The Anishinabeg Point of View: The History of the Great Lakes Region to 1800 in Nineteenth‐Century Mississauga, Odawa, and Ojibwa Historiography

1992 ◽  
Vol 73 (2) ◽  
pp. 194-210 ◽  
Author(s):  
D. Peter MacLeod
Author(s):  
Daniel R. Melamed

Every performance of Johann Sebastian Bach’'s Mass in B Minor makes choices. The work’s compositional history and the nature of the sources that transmit it require performers to make decisions about its musical text and about the performing forces used in its realization. The Mass’s editorial history reflects deeply ideological views about Bach’s composition and how it should sound, not just objective reporting on the piece, with consequences for performances that follow specific editions. Things left unspecified by the composer need to be filled in, and every decision—including the choice to add nothing to Bach’s text—represents an interpretation. And the long performance history of the Mass offers a range of possibilities, reflecting a tension between the performance of a work like the Mass in Bach’s time and the tradition inherited from the nineteenth century. Every performance thus represents a point of view about the piece; —there are no neutral performances.


2021 ◽  
pp. 327-349
Author(s):  
Zsófia Kalavszky ◽  

In my essay I trace how – by which means and through what channels – the Ukrainian song «Ĭхав козак за Дунай» (Kozak was riding beyond the Danube) reached Europe at the beginning of the nineteenth-century and then by the means of German mediation, sprang out onto Hungarian territories. In the German language area, it spread essentially as a folk song. Translated (or rather transcribed) into German by Christopher Tidge, the Ukrainian song reached the Kingdom of Hungary most likely together with the troops that took part in the Napoleon wars. At the same time, another version of the song circulated among the Hungarian elite in German culture. The latter was known as Russisches Lied in the translation of Theodor Körner – it was also in vogue and was distributed mainly in print media. The history of this song that in the first decade of the nineteenth century, gained fame in Czech, Polish, and English, has another line that may be interesting from the point of view of Russian and Hungarian literary connections. In 1814, Russian poet Wilhelm Küchelbecker translated the song into German. His translation which remained in the form of the manuscript and was not known to the reading public reveals an amazing similarity and in some places direct coincidences with the poem by the Hungarian poet Count Ferenc Teleki written presumably before 1820.


1946 ◽  
Vol 8 (03) ◽  
pp. 166-178 ◽  
Author(s):  
Henry Dale

I have been asked to speak about the history of the experimental method in medicine, with particular reference to the nineteenth century. This indication, though I do not propose to regard it as setting a limit, seems to have a special fitness, since it is to the nineteenth century, and especially to its latter half, that we must look for the effective beginning and astonishingly rapid development, the veritable outburst, indeed, of activity in the application of the experimental method to medicine, which opened the new era of medical progress in which we are living today. It is curious, perhaps, that this should have come so late in the history of science. For medicine had figured early in man's attempts to understand nature and his relation to it, and many departments of science which have long ago achieved recognition as independent bodies of knowledge originated as aspects of the physician's equipment—botany, for example, zoology and chemistry, as well as human anatomy and physiology, which still retain their attachment to the medical group of the scientific disciplines. From this point of view, then, it is not surprising to find two physicians, William Gilbert and William Harvey, as the leaders in this country of the scientific revolution which had begun in Europe in 1543 with the publication, within a few weeks of one another, of two books—one by Copernicus of Cracow,De Revolutionibus Orbium Coelestium, and the other by Vesalius of Padua,De Humani Corporis Fabrica. Both Gilbert and Harvey, we may be proud to remember, studied and first graduated in Medicine here, in Cambridge.


2020 ◽  
Author(s):  
Jennifer Bonnell

Abstract This article examines the debates that surrounded incidents of honeybee poisoning in the southern Great Lakes region in the 1880s and 1890s. Drawing upon the records of beekeepers and allied entomologists from Ontario and neighboring states, it analyzes the history of insecticide use, knowledge development, and risk calculation in the late nineteenth and early twentieth centuries. Here, beekeepers emerge as an important and largely overlooked collective voice in the history of insecticide controversies, contributing as they did to legislation, education, and advocacy efforts on both sides of the US-Canadian border. Their actions in response to a cogent threat to their livelihoods mark them as early advocates for environmental protection. Deeply familiar with the amenities and threats of surrounding land uses for their honey crop, late nineteenth-century beekeepers pressed for prudent insecticide use and “bee-friendly” horticultural practices more than half a century before the more familiar insecticide controversies of the postwar period. By the turn of the century, these efforts had borne some success in reducing incidents of honeybee poisoning. As the frequency, quantity, and toxicity of insecticides increased in the early twentieth century, however, powerful fruit-grower interests left Great Lakes beekeepers (and their bees) to shoulder the risks of an increasingly toxic countryside or to fold their operations, as many chose to do. For environmental historians, their fight presents an early example of the effects of agricultural industrialization, and its associated environmental consequences, on minority producers and the animals they kept.


2018 ◽  
Vol 30 (3) ◽  
pp. 348-362
Author(s):  
Rodrigo de SALES ◽  
Daniel MARTÍNEZ-ÁVILA ◽  
José Augusto GUIMARÃES

Abstract In this paper, we study the theoretical intersections and dialogues between some foundational authors on classification and indexing of the nineteenth and twentieth centuries that helped developing the theoretical-methodological framework of knowledge organization. More specifically, we highlight and analyze the theoretical convergences of Harris, Dewey, Cutter, Otlet, Kaiser, and Ranganathan as they can provide a clearer picture of the historical and theoretical contributions to the epistemological foundations of knowledge organization. Our methodology follows a critical-descriptive approach to the analysis of the main contributions of the authors and the critical reflections of some specialists and biographers. We continue with a discussion of the links between bibliographic classifications and knowledge organization drawing on the ideas of Bliss; then, we divide our historical narrative between the theoretical contributions during the nineteenth-century (Harris, Dewey, and Cutter) and the twentieth century (Otlet, Kaiser, and Ranganathan); and finally, we present a discussion of the history of knowledge organization from the point of view of the theoretical and methodological development of classification and indexing at the turn of the nineteenth century to the twentieth century. We conclude with some remarks on their main contributions to the development of the knowledge organization field.


1981 ◽  
Vol 17 ◽  
pp. 29-53 ◽  
Author(s):  
Franz A. J. Szabo

The Habsburg monarchy was never a major sea power, and for most of its four centuries of existence it had no substantial navy at all. Especially before the nineteenth century the history of Habsburg naval armaments, therefore, is of little interest to the military specialist and more significant as a footnote to the domestic political history of the monarchy. At no time was this more the case than during the reign of Maria Theresa (1740–1780). From a military point of view the naval projects of this period could furnish, at best, the plot of an opera buffa, but from an administrative and economic point of view they highlight some of the most fundamental problems of enlightened absolutism in Austria.


2009 ◽  
Vol 108 (1) ◽  
pp. 120-138 ◽  
Author(s):  
Leah Price

The ambition of this article is to wrest attention away from the fraction of any book's life cycle spent in the hands of readers and toward, instead, the whole spectrum of social practices for which printed matter provides a prompt. It asks, how accounts of print culture would look if narrated from the point of view not of human readers and users, but of the book. Turning to the nineteenth-century genre of "it-narrative"——which traces the travel of a book among a series of owners and handlers——it asks how such a narrative might compare to more familiar accounts of selves shaped by texts.


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