National union catalogues as factor in disclosure of cultural heritage

2017 ◽  
Vol 3 ◽  
pp. 79-83 ◽  
Author(s):  
Evgeny Kirillovich Sokolinsky ◽  
Keyword(s):  
Cultural Heritage ◽  
National Union

ХУДОЖНЄ ЕКСПОНУВАННЯ ЯК ФОРМА ПОЗИЦІОНУВАННЯ МИТЦЯ У СУЧАСНОМУ КУЛЬТУРНОМУ ПРОСТОРІ

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
Cultural Heritage ◽  
Fine Arts ◽  
Space Region ◽  
Cultural Environment ◽  
Art Exhibitions ◽  
National Union ◽  
Cultural Space ◽  
Artistic Activity ◽  
The World ◽  
Creative Experience

На прикладі організаційно-культурної й художньої діяльності аналізується практика проведення ювілейних художніх експонувань регіональних митців Олександра Харвата (фотомистецтво) та першого Голови (1991-1998 рр.) обласного відділення Національної Спілки художників України Костянтина Литвина (образотворче мистецтво, графіка); розглянуто специфіку їх творчого досвіду, вплив на культурне середовище. Виявлено найбільш яскраві сторінки творчих біографій кожного з них та вплив виставкової діяльності на художнє середовище краю. Наголошується на важливості продовження збереження культурної спадщини регіональних митців для позиціонування України у культурному просторі світу.Ключові слова: творча біографія, художня діяльність, експонування, культурний простір, регіон. On the example of organizational, cultural and artistic activity the practice of holding anniversary art exhibitions of regional artists Oleksandr Harvat (photo art) and the first Head (1991-1998) of the regional department of the National Union of Artists Kostiantyn Lytvyn (fine arts, graphics) is analyzed. The specificity of their creative experience, influence on the cultural environment is considered. The most striking pages of the creative biographies of each of them and the influence of exhibition activity on the artistic environment of the region are revealed. The importance of continuing to preserve the cultural heritage of regional artists in order to position Ukraine in the cultural space of the world is emphasized.Key words: creative biography, artistic activity, exhibit, cultural space, region.

Adventism in Ukraine: Attitude to national and cultural traditions, phenomena of the present

1997 ◽  
pp. 33-36
Author(s):  
Anatoliy Moskovchuk
Keyword(s):  
Cultural Heritage ◽  
Cultural Traditions ◽  
National Minorities ◽  
Complex Process ◽  
Different Cultures ◽  
Historical Contribution ◽  
Intellectual Environment

Ukraine is the motherland of not only Ukrainians but also of many national minorities with different cultures and traditions. Ukraine is a Christian country in general, with non-Christian and non-Christian religions and confessional currents, along with traditional churches - Orthodox, Catholic, Protestant - rooted and actively developing non-traditional Ukrainian culture and spirituality. In Ukraine there is a complex process of spiritual revival, especially in the intellectual environment. Many are written and talk about the preservation of cultural heritage. Everywhere, monuments of architecture, art, which testify to the generally recognized historical contribution of Christianity to the development of spirituality and morality of the Ukrainian people, are restored. In our eyes, there are changes in social and religious relations.

PERLINDUNGAN HUKUM TERHADAP KARYA SENI BATIK YANG BELUM TERDAFTAR MENURUT UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Inggrit Fernandes
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
Cultural Heritage ◽  
Intellectual Property Rights ◽  
Rapid Growth ◽  
Economic Value ◽  
Legal Protection ◽  
Property Law ◽  
Market Demand ◽  
Work Of Art

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced

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