scholarly journals Interrogando los sentidos de Identidad: Un encuentro entre subjetividades y retratos pictóricos del s. XIX en la Universidad

2020 ◽  
pp. 35-40
Author(s):  
José Eugenio Rubilar Medina

This article is the culmination of a broader research project carried out with students of the Visual Arts Education degree, with whom we traced an exploratory drift to investigate the senses and notions that orbit the complex notion of Identity. Within the framework of this research, (still in development), I reconstruct what was a collaborative and inclusive experience of investigation, in which materiality (19th century portraits belonging to the collection of pictorial works of the University Museum) was inscribed as a mediating agent that allowed us to re-read concepts, notions, knowledge and desires in order to re-think and co-construct knowledge from the intersubjective at the University. In this exercise of reflexivity, situated and embodied, a distance is taken from the schemes of semiotic analysis ascribed to descriptive readings, nor are strategies of codification and categorization established that fragment, segment and theme the experiences of inquiry. This text is the unfolding of a trajectory where teachers and students open up to the possibility of exploring, creatively and from a sense of becoming, the very processes of identity subjectivization by attending to the encounters with materiality.

2020 ◽  
Vol 11 (1) ◽  
pp. 74-90
Author(s):  
Leena Knif ◽  
Seija Kairavuori

AbstractThis article presents a discussion about primary school visual arts education from the point of view of social sustainability and in the context of teacher education in Finland. The study focuses on the student teachers’ understanding and pedagogic thinking of the equality construction in visual arts. In this case study the research data comprises the learning portfolios of student teachers (N=25) from the visual arts teaching course at the University of Helsinki in which they designed and carried out pedagogical workshops of visual arts to promote equality. The data were examined with the methods of qualitative content analysis. In this context, the student teachers found engaging elements in the aims and practices of visual arts to be the way to enhance equality. Visual arts education was found to offer a functional space for enhancing the agency, social skills and values needed in a sustainable future.


Author(s):  
Luísa Vidal

Taking as central point a recently initiated research project about the possibilities of visual arts education in the development of emancipated subjectivities, the present article aims to emphasize the need of a non rigid methodology defined as a continuous operation of deterritorialization inconstant dialogue with the unpredictable aspects of the research process.


2020 ◽  
Vol 13 (2) ◽  
pp. 131-152
Author(s):  
Zlata Tomljenović

The task of contemporary visual arts education is to enable quality interaction among all subjects of the teaching process, through which the students are encouraged to think, imagine, and develop higherorder cognitive activities. The objective of this empirical research study was to verify the differences in the results of students in the control and experimental groups (n=285) regarding their knowledge and understanding of visual arts content. Analysis of the results shows that the students in EG showed significantly better results compared to the students in CG, which means that the interactive model of learning and teaching positively influenced the students’ understanding of visual arts content.


SAGE Open ◽  
2015 ◽  
Vol 5 (4) ◽  
pp. 215824401561252 ◽  
Author(s):  
Nana Afia Amponsaa Opoku-Asare ◽  
Abena Okyerewa Siaw

Arts ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 79
Author(s):  
María Díez Jorge ◽  
Ignacio Maturana ◽  
Nieves Díaz

In the following paper, we look at the Alhambra from a perspective of architectural ceramics, an essential element in the understanding of the monument. From the Nasrid era onward, glazed ceramic tile mosaics were used to adorn the walls, a style that extended into the Christian conquest, when the palace complex was used as a royal residence. Since then, restoration work has continued to be carried out on the alicatados that cover the Alhambra’s walls, especially during an intense period in the 19th century, when it was the subject of much interest from Romantic travellers to Granada. A detailed, documented analysis of this work shows the complexity of the palace and fortress complex, helping us to better understand a part of its history. In the following pages, we specifically focus on one room in the Alhambra, the so-called Cuarto Dorado (Golden Room), outlining the preliminary findings of a research project that we are undertaking in association with the University of Granada and the Patronato de la Alhambra y el Generalife (Council of the Alhambra and the Generalife).


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