Islamic art in educational publications of late 19th – middle 20th century

Author(s):  
Irina Aleksandrovna Tul’pe ◽  
Keyword(s):  
Author(s):  
Jacqueline M. Armijo

Although the study of the archaeology of China is a well-developed field, the study of the archaeology of Islam in China, as a field, is virtually unknown. There are no books covering the topic and no articles providing an overview of the state of the field across China. There are however, a handful of scholars who have focused on specific examples of Islamic archaeology in China. The majority of this work is on the archaeological finds found in the coastal city of Quanzhou. China’s Muslim population today is conservatively estimated to be more than 23 million, and is made up of ten different ethnic minority groups. This chapter focuses on the largest group, the Hui. The study of the archaeology of Islam in China is made especially challenging for several reasons. Between the 7th and 15th centuries there were two major waves of Muslim immigrants to different regions of China, and between the 18th and 19th centuries there were several periods of violent uprisings that resulted in major Muslim communities being decimated and their mosques and monuments destroyed. In the 20th century, during the Cultural Revolution (1966–1976) mosques, together with all places of religious worship in China, came under systematic attack throughout the country. Given the dearth of surviving examples of early Chinese Islamic material culture, this chapter also discusses some of small Chinese Islamic art collections found within museums around the world, as well as early 20th-century photographic collections that document mosques and tombs that have not survived.


1996 ◽  
Vol 21 (2) ◽  
pp. 24-26 ◽  
Author(s):  
Deirdre E. Lawrence

The Brooklyn Museum’s collection of Islamic art, gathered from early in the 20th century, represents the full range of Islamic artistic production, with objects dating from the earliest periods of Islam through the 20th century, from Spain and India, and executed in a variety of media. An extensive library collection of over 5,000 titles has been developed since the establishment of the Museum Libraries in 1923. The collection was enhanced by the acquisition of the personal library of Charles Edwin Wilbour, and by the bequeathing of the library of Charles K. Wilkinson, and it continues to benefit from the generosity of foundation and individual support. The Library is open to the public by appointment, and bibliographic records of its collection are entered on RLIN.


Author(s):  
Tiffany Renee Floyd

Dr Khalid al-Jader was born in Baghdad, Iraq. He had a distinguished career as an Iraqi artist, scholar, and administrator throughout the mid-20th century. He gained degrees in both law and art by studying at the Institute of Fine Arts and the College of Law in Baghdad simultaneously. He then traveled to Paris in 1954 where he subsequently received a PhD in Islamic Art from the Sorbonne and joined the Salon de Paris. After returning to Baghdad, al-Jader held several prominent institutional positions, including deanship at the Institute of Fine Arts and the Academy of Fine Arts, which he helped to found. He was also the chair of the National Committee for Plastic Art with UNESCO. As an administrator, he was known to hold his students and employees to a high standard and was meticulous in his responsibilities. Adding to this impressive résumé, al-Jader was also an active participant in several art groups, such as the Pioneers, the Impressionists, and the Society of Iraqi Plastic Artists. Palestinian writer Jabra Ibrahim Jabra described al-Jader’s artistic production as having a distinct Iraqi nature; indeed, his canvases are focused on the urban inlets of Baghdad, as well as the crannies of Iraqi village life. He interprets these scenes through sweeping brushstrokes, as well as quick, concentrated strokes of color. Al-Jader exhibited his own work extensively both locally and internationally. His works have been displayed in France, Germany, Saudi Arabia, Poland, Russia, Poland, and Denmark.


Author(s):  
Corisande Fenwick

This text provides a brief introduction to the chapters focusing on the Islamic West. Long neglected by Anglophone academics, this region was pivotal in the development of Islamic art history and archaeology as a discipline, but, over the course of the 20th century it came to be regarded as peripheral to broader debates in Islamic archaeology. Since the 1970s, a new generation of Islamic archaeologists working in Europe, North Africa, and the Sahara has transformed our understanding of the region, though the amount and quality of research remains uneven in different countries.


2019 ◽  
pp. 641-657
Author(s):  
Aleksandra Pawlikowska-Gwiazda

The group of 17 oil lamps now in the Islamic Art Department collection of the Metropolitan Museum of Art (New York) was excavated in West Thebes in Upper Egypt by the Metropolitan Museum of Art expedition at the beginning of the 20th century. The assemblage was never fully published (apart from being included in the online MeT Collection database). The present paper documents the material in full, examining the collection and proposing in a few cases a new dating based on parallels from other sites.


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