scholarly journals Revenge Remix: TERROR NULLIUS (2018) and the Politics of Sample Filmmaking

2021 ◽  
Author(s):  
◽  
Caitlin Lynch
Keyword(s):  
Identity Politics ◽  
News Media ◽  
Fair Use ◽  
Experimental Sample ◽  
Political Messages ◽  
Avant Garde ◽  
Found Footage ◽  
Soviet Cinema ◽  
Digital Compositing ◽  
The Relationship

<p>TERROR NULLIUS (Soda_Jerk, 2018) is an experimental sample film that remixes Australian cinema, television and news media into a “political revenge fable” (soda_jerk.co.au). While TERROR NULLIUS is overtly political in tone, understanding its specific messages requires unpacking its form, content and cultural references. This thesis investigates the multiple layers of TERROR NULLIUS’ politics, thereby highlighting the political strategies and capacities of sample filmmaking. Employing a historical methodology, this research contextualises TERROR NULLIUS within a tradition of sampling and other subversive modes of filmmaking, including Soviet cinema, Surrealism, avant-garde found-footage films, fan remix videos, and Australian archival art films. This comparative analysis highlights how Soda_Jerk utilise and advance formal strategies of subversive appropriation, fair use, dialectical editing and digital compositing to interrogate the relationship between media and culture. It also argues that TERROR NULLIUS employs postmodern and postcolonial approaches to archives and history to undermine positivist, linear historical constructions and colonial mythologies. Building on these formal and theoretical foundations, this thesis also closely reads TERROR NULLIUS to scrutinise the accessibility of its arguments for Australian and international audiences: one reading utilises Donna Haraway’s cyberfeminist theory to interpret TERROR NULLIUS’ progressive identity politics, and the second explores the cultural and historical references imbedded in TERROR NULLIUS’ samples to unpack its commentary on contemporary debates in Australian politics (particularly regarding refugee detention and white nationalism). Ultimately, this multi- faceted analysis of TERROR NULLIUS’ form, content and references highlights the complexity of sample films’ political messages, which are radically open to diverse interpretations.</p>

scholarly journals Revenge Remix: TERROR NULLIUS (2018) and the Politics of Sample Filmmaking

2021 ◽  
Author(s):  
◽  
Caitlin Lynch
Keyword(s):  
Identity Politics ◽  
News Media ◽  
Fair Use ◽  
Experimental Sample ◽  
Political Messages ◽  
Avant Garde ◽  
Found Footage ◽  
Soviet Cinema ◽  
Digital Compositing ◽  
The Relationship

<p>TERROR NULLIUS (Soda_Jerk, 2018) is an experimental sample film that remixes Australian cinema, television and news media into a “political revenge fable” (soda_jerk.co.au). While TERROR NULLIUS is overtly political in tone, understanding its specific messages requires unpacking its form, content and cultural references. This thesis investigates the multiple layers of TERROR NULLIUS’ politics, thereby highlighting the political strategies and capacities of sample filmmaking. Employing a historical methodology, this research contextualises TERROR NULLIUS within a tradition of sampling and other subversive modes of filmmaking, including Soviet cinema, Surrealism, avant-garde found-footage films, fan remix videos, and Australian archival art films. This comparative analysis highlights how Soda_Jerk utilise and advance formal strategies of subversive appropriation, fair use, dialectical editing and digital compositing to interrogate the relationship between media and culture. It also argues that TERROR NULLIUS employs postmodern and postcolonial approaches to archives and history to undermine positivist, linear historical constructions and colonial mythologies. Building on these formal and theoretical foundations, this thesis also closely reads TERROR NULLIUS to scrutinise the accessibility of its arguments for Australian and international audiences: one reading utilises Donna Haraway’s cyberfeminist theory to interpret TERROR NULLIUS’ progressive identity politics, and the second explores the cultural and historical references imbedded in TERROR NULLIUS’ samples to unpack its commentary on contemporary debates in Australian politics (particularly regarding refugee detention and white nationalism). Ultimately, this multi- faceted analysis of TERROR NULLIUS’ form, content and references highlights the complexity of sample films’ political messages, which are radically open to diverse interpretations.</p>

