scholarly journals MAKNA DAN FUNGSI TRADISI LISAN KENDURI SKO MASYARAKAT KERINCI JAMBI/MEANING AND FUNGCTIONS OF KENDURI SKO ORAL TRADITION KERINCI SOCIETY IN JAMBI

Aksara ◽  
2022 ◽  
Vol 33 (2) ◽  
pp. 229-244
Author(s):  
Ricky Aptifive Manik

AbstrakKenduri Sko merupakan tradisi pengukuhan gelar adat yang dilakukan oleh masyarakat Kerinci. Di dalam tradisi itu terdapat berbagai piranti dan pepatah-petitih yang belum diketahui makna dan fungsinya. Oleh sebab itu, penelitian ini hendak melihat makna dan fungsi tradisi lisan Kenduri Sko. Ada dua strategi yang digunakan dalam penelitian ini,pertama, pengumpulan data dengan perekaman dan wawancara. Kedua, Kenduri Sko dilihat sebagai fakta semiotik dengan aspek empirik dan aspek nonempirik. Melalui aspek empirik dikaji piranti dan teks pepatah-petitih dalam pengukuhan pemangku adat, sedangkan aspek nonempirik dilihat secara keseluruhan tradisi Kenduri Sko sebagai kesadaran kolektif kebahasaan dan kesadaran kolektif kebudayaan. Metode berikutnya adalah dengan melihat fungsi-fungsi folklore menurut Bascom. Penelitian ini menemukan bahwa Kenduri Skoadalah warisan nenek moyang yang berupa benda pusaka, aturan-aturan, norma-norma, nilai-nilai, dan sebagai ucapan rasa syukur atas apa yang menjadi milik masyarakat Kerinci. Adapun fungsi Kenduri Sko adalah sebagai pengukuhan gelar adat, sistem nilai-nilai kolektif, edukasi bagi pewaris selanjutnya, dan menjadi alat kontrol dalam prilaku sosial masyarakat.Kata kunci: tradisi lisan, kenduri sko, semiotik, kesadaran kolektifAbstractKenduri Sko is a tradition of custom title inauguration held by the Kerinci society. In that tradition, there are various tools and wise words which their meaning and functions are not yet known. Therefore, this study wants to look at the meaning and function of Kenduri Sko oral tradition. Two strategies are used in this study. First, the data are collected by recording and interviewing. Second, Kenduri Sko seen as a semiotic fact with empirical and non-empirical aspects. Through the empirical aspect, petatah-petitih (customary rhyming wise words) text examined in the inauguration of customary stakeholders, while the non-empirical aspect seen as a whole of the Kenduri Sko tradition as collective language and cultural awareness. The next method is to look at the functions of folklore according to Bascom. This research found that Kenduri Sko is a legacy of ancestors in the form of heirlooms, rules, norms, values, and gratitude for what belongs to the Kerinci’s community. Kenduri Sko functions as an oath of customary titles, a system of collective values, education for the next heirs, and a means of control in people’s social behavior.Keywords: oral tradition, kenduri sko, semiotics, collective awareness

Author(s):  
Orsolya Száraz

The Institute of Hungarian Literary and Cultural Studies at the University of Debrecen formed a research group in 2010 in order to launch the research of Hungarian realms of memory. This paper was written within the frameworks of the research group. Its basic hypothesis is that the identification of Hungary as the Bastion of Christendom is an established part of Hungarian collective memory. This paper attempts to demonstrate the changes of this realm of memory, regarding its meaning and function, from its formation up to the present day.


