scholarly journals La compra de sepulturas como manutención parroquial. La ermita de san Juan Bautista (Vallehermoso, La Gomera)

2021 ◽  
pp. 257-271
Author(s):  
David Corbella Guadalupe ◽  

In this work we study three documents found in the parish fund of San Juan Bautista de Vallehermoso (La Gomera) concerning the measures taken after the pastoral visit of 1632 for the improvement of the chapel. The first one, deals with the extension of the temple and its new plant project. The second refers to the changes that the arrangements and the visiting mandates imply for the economic improvement of the temple. And the third, shows the presentation made by the owners of the graves to demonstrate their ownership, allowing the income of money to economically support the parish; and know the name, both those who appeared in the sketch of dates of burial of the temple as those who do not.

Revista M ◽  
2011 ◽  
Vol 8 (1) ◽  
pp. 4
Author(s):  
María Fernanda Reyes Rodríguez ◽  
Jennifer Álvarez Quintero ◽  
Geisson Mauricio Delgado López ◽  
Wendy Yurany Henao Pineda ◽  
Linda Stephanie Rincón Sánchez

2019 ◽  
Vol 8 (2) ◽  
Author(s):  
Ausejo-Galarza Jhon Rodrigo ◽  
Leveau-Bartra Harry ◽  
Córdova-Tello Ivan Marco
Keyword(s):  
San Juan ◽  

Objetivo: Precisar la prevalencia de sobre peso y de obesos en alumnos de la Universidad San JuanBautista de Ica mayo 2019. Materiales y métodos: Estudio de tipo observacional, transversalretrospectivo y descriptivo sobre una población de 3500 alumnos con una muestra de estudio de348 alumnos de la Universidad en mención, de cualquier escuela profesional y de cualquier sexoque se encuentre en el rango de edad de 15 a 30 años. Resultados: La prevalencia de sobre peso yobesidad en alumnos de dicha Universidad de Ica en mayo del 2019 es 29%. La frecuencia de Sobrepeso grado I es de 17.8%, de Sobre peso grado II es de 8.0% y de Obesidad es de 3.2%. Laprevalencia de sobre peso y obesidad es significativamente más frecuente en los alumnos de entre20 a 30 años (35.2%) en relación a los de 15 a 19 años (22.7%). La prevalencia de sobre peso yobesidad es significativamente más frecuente en los alumnos de sexo masculino (42.7%) en relacióna las de sexo femenino (18.7%). Conclusiones: La prevalencia de sobre peso y obesidad en losalumnos de la Universidad San Juan Bautista de Ica en mayo del 2019 es de 29% siendo la edad de20 a 30 años y el sexo riesgos para el sobre peso y obesidad.


1970 ◽  
Vol 27 ◽  
pp. 61-99
Author(s):  
Ana Suárez González

Resumen: En el interior de la catedral de Santiago de Compostela doce cruces de piedra rodeadas por inscripciones recuerdan la consagración de la iglesia que tuvo lugar 21 de abril de 1211 por ministerio del arzobispo Pedro Muñiz. Son doce signos de signos circulares a la vez rituales y validatorios. La mirada se traslada del templo al archivo, del recuerdo en piedra de la catedral compostelana a la memoria en pergamino de dos cartularios de la abadía cisterciense de Santa María de Sobrado (AHN, Códice 976) y la canónica de San Juan de Caaveiro (AHN, Códice 1439) para poner en valor otros signos de signos circulares, provistos asimismo de cruces y letreros, singulares y sorprendentes. También en estos manuscritos rito litúrgico y requisito diplomático se mezclan para invocar, validar y perpetuar mensajes, conduciéndonos así, de cruz a cruz, en un círculo de círculos, al punto de partida.Palabras clave: Carmen figuratum. Cartularios. Catedral de Santiago. Cruces de consagración. Liturgia. Pedro Muñiz. Signos rodados. Abstract: Twelve consecration crosses surrounded by inscriptions commemorate the consecration of Santiago cathedral officiated by Pedro Muñiz in April, 21, 1211. They six round signs of signs echo the ritual but they also validate it. For that reason it is possible to move our gaze from the temple to the archive, from the stone commemoration to the memories preserved in two cartularies –the one from the Cistercian Abbey of Santa María de Sobrado (AHN, Códice 976) and another from the priory of San Juan de Caaveiro (AHN, Códice 1439)– in order to discover other circular, intriguing signs of signs, provided with crosses and inscriptions as well. In these manuscripts liturgical ritual and diplomatic requirement mix up to invocate, validate and perpetuate the messages, leading us from cross to cross, in a circle of circles, to the point of departure.Keywords: Carmen figuratum. Cartularies. Santiago Cathedral. Consecration crosses. Liturgy. Pedro Muñiz. Rotae.


2017 ◽  
Vol 60 (1) ◽  
pp. 1-15
Author(s):  
HANNAH M. COTTON-PALTIEL ◽  
AVNER ECKER ◽  
DOV GERA

Abstract This article was prompted by the recent discovery of two more copies of the so-called ‘Heliodoros Stele’ from Maresha. A second one from Byblos was published in 2015. The third one, re-discovered recently and published here for the first time, also comes from Maresha. The steles bear Seleukos IV's epistolary prostagma from 178 bc to his vizier Heliodoros, and forwarded to other officials with the instruction to display it in public. It contains an appointment of one Olympiodoros to be high priest in Koele Syria and Phoenicia. Both Seleukos IV and Heliodoros also appear in the story of the plundering of the Temple related in II Maccabees 3. The existence of multiple copies, though hardly surprising, made us suspect the king's apologetic tone and identify the ‘reform’ as an attempt to embellish the withdrawal of previously bestowed privileges on the Jews (so Josephus) as well as on others.


Author(s):  
Zsolt Kiss ◽  

Two fragments of painted Roman funerary portraits on wooden panels of the Fayum type, discovered in 2001 during a revisiting of the Third Intermediate Period shaft tombs inside the Chapel of Hatshepsut in the Royal Mortuary Cult Complex at the Temple of Hatshepsut in Deir el-Bahari, come from 19th century excavations, hence are without anything but a general context. The pieces are very small—fragment of a robe, sliver of a face with one eye—but in a brilliant analysis of iconography and style Kiss identifies one as a depiction of a female, possibly a priestess of Isis, from the second half of the 2nd century AD, and the other as a male portrait from the 2nd century. The portraits may belong to what some scholars have called “Theban” painted funerary portraits and they must have come from a Roman necropolis in West Thebes, possibly Deir el-Medineh. On any case, they are proof that mummies with painted portraits of the deceased on wooden panels fitted into the cartonnages were not unknown in ancient Thebes.


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