scholarly journals Politeness Strategies Used in Ellen DeGeneres’s TV Talk Show with Barack Obama as the Guest Star

HUMANIS ◽  
2018 ◽  
pp. 142
Author(s):  
Ni Kadek Eni Dharmayanti ◽  
Ni Wayan Sukarini ◽  
Putu Weddha Savitri

This undergraduate thesis is entitled Politeness Strategies Used in Ellen DeGeneres’s TV Talk Show with Barack Obama as the Guest Star. Ellen DeGeneres is an American comedian, television host, actress, writer, and producer. The aims of this study are to analyze the type of politeness strategies used in Ellen DeGeneres’s talk show script with Barack Obama as the guest star, and to identify the factors influence the choice of strategies.The data in this study were obtained from a talk show entitled Ellen DeGeneres. The process of collecting data was done through documentation method. The theories applied to support this study are theory proposed by Brown and Levinson (1978) used to analyze the types of politeness strategies, and also the same theories used to identify the factors influence the choice of strategy. The sentences which were used as the data were the sentences of the conversation applied the politeness strategy in script. Politeness strategies and the factors that influence the choice of strategies have a close connection to each other, whether when the speakers talks to female or male, have different social status, have a close relationship, or they always try to act politely in every situations. In two episodes of Ellen DeGeneres talk show with Barack Obama as the guest star the politeness strategy mostly applied in the positive politeness strategy. It also has the connection with the factor influence the choice of strategy.

Author(s):  
Siti Farhana

The purpose of this research were to find out (1) whether the types of politeness strategies in Enola Holmes movie are in accordance with politeness strategies proposed by Brown and Levinson (1987) or not, (2) what type of politeness strategies most frequently appeared in Enola Holmes movie, (3) which character(s) use politeness strategies most frequently than the others, and (4) what type of violating maxims based on Grice’s maxim most frequently appeared in Enola Holmes movie. The design of this research is a descriptive qualitative research. The data of the research were in the form of utterances that contained politeness strategies and cooperation and implicature (Violating of maxim). The result shows that (1) the types of politeness strategies in Enola Holmes movie are in accordance with politeness strategies proposed by Brown and Levinson (1987); (2) Bald on Record is the most frequent politeness strategies appeared in Enola Holmes movie. Bald on Record is mostly used by the characters because there is a power, social status, or close relationship among the characters.; (3) there are three characters who used politeness strategies more frequently, they are Enola Holmes, Sherlock Holmes, and Tewkesbury (4) Violating maxim of relevance is the most frequently appeared in Enola Holmes movie.


Author(s):  
Helidatasa Utami

The aims of this research were to find out (1) whether the types of politeness strategies in The Dead Poets Society movie are in accordance with politeness strategies proposed by Brown and Levinson (1987) or not, (2) what type of politeness strategies most frequently appeared in The Dead Poets Society movie, (3) which character(s) use politeness strategies most frequently than the others, and (4) what type of flouting maxims based on Grice’s maxim most frequently appeared in The Dead Poets Society movie. The design of this research is a descriptive qualitative research. The data of the research were in the form of utterances that contained politeness strategies and cooperation and implicature (flouting of maxim). The result shows that (1) the types of politeness strategies in The Dead Poets Society movie are in accordance with politeness strategies proposed by Brown and Levinson (1987); (2) Bald on Record is the most frequent politeness strategies appeared in The Dead Poets Society movie; (3) there are three characters who used politeness strategies more frequently in requesting something, they are John Keating, Mr.Perry, and Mr.Nolan and (4) Violating maxim of manner is the most frequently appeared in The Dead Poets Society movie. It can be indicated that Bald on Record is mostly used by the characters because there is a power, social status, or close relationship among the characters. Moreover, maxim of manner is mostly flouted by the characters because there is a misunderstanding or conflict avoidance.