Author(s):  
La Ode Sidu ◽  
La Ino ◽  
Nirmalasari

The article titled “Demonstrative Nouns of ini and aini in Muna Language.” The purpose of this article is to analyze the form, meaning, and function of ini and aini in Muna language. The method used is descriptive qualitative with distributional technique. This method is used to describe and analyze the form, meaning, and function of ini and aini. The results of the analysis found that the form of ini is a base or monomorpheme, while the form of aini is a derivative or polymorpheme which consists of morpheme a- and morpheme aini. In construction of phrase, clause, or sentence generally have the same meaning, namely ‘this’. For instance, O lambu ini damasoe and lambu aini damasoe the meaning is ‘The house will be sold.’ However, when it’s examined more closely, both forms of demonstrative ini and aini in distributional are not interchangeable. For instance, *O lambu aini damasoe dan *Lambu ini damasoe. Both of constructions are ungrammatical caused by form ini has a meaning ‘this’, while form aini means ‘which this’. The bound morpheme a- in aini has a function as a noun marker which pointed in article ini called relative noun marker. Thus, demonstrative aini can stand alone as a minor sentence in the answer sentence, e.g., Question: Hamai bokuku kabasa? ‘Where is my reading book?’ Answer: Aini! ‘This’ < (Here is it!). Demonstrative aini when substituted with ini, the construction became ungrammatical, e.g., Question: Hamai bokuku kabasa? ‘Where is my reading book?’ Answer: *ini. Hereafter, the form ini cannot be formed in more complexes, whereas the form aini can be formed again with another bound morpheme, such as: ainihakanau ‘This is me’, ainihako ‘This is you’, ainihakoomu ‘These are you’, ainihae ‘This is he’, ainihada ‘These are they’, and ainihakasami ‘These are we’.


Author(s):  
Erik Gray

Love begets poetry; poetry begets love. These two propositions have seemed evident to thinkers and poets across the Western literary tradition. Plato writes that “anyone that love touches instantly becomes a poet.” And even today, when poetry has largely disappeared from the mainstream of popular culture, it retains its romantic associations. But why should this be so—what are the connections between poetry and erotic love that lead us to associate them so strongly with one another? An examination of different theories of both love and poetry across the centuries reveals that the connection between them is not merely an accident of cultural history—the result of our having grown up hearing, or hearing about, love poetry—but something more intrinsic. Even as definitions of them have changed, the two phenomena have consistently been described in parallel terms. Love is characterized by paradox. Above all, it is both necessarily public, because interpersonal, and intensely private; hence it both requires expression and resists it. In poetry, especially lyric poetry, which features its own characteristic paradoxes and silences, love finds a natural outlet. This study considers both the theories and the love poems themselves, bringing together a wide range of examples from different eras in order to examine the major structures that love and poetry share. It does not aim to be a comprehensive history of Western love poetry, but an investigation into the meaning and function of recurrent tropes, forms, and images employed by poets to express and describe erotic love.


2011 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Samidi Khalim

Islam Kejawen here is meant as Islam as practiced in the Kingdom of Java. A reflection of Islam Kejawen can be seen in the works of literature written by the kingdom poets. This paper raises thoughts of Kraton Surakarta poet, Ngabehi Sastrawijaya, who lived during the reign of Paku Buwana III and Paku Buwana IV. The works of Sastrawijaya analyzed are Suluk Sajatining Salat and Suluk Salat Sarengat Tarekat Hakekat Makripat stored in the library of the Kingdom of Surakarta Museum, Museum Sasana Pustaka. This article analyzes the text to reveal both the meaning and function of the suluk for Islam Kejawen practice.


2014 ◽  
Vol 672-674 ◽  
pp. 1441-1446 ◽  
Author(s):  
Yu Qiang Ou ◽  
Le Feng Cheng ◽  
Jian Zhong Wen ◽  
Xuan Yu Qiu ◽  
Tao Yu

Research on reliability of distribution network has very important meaning and function to ensure the quality of power supply. This paper introduces some basic concepts of reliability in distribution network, including distribution network reliability definition, task and index. The classical reliability evaluation method was reviewed, and focused on specific distribution network, an example analysis was given, and specific reliability evaluation indexes were calculated. Finally, the future development of distribution network reliability evaluation was made a simple prospect.


1965 ◽  
Vol 60 (4) ◽  
pp. 586
Author(s):  
R. D. Huddleston ◽  
J. M. Sinclair ◽  
Mario Pei ◽  
Mitford McLeod Mathews ◽  
Leonard F. Dean ◽  
...  

Author(s):  
Zsolt Adorjáni

AbstractThis paper deals with a notorious interpretive crux of Alcman’s Louvre-Partheneion: the identity of the Πεληάδες and the meaning and function of the φᾶρος. The article attempts to make sense of the debated verses in their context, highlighting Alcman’s subtle praise of human beings against the foil of the divine.


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