Misreading Egypt

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
New Media ◽  
Narrative Form ◽  
Experimental Film ◽  
Tower Of Babel ◽  
Avant Garde ◽  
Sergei Eisenstein ◽  
History Of ◽  
The One ◽  
The Relationship ◽  
Modern Technologies

The first chapter of Hieroglyphic Modernisms exposes the complex history of Western misconceptions of Egyptian writing from antiquity to the present. Hieroglyphs bridge the gap between modern technologies and the ancient past, looking forward to the rise of new media and backward to the dispersal of languages in the mythical moment of the Tower of Babel. The contradictory ways in which hieroglyphs were interpreted in the West come to shape the differing ways that modernist writers and filmmakers understood the relationship between writing, film, and other new media. On the one hand, poets like Ezra Pound and film theorists like Vachel Lindsay and Sergei Eisenstein use the visual languages of China and of Egypt as a more primal or direct alternative to written words. But Freud, Proust, and the later Eisenstein conversely emphasize the phonetic qualities of Egyptian writing, its similarity to alphabetical scripts. The chapter concludes by arguing that even avant-garde invocations of hieroglyphics depend on narrative form through an examination of Hollis Frampton’s experimental film Zorns Lemma.

Understanding Trump Supporters’ News Use: Beyond the Fox News Bubble

The Forum ◽  
2020 ◽  
Vol 18 (3) ◽  
pp. 319-346
Author(s):  
Sadie Dempsey ◽  
Jiyoun Suk ◽  
Katherine J. Cramer ◽  
Lewis A. Friedland ◽  
Michael W. Wagner ◽  
...  
Keyword(s):  
News Media ◽  
Fox News ◽  
2016 Election ◽  
Heterogeneous Consumption ◽  
The Media ◽  
Media Habits ◽  
Conservative Media ◽  
Methods Analytical ◽  
High Level ◽  
The Relationship

Abstract Since the 2016 election, the relationship between Trump supporters and Fox News has gained considerable attention. Drawing on interviews with more than 200 people and a representative survey conducted in the state of Wisconsin, we dive deeper into the media habits of Trump supporters using a mixed methods analytical approach. While we do not refute the importance of Fox News in the conservative media ecology, we find that characterizing Trump supporters as isolated in Fox News bubbles obscures the fact that many are news omnivores, or people who consume a wide variety of news. In fact, we find that Trump supporters may have more politically heterogeneous consumption habits than Trump non-supporters. We find that 17% of our survey respondents who support Trump in Wisconsin are regularly exposed to ideologically heterogeneous news media. We also find that like other voters, Trump supporters are disenchanted with the divisive nature of contemporary media and politics. Finally, we analyze the media use of young Trump supporters and find an especially high level of news omnivorousness among them.

scholarly journals ‘There Must Be a Poetry of Sound That None of Us Knows…’: Early British documentary film and the prefiguring of musique concrète

2017 ◽  
Vol 22 (2) ◽  
pp. 172-186
Author(s):  
Geoffrey Cox
Keyword(s):  
Case Studies ◽  
Electronic Music ◽  
Documentary Film ◽  
Post Office ◽  
Coal Face ◽  
Avant Garde ◽  
History Of ◽  
Relationship Of ◽  
The Relationship ◽  
Musique Concrete