HUMANIS ◽  
2018 ◽  
pp. 781
Author(s):  
Ni Wayan Ika Mahayani ◽  
I Nyoman Udayana ◽  
Ni Ketut Sri Rahayuni

This undergraduate thesis entitled “Positive Politeness Strategies in James Corden’s Interview on Recode Decode Talk-show” is interesting to be discussed as an object analysis due to the application of positive politeness strategies used in a communication. The study aims to analyze the types of positive politeness strategies used in James Corden’s Interview on Recode Decode Talk-show and to identify the language function of the applications of those positive politeness strategies. The data were taken from the transcript of the conversation in the talk-show. The statements which were used as the data source were the statements of the conversation which were applied the positive politeness strategy. The data that have been collected were classified according to the theory of Brown and Levinson (1978) about politeness strategy to analyze the positive politeness strategies in the conversation of the talk-show’s transcripts. Furthermore, the language functions proposed by Tillit and Bruder (1985) is also used to identify the functions of the choice of those positive politeness strategies. Based on the theory mentioned above, there were seven strategies of positive politeness strategies found in this talk-show, those are: Notice, attend to H (his interest, wants, needs, goods), Exaggerate (interest, approval, sympathy with H), Seek agreement, Avoid disagreement, Joke, Include both S and H in the activity, and Give (or ask for) reasons.


1972 ◽  
Vol 6 ◽  
pp. 6-14

Horace was writing hisEpodes1at the same time as he was writingSatires. The nameEpodesis derived from the metrical term ό ἐπῳδός (і.е. στίχος) which signifies the second and shorter line of a couplet, but Horace himself referred to them asiambi(soEpod. 14. 7,Epist. i. 19. 23). The collection is titledLiber Epodonin the MSS. and the title was used by grammarians of the fourth and fifth centuries. Butiambigives a better idea of their basic inspiration. Horace says of them(Epist. i. 19. 21-5):So he claims(a)originality,(b)Archilochus as a model,(c)that he was the first Roman to use Archilochus as a model, and(d)that he discarded the vicious personal invective of Archilochus. The judgement disregards Catullus, who had writteniambibefore Horace, but whose similarity to Archilochus did not extend far beyond metre and invective. There is a consistency in Horace’s poetic career: he began by recreating the poetry of Archilochus in hisEpodes, and his later—and greatest— work was the recreation in hisOdesof the lyric poetry of poets like Sappho, Alcaeus, and Pindar. There is a similarly close relationship between theSatiresand theEpistles;and, furthermore, all of his writing uses an autobiographical technique. There is another sort of consistency too, for basicallyEpodesandSatiresexpress a similar attitude of mind: anger, contempt, and amusement are the fundamental emotions (though he often transcends these emotions in both works), and a plausible case can be made out for regarding this as a sign of a young man of low social status, unsure of himself and his talent, and already finding ways of expressing a personality that were not too self-revealing. TheOdesandEpistles, on the other hand, express a more meditative, more philosophical, more humane attitude, yet ultimately no more self-revealing.


Pragmatics ◽  
2019 ◽  
Vol 29 (1) ◽  
pp. 57-82
Author(s):  
Saeko Machi

Abstract This study examines cross-speaker repetition in triadic conversations in the Japanese language. For the analysis, three sets of triadic conversations between close friends taken from a TV talk show are used. The results reveal that repetition in triadic conversations performs distinctive functions that are not observed in dyadic conversations: repetition often takes place between only two participants of the triad and allows the two to team up and strengthen their bond exclusively (teaming repetition), or even playfully tease the third participant (teasing repetition). Repetition is also shared between the three participants. In such cases, it allows the participants to create an instant bond by joking or referring to shared circumstances (immediate threefold repetition), or to gradually establish rapport by connecting their utterances and co-constructing a story (repetition relay). All these types of repetition express the participants’ points of view and contribute efficiently to their relationships that shift from moment to moment. The study further demonstrates cases in which one participant makes good use of various repetition types in a short period of time and efficiently allocates thoughts and feelings to the other two participants. The study concludes that repetition plays a significant role in Japanese conversation, helping speakers to converse smoothly and manage the dynamic relationships efficiently.


2012 ◽  
Vol 2 (2) ◽  
pp. 254-279
Author(s):  
Scott Kugle ◽  
Stephen Hunt

This paper analyses how Islamic Neo-traditionalists perceive gender constructs through a distorted view of religious texts and cultural conventions. It explores the ramifications of these constructs for attitudes towards same-sex orientations and relationships. These themes are discussed with reference to a case study of a TV talk show on 5 June 2006 by one conservative scholar-activist, Shaykh Yusuf al-Qaradawi, whose teachings have an impact in the Middle-East and on Muslim minorities in the West. The paper will demonstrate how al-Qaradawi articulates his views of homophobia as part of an agenda to reinforce perceived threats to Muslim masculinity.


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