scholarly journals La représentation de l’Asie dans le Théâtre de la Foire au XVIIIe siècle : ou comment « dérègler » les principes classiques par la mise en place de l’univers exotique

2018 ◽  
Vol 5 (1) ◽  
pp. 36-44
Author(s):  
Milos Avramovic
Keyword(s):  
Xviiie Siècle ◽  
Comedie Italienne ◽  
Xviiie Siecle

L’espace théâtral du XVIIIe siècle est marqué par la division entre les théâtres « privilégiés » (Comédie-Française, Comédie-Italienne et Opéra) d’un côté et le Théâtre de la Foire de l’autre. Parmi toutes les foires parisiennes à l’époque des Lumières, les deux foires les plus fructueuses au niveau de la création théâtrale sont : la Foire Saint-Laurent et la Foire Saint-Germain. Après sa rupture avec la Comédie-Française, le grand maître de la Foire Alain-René Lesage (1668 – 1747) crée majoritairement pour les foires mentionnées ci-dessus. A l’opposé de la tragédie, où l’action se déroule impérativement en Grèce ou en Rome antiques, Lesage place entre autres l’action de ses pièces dans les pays « exotiques ». Dans cette étude, on se penchera surtout sur les pièces (pièce à écriteaux ou opéra-comique) de Lesage, dont l’action se déroule en Asie : Arlequin, roi de Serendib (1713), Arlequin, Mahomet (1714) et La Princesse de la Chine (1729).

scholarly journals What is Commedia dell’Arte Today? A Review Essay

Early Theatre ◽  
2019 ◽  
Vol 22 (2) ◽  
Author(s):  
Pavel Drabek
Keyword(s):  
Seventeenth Century ◽  
Review Essay ◽  
Commedia Dell'arte ◽  
Xviiie Siècle ◽  
The Mediterranean ◽  
Comedie Italienne ◽  
Xviiie Siecle

This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Piermario Vescovo, and Daniele Vianello's edited volume Commedia dell’Arte in Context (2018); Judith Chaffee and Oliver Crick's edited The Routledge Companion to Commedia dell’Arte (2014); Erith Jaffe-Berg's Commedia dell’ Arte and the Mediterranean: Charting Journeys and Mapping ‘Others’ (2016); Andrea Fabiano's La Comédie-Italienne de Paris et Carlo Goldoni: De la commedia dell’arte à l’opéra-comique, une dramaturgie de l'hybridation au XVIIIe siècle (2018); Emily Wilbourne's Seventeenth-Century Opera and the Sound of the Commedia dell’Arte (2016); Natalie Crohn Schmitt's Befriending the Commedia dell’arte of Flaminio Scala: The Comic Scenarios (2014); and Markus Kupferblum's Die geburt der neugier aus dem geist der revolution. Die commedia dell’arte als politisches volkstheater (2013).

L’Ecclesiastes d’Erasme et la Formation du Predicateur Anglican au debut du XVIIIe siecle

Moreana ◽  
1973 ◽  
Vol 10 (Number 38) (2) ◽  
pp. 43-54
Author(s):  
Jean-Claude Margolin
Keyword(s):  
Xviiie Siècle ◽  
Xviiie Siecle

Thomas More en France a La Fin Du XVIIIe Siècle

Moreana ◽  
1981 ◽  
Vol 18 (Number 70) (2) ◽  
pp. 53-54
Author(s):  
Jacques Gury
Keyword(s):  
Thomas More ◽  
Xviiie Siècle ◽  
Xviiie Siecle

Les Avatars de l’Érasmisme au XVIIIe siècle: Le Ms. 2476 de la Bibliothèque Sainte-Geneviève

Moreana ◽  
1993 ◽  
Vol 30 (Number 114) (2) ◽  
pp. 5-58
Author(s):  
Jean-Claude Margolin
Keyword(s):  
Xviiie Siècle ◽  
Xviiie Siecle

Les Jugements allemands sur la musique francaise au XVIIIe siecle . J. Gaudefroy-Demombynes .

1950 ◽  
Vol 3 (3) ◽  
pp. 258-259
Author(s):  
William L. Crosten
Keyword(s):  
Xviiie Siècle ◽  
Xviiie Siecle

Consulter par lettre au XVIIIe siècle

Gesnerus ◽  
2004 ◽  
Author(s):  
Séverine Pilloud ◽  
Stefan Hächler ◽  
Vincent Barras
Keyword(s):  
Xviiie Siècle ◽  
Xviiie Siecle

La paradigme du doux commerce au XVIIIe siècle : le commerce et les commerçants

2019 ◽  
Vol 40 (2) ◽  
pp. 49-64
Author(s):  
Catherine Larrère
Keyword(s):  
Xviiie Siècle ◽  
Xviiie Siecle

Comment le rapport au texte biblique transforme le rapport au texte littéraire au XVIIIe siècle : le cas Rousseau

2013 ◽  
pp. 40-47
Author(s):  
Geneviève Di Rosa
Keyword(s):  
18Th Century ◽  
Literary Works ◽  
The Bible ◽  
Xviiie Siècle ◽  
Radical Enlightenment ◽  
Biblical Intertextuality ◽  
Full Force ◽  
Xviiie Siecle ◽  
Book Of Judges ◽  
Literary Reception

In the 18th century, the Bible felt the full force of criticism by radical Enlightenment thinkers who read it piece by piece and denounced the process of its creation as an imposture – thus extending the break initiated by moral and historical critiques of the previous century. In doing so, they nevertheless failed to grant it the literary status of a “profane work”. Yet, Rousseau, who produced a literary rewriting of the Book of Judges with his Levite of Ephraim, pondered over the violence inflicted on biblical intertextuality during his exile in Môtiers: in his Letters Written from the Mountain, he compared it to the violence caused to his own literary works. By draw-ing this parallel, he opened a reflection on the different manners of reading a text, as well as the possibility of regulating the reader’s violence through proposing an ethics of literary reception. Analogy might not work as a substitute; however, it enabled Rousseau to go beyond the mistreatment which anti-philosophers or philosophers inflicted on his works, by giving, among other things, an autobiographical orienta-tion to his writing: one in which the author is ready to take responsibility for giving himself to the reader. The ambivalence of the sacred and the profane, the perception of a common essence of religion – defined either by sacrifice or gift – were thus what helped Rousseau invent the autobiographical pact.

L’hypopeinture greuzienne et ses palimpsestes narratifs au XVIIIe siècle

2015 ◽  
pp. 23-32
Author(s):  
Nadège Langbour
Keyword(s):  
18Th Century ◽  
Narrative Texts ◽  
Xviiie Siècle ◽  
Xviiie Siecle

In the 18th century, the paintings of Greuze had much success. The literature took against these paintings. It transposed them in narrative texts. Diderot and Aubert, described paintings of Greuze by using the literary kind of the moral tale. Thus, they respected moral spirit of the painting of Greuze. But when paintings of Greuze were transposed in the novels, this moral spirit had been perverted : the novels respected stating of Greuze, but they used it to produce a different statement.

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