AbstractIn A Vision, W. B. Yeats describes the principal symbol of his work as the figure of a double cone formed by tracing a line along the outer edges of two intersecting gyres, or vortices, the apex of each vortex in the middle of the other's base. He then asserts that the only writer outside speculative philosophy to have used the symbol was Flaubert, who had planned to write a story called “La Spirale.” Though it is impossible completely to credit Yeats's reading of “La Spirale,” his general assertion is nevertheless correct, extraordinarily, as a description of the Trois Contes, where the double cone appears both as a narrative structure and a theme, symbolizing the creative passage from material to spiritual life.