Standard histories of electronic music tend to trace the lineage of musique concrète as lying mainly in the Futurists’ declarations of the 1910s, through Cage’s ‘emancipation’ of noise in the 1930s, to Schaeffer’s work and codifications of the late 1940s and early 1950s. This article challenges this narrative by drawing attention to the work of filmmakers in the 1930s that foreshadowed the sound experiments of Pierre Schaeffer and thus offers an alternative history of their background. The main focus of the article is on the innovations within documentary film and specifically the sonic explorations in early British documentary that prefigured musique concrète, an area ignored by electronic music studies. The theoretical and philosophical underpinnings of the documentary movement’s members, particularly their leader John Grierson, will be compared with those of Pierre Schaeffer, and the important influence of Russian avant-garde filmmaking on the British (and musique concrète) will be addressed. Case studies will focus on the groundbreaking soundtracks of two films made by the General Post Office Film Unit that feature both practical and theoretical correspondences to Schaeffer: 6.30 Collection (1934) and Coal Face (1935). Parallels between the nature and use of technologies and how this affected creative outputs will also be discussed, as will the relationship of the British documentary movement’s practice and ideas to post-Schaefferian ‘anecdotal music’ and the work of Luc Ferrari.

scholarly journals “Happy slaves”? The adaptation problem and identity politics in the writings of Amartya Sen

2016 ◽  
Vol 43 (12) ◽  
pp. 1178-1193
Author(s):  
Tony Burns
Keyword(s):  
Identity Politics ◽  
Design Methodology ◽  
Conceptual Analysis ◽  
Practical Implication ◽  
Methodological Approach ◽  
Mary Wollstonecraft ◽  
Amartya Sen ◽  
Content Type ◽  
The Relationship ◽  
Practical Implications

Purpose The purpose of this paper is to examine the relationship between Amartya Sen’s notion of adaptation and his views on identity politics by focussing on the issue of slavery and, more specifically, on the example of the happy or contented slave. Design/methodology/approach The paper is text based. The methodological approach adopted is that of conceptual analysis, as is typical for work of this kind. Findings The paper concludes that the example of the happy or contented slave is indeed a fruitful one for those interested in exploring the relationship between Sen’s views on “the adaptation problem” and his views on identity politics, especially in relation to the subjection of women. Here Sen’s debt to the ideas of Mary Wollstonecraft and John Stuart Mill is particularly important. Research limitations/implications One implication of the argument of the paper is that there is a need to consider more carefully the differences that exist between the views of Wollstonecraft and Mill, so far as the example of the happy or contented slave is concerned. Practical implications One practical implication of the paper is that, hopefully, it establishes the continued relevance of the ideas of thinkers such as Wollstonecraft and Mill today, not least because of the influence that they have had on theoreticians such as Amartya Sen. Social implications The paper addresses issues which are of considerable social and political significance, especially for women in underdeveloped societies today. Originality/value The example of the happy or contented slave has not received much discussion in the literature on Sen, although Sen himself has suggested that the distinction between happiness and contentment is an important one, which does merit further discussion.

Arab women in news headlines during the Arab Spring: Image and perception in Germany

2017 ◽  
Vol 11 (5) ◽  
pp. 515-538 ◽  
Author(s):  
Zahra Mustafa-Awad ◽  
Monika Kirner-Ludwig
Keyword(s):  
Discourse Analysis ◽  
News Media ◽  
Arab Spring ◽  
Arab Women ◽  
Corpus Linguistic ◽  
University Courses ◽  
The Arab Spring ◽  
Linguistic Approaches ◽  
The Relationship ◽  
News Headlines

This article reports on the first stage of a research project on German university students’ conceptualization of Arab women and to what extent it is affected by the latters’ representation in the Western press during the Arab Spring. We combined discourse analysis and corpus-linguistic approaches to investigate the relationship between lexical items used by the students to express their attitudes toward Arab women and those featuring in news headlines about them published in British, American, and German news media. Results show that the portrayal of Arab women in Western news headlines has a clear impact on German students’ opinions of them. The findings also show that our participants tend to be aware of this effect, which could be partly due to their familiarity with discourse analysis as students of linguistics. These results have implications for incorporating media education systematically in general university courses.

