scholarly journals Research on the Creation of Picture Books for Guandong Ballads

Author(s):  
Meiyuan Yun
Keyword(s):  
2019 ◽  
Vol 9 (9) ◽  
pp. 1160
Author(s):  
Yong Hu ◽  
Qing Qiu

As a special type of multimodal text, picture books for children are highly valued in the creation of meaning by the integrative use of verbal and visual semiotic resources. Informed by Painter and Martin’s framework of visual narratives, this paper primarily deals with the interpersonal meanings encoded and expressed by the two semiotics (image and verbiage) within the Chinese picture books. It aims to analyse the visual and verbal choices available for writers to establish engagement between various participants. In the hope of investigating the collaboration and interplay of verbal and visual semiotics to construe interpersonal meanings, it examines the attitudinal meanings inscribed or invoked in picture books, exploring the ways in which visual and verbal resources are co-instantiated to encode attitudinal convergence and also divergence.


2017 ◽  
Vol 20 (1) ◽  
pp. 80-99
Author(s):  
Ann Brener

Shoshana Zlatopolsky Persitz (1893-1969) was only 24-years old when she founded Omanut Press in Moscow, 1917, during that brief but heady period of Jewish cultural renaissance following the February Revolution. The daughter of one of the wealthiest Jews in Russia, Shoshana originally created Omanut as a means of bringing world literature into the treasury of the Hebrew language, but when her four-year-old son Gamliel died, she introduced a series of picture-books for children named the “Gamliel Library” after her son. Forced to move several times over the course of the next few years, from Moscow to Odessa and from Odessa to Frankfurt am Main, Shoshana nevertheless succeeded in producing some of the most beautiful children’s books ever printed in Hebrew. But up till now, scholars have been unsure of where, exactly, the books were first printed: in Odessa sometime around 1918 – or in Frankfurt am Main several years later? Now, thanks to books newly discovered in the Library of Congress, we are able to say that at least six of the picture-books were in fact published for the first time in Odessa. This article focuses on the creation of these beautiful books and the story behind their publication.


2011 ◽  
Vol 213 ◽  
pp. 172-176 ◽  
Author(s):  
Rui Lin Lin

The purpose of this study is to create art media of picture books for children using mixed media coatings. In the beginning, through document analysis, the types, characteristics, and styles of current picture books were discussed as references for the creation. Then through interactive teaching with discussions, the teacher and students started to plan for the content and the storyboard of the picture book. And the graphic script had been discussed and revised several times. And delicate sketches were completed, scanned, and edited with the software Photoshop. Finally, the art creation for picture books using both hand drawings and computer graphing with mixed media was completed.


2014 ◽  
Vol 496-500 ◽  
pp. 2683-2686
Author(s):  
Rui Lin Lin

This study performed the creation using mixed media of innovative technology combining hand drawing and computer graphing, with the learning topic being the picture books from the basic design curriculum for the students from the Department of Commercial Design of a Technology University. The works were presented orally by the students and the results were exhibited. The works were evaluated by two teachers with specialties in design. The work with the best performance was Best Memory. The story was about how a girl had grown up. This book is suitable for parents to read with their children and educate their children using this opportunity. The images in the book are colorful and vivid, showing the family members love and best wishes for the newborn. This story can be used to teach children to care about and help newborns, making this book both entertaining and educational.


2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.


Author(s):  
Nicholas Temperley
Keyword(s):  

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