Sequence alignment of folk song melodies reveals cross-cultural mechanisms of musical evolution
Culture, like genes, evolves, but the existence of cross-culturally universal mechanisms of cultural evolution is debated. As a diverse but cross-culturally universal phenomenon, music may provide a novel domain to test for the existence of such mechanisms. Folk song melodies are culturally transmitted sequences of notes that change over time, and the generation and transmission of these melodies may be subject to similar cognitive and acoustic/physical constraints, such that general laws of melodic evolution may apply across cultures. Modeling changes in musical notes as analogous to the process of molecular sequence evolution allows us to quantitatively test such hypotheses. Here we adapt sequence alignment algorithms from molecular genetics to analyze musical evolution in a sample of 10,062 melodies from musically divergent Japanese and English folk song traditions. Our analysis identifies 328 pairs of highly related melodies, within which rates of change vary in ways predicted by a neutral theory of melodic evolution in which note changes are more likely when they have smaller impacts on a song's melody. Specifically: 1) notes are most likely to change to neighboring notes, 2) rarer notes are more likely to change, and 3) notes with stronger functional roles are less likely to change. These results are consistent across samples despite using different scales with different probabilities of change between notes, suggesting they may apply universally. Our findings demonstrate that even a creative art form such as music is subject to evolutionary constraints analogous to those governing the evolution of genes, languages, and other domains of culture.