Old Media, New Gigs: The Discursive Construction of the Gig Economy in Australian News Media

2021 ◽  
pp. 095001702110346
Author(s):  
Luci Pangrazio ◽  
Cameron Bishop ◽  
Fiona Lee
Keyword(s):  
News Media ◽  
Social Institutions ◽  
Discourse Theory ◽  
Discursive Construction ◽  
Short Term ◽  
Gig Economy ◽  
Cultural Imaginary ◽  
Short Term Contract ◽  
The Relationship ◽  
Work And Life

This article analyses the representation of the gig economy in three Australian newspapers from 2014 to 2019. ‘Gig work’ is defined as short term, contract or freelance employment and is seen by many social institutions as the future of work. Drawing on a corpus of 426 articles, Laclau and Mouffe’s discourse theory is used to examine the construction of the ‘gig economy’ in the cultural imaginary. Five key elements emerge, including: demographics of workers; working conditions; workers’ rights; resistance and regulation; and change and disruption. Despite multiple competing discourses evident across the newspapers, each constructs the gig economy as an inexorable phase in the evolution of the relationship between capital and the worker. The article critically analyses the construction of the discourse, including the difficulties of regulating gig economy platforms and the narrative of inevitability used to describe changes to work and life brought about by technology.

Sekolah Islam (Islamic Schools) as Symbols of Indonesia's Urban Muslim Identity

2021 ◽  
pp. 1-16
Author(s):  
Yanwar Pribadi
Keyword(s):  
Middle Class ◽  
Identity Politics ◽  
Muslim Identity ◽  
Social Transformations ◽  
Islamic Schools ◽  
Ethnographic Fieldwork ◽  
Islamic Identity ◽  
The Relationship ◽  
The City ◽  
Depth Interviews

Abstract This article discusses the relationship between Sekolah Islam (Salafism-influenced Islamic schools) and urban middle-class Muslims. Based on ethnographic fieldwork in the City of Serang (Kota Serang), near Jakarta, this paper argues that these conservative and puritan Muslims demonstrate their Islamic identity politics through their engagement with Sekolah Islam. The analysis of in-depth interviews with and close observations of parents of students and school custodians (preachers or occasionally spiritual trainers) at several Sekolah Islam reveals that they have attempted to pursue ‘true’ Islamic identity and have claimed recognition of their identity as the most appropriate. The pursuit of a ‘true’ Islamic identity has infused Islamic identity politics, and there is an oppositional relationship between local Islamic traditions and Salafism, as seen in Sekolah Islam. The relationship between Islam and identity politics becomes intricate when it is transformed into public symbols, discourses, and practices at many Sekolah Islam. This paper shows that through their understanding and activities at Sekolah Islam, these Muslims are avid actors in the contemporary landscape of Islamic identity politics in Indonesia. By taking examples from Sekolah Islam in Indonesia, this article unveils social transformations that may also take place in the larger Muslim world.

From ‘filth’ and ‘insanity’ to ‘peaceful moral watchdogs’: Police, news media, and the gang label

2016 ◽  
Vol 13 (3) ◽  
pp. 295-313 ◽  
Author(s):  
Travis Linnemann ◽  
Bill McClanahan
Keyword(s):  
Cultural Politics ◽  
News Media ◽  
Social Reality ◽  
Threat Assessment ◽  
Straight Edge ◽  
Police Power ◽  
The Social ◽  
The Media ◽  
The Relationship

This paper engages the cultural politics of criminal classifications by aiming at one of the state’s most powerful, yet ambiguous markers—the ‘gang.’ Focusing on the unique cases of ‘crews’ and collectives within the ‘straight edge’ and ‘Juggalo’ subcultures, this paper considers what leads members of the media and police to construct—or fail to construct—these street collectives as gangs in a seemingly haphazard and disparate fashion. Juxtaposing media, cultural, and police representations of straight edge ‘crews’ and Juggalo collectives with the FBI’s Gang Threat Assessment, we detail how cultural politics and ideology underpin the social reality of gangs and thus the application of the police power. This paper, furthermore, considers critical conceptualizations of the relationship between police and criminal gangs.

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