 3) changing laws and social norms around lesbian, gay, bisexual, and transgender rights, and 4) synergy between queer tango dancers and heterosexual women who are frustrated by the limits of tango's gender matrix. The author advocates for increased alliances between rebellious wallflowers and queer tangueras, who are often segregated from each other in Buenos Aires' commercial tango industry.


2017 ◽  
Vol 12 (2) ◽  
pp. 198-225
Author(s):  
Patricia Novillo-Corvalán

This article positions Pablo Neruda's poetry collection Residence on Earth I (written between 1925–1931 and published in 1933) as a ‘text in transit’ that allows us to trace the development of transnational modernist networks through the text's protracted physical journey from British colonial Ceylon (now Sri Lanka) to Madrid, and from José Ortega y Gasset's Revista de Occidente (The Western Review) to T. S. Eliot's The Criterion. By mapping the text's diasporic movement, I seek to reinterpret its complex composition process as part of an anti-imperialist commitment that proposes a form of aesthetic solidarity with artistic modernism in Ceylon, on the one hand, and as a vehicle through which to interrogate the reception and categorisation of Latin American writers and their cultural institutions in a British periodical such as The Criterion, on the other. I conclude with an examination of Neruda's idiosyncratic Spanish translation of Joyce's Chamber Music, which was published in the Buenos Aires little magazine Poesía in 1933, positing that this translation exercise takes to further lengths his decolonising views by giving new momentum to the long-standing question of Hiberno-Latin American relations.


Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 187-206
Author(s):  
Clare M. Murphy

The Thomas More Society of Buenos Aires begins or ends almost all its events by reciting in both English and Spanish a prayer written by More in the margins of his Book of Hours probably while he was a prisoner in the Tower of London. After a short history of what is called Thomas More’s Prayer Book, the author studies the prayer as a poem written in the form of a psalm according to the structure of Hebrew poetry, and looks at the poem’s content as a psalm of lament.


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