Oceanic Intimacies

2021 ◽  
Vol 34 (2) ◽  
pp. 147-165
Author(s):  
Mona Narain
Keyword(s):  
Eighteenth Century ◽  
Two Dimensional ◽  
Middle Passage ◽  
Slave Ships ◽  
The Caribbean ◽  
Historical Accounts ◽  
Do So

In this essay, I explore what intimacies might be revealed if we trace oceanic entanglements created by eighteenth-century maritime routes and journeys in historical and contemporary imaginative reconstructions of such histories. I respond to Lisa Lowe’s proposal to use “intimacies as a heuristic,” and to decentre the European notion of “the human” constructed by colonial epistemologies. To do so, I offer two counter-histories, embedded in and through different waters, which challenge imperial two-dimensional epistemologies. “Porous Intimacies” discusses the seafaring part of Sheikh I’tesamuddin’s The Wonders of Vilayet (1765), one of the first travelogues written by an Indian about Europe. “Immersive Intimacies” analyzes David Dabydeen’s poem “Turner” (1995), which imaginatively reconstructs the middle passage of captured Africans on British slave ships bound for the Caribbean. Rethinking former historical accounts within and outside colonial and liberal frameworks, I analyze new intimacies through oceanic connections.

France and the Slave Trade

2020 ◽  
pp. 60-78
Author(s):  
Alan Forrest
Keyword(s):  
Eighteenth Century ◽  
West Africa ◽  
Slave Trade ◽  
Middle Passage ◽  
Short Overview ◽  
Slave Ships ◽  
The Caribbean ◽  
Atlantic Slave Trade ◽  
Triangular Trade

The chapter begins with a short overview of France’s involvement in the Atlantic slave trade and shows how, by the second half of the eighteenth century, more and more merchants and investors became dazzled by the profits offered by a successful slave voyage. All the Atlantic ports engaged in the slave trade, though Nantes had the highest level of slaving and the greatest dependence on the triangular trade with west Africa and the Caribbean. The economics of a slave voyage are analysed, as well as the cargoes purchased for trading in Africa; the captains’ involvement in slave markets in both West Africa and the Caribbean; the risks run by the slave ships and their crews during the voyage; and the conditions that were endured below deck during the Middle Passage.

scholarly journals Visualizing the Middle Passage: The Brooks and the Reality of Ship Crowding in the Transatlantic Slave Trade

2019 ◽  
Vol 49 (4) ◽  
pp. 533-565 ◽  
Author(s):  
Nicholas Radburn ◽  
David Eltis
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Slave Trade ◽  
Middle Passage ◽  
Accurate Representation ◽  
Slave Ship ◽  
Transatlantic Slave Trade ◽  
Slave Ships ◽  
Contemporary Artists

Crowding on slave ships was much more severe than historians have recognized, worsening in the nineteenth century during the illegal phase of the traffic. An analysis of numerous illustrations of slave vessels created by then-contemporary artists, in conjunction with new data, demonstrates that the 1789 diagram of the British slave ship Brooks—the most iconic of these illustrations—fails to capture the degree to which enslaved people were crowded on the Brooks, as well as on most other British slaving vessels of the eighteenth century. Five other images of slave ships sailing under different national colors in different eras further reveal the realities of ship crowding in different periods. The most accurate representation of ship-board conditions in the eighteenth-century slave trade is in the paintings of the French slave ship Marie-Séraphique.

Bringing Rain and Protection

2017 ◽  
Author(s):  
Barend J. ter Haar
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Local Community ◽  
Northern China ◽  
Supreme Deity ◽  
Do So

Deities were thought to help and protect people, heal them from illnesses, and sometimes also to punish them. And yet, a worshipper was not free to decide what to ask for, but had to work within a collectively created and transmitted paradigm of expectations of the deity. In Northern China, Lord Guan was often requested to provide rain, and everywhere he was asked to assist in the fight against demons and other types of outsiders (barbarians, rebels, or otherwise), or even appeared of his own accord to do so. From the early seventeenth century onwards, Guan Yu was seen as the incarnation of a dragon executed at the command of the Jade Emperor for bringing rain out of compassion to a local community sentenced to extinction by the supreme deity. Finally, his loyal image inspired his rise as a God of Wealth in the course of the eighteenth century.

scholarly journals The 1930s Horror Adventure Film on Location in Jamaica: ‘Jungle Gods’, ‘Voodoo Drums’ and ‘Mumbo Jumbo’ in the ‘Secret Places of Paradise Island’

Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 62
Author(s):  
Emiel Martens
Keyword(s):  
American Literature ◽  
American Empire ◽  
Sound Film ◽  
Mumbo Jumbo ◽  
First Sound ◽  
African Caribbean ◽  
The Caribbean ◽  
Black Populations ◽  
Made In ◽  
Do So

In this article, I consider the representation of African-Caribbean religions in the early horror adventure film from a postcolonial perspective. I do so by zooming in on Ouanga (1935), Obeah (1935), and Devil’s Daughter (1939), three low-budget horror productions filmed on location in Jamaica during the 1930s (and the only films shot on the island throughout that decade). First, I discuss the emergence of depictions of African-Caribbean religious practices of voodoo and obeah in popular Euro-American literature, and show how the zombie figure entered Euro-American empire cinema in the 1930s as a colonial expression of tropical savagery and jungle terror. Then, combining historical newspaper research with content analyses of these films, I present my exploration into the three low-budget horror films in two parts. The first part contains a discussion of Ouanga, the first sound film ever made in Jamaica and allegedly the first zombie film ever shot on location in the Caribbean. In this early horror adventure, which was made in the final year of the U.S. occupation of Haiti, zombies were portrayed as products of evil supernatural powers to be oppressed by colonial rule. In the second part, I review Obeah and The Devil’s Daughter, two horror adventure movies that merely portrayed African-Caribbean religion as primitive superstition. While Obeah was disturbingly set on a tropical island in the South Seas infested by voodoo practices and native cannibals, The Devil’s Daughter was authorized by the British Board of Censors to show black populations in Jamaica and elsewhere in the colonial world that African-Caribbean religions were both fraudulent and dangerous. Taking into account both the production and content of these movies, I show that these 1930s horror adventure films shot on location in Jamaica were rooted in a long colonial tradition of demonizing and terrorizing African-Caribbean religions—a tradition that lasts until today.

Sugar Rush: Sugar and Science in the British Caribbean

2021 ◽  
Vol 14 (2) ◽  
pp. 128-150
Author(s):  
Nicole A. Jacoberger
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Sugar Beet ◽  
Local Knowledge ◽  
Cane Sugar ◽  
Technological Innovations ◽  
Foreign Competition ◽  
The Caribbean ◽  
A Site

This article examines the contrasting evolution in sugar refining in Jamaica and Barbados incentivized by Mercantilist policies, changes in labor systems, and competition from foreign sugar revealing the role of Caribbean plantations as a site for experimentation from the eighteenth through mid-nineteenth century. Britain's seventeenth- and eighteenth-century protectionist policies imposed high duties on refined cane-sugar from the colonies, discouraging colonies from exporting refined sugar as opposed to raw. This system allowed Britain to retain control over trade and commerce and provided exclusive sugar sales to Caribbean sugar plantations. Barbadian planters swiftly gained immense wealth and political power until Jamaica and other islands produced competitive sugar. The Jamaica Assembly invested heavily in technological innovations intended to improve efficiency, produce competitive sugar in a market that eventually opened to foreign competition such as sugar beet, and increase profits to undercut losses from duties. They valued local knowledge, incentivizing everyone from local planters to chemists, engineers, and science enthusiasts to experiment in Jamaica and publish their findings. These publications disseminated important findings throughout Britain and its colonies, revealing the significance of the Caribbean as a site for local experimentation and knowledge.

The Norm Orientation of English in the Caribbean

2021 ◽  
pp. 1-40
Author(s):  
Dagmar Deuber ◽  
Stephanie Hackert ◽  
Eva Canan Hänsel ◽  
Alexander Laube ◽  
Mahyar Hejrani ◽  
...  
Keyword(s):  
21St Century ◽  
American English ◽  
Media Exposure ◽  
Quantitative Investigation ◽  
British English ◽  
Mass Tourism ◽  
The Caribbean ◽  
Newspaper Writing ◽  
British Colonies ◽  
Do So

This study examines newspaper writing from ten Caribbean countries as a window on the norm orientation of English in the region. English in the former British colonies of the Caribbean has been assumed to be especially prone to postcolonial linguistic Americanization, on account of not just recent global phenomena such as mass tourism and media exposure but also long-standing personal and sociocultural links. We present a quantitative investigation of variable features comparing our Caribbean results not just to American and British reference corpora but also to newspaper collections from India and Nigeria as representatives of non-Caribbean New Englishes. The amount of American features employed varies by type of feature and country. In all Caribbean corpora, they are more prevalent in the lexicon than in spelling. With regard to grammar, an orientation toward a singular norm cannot be deduced from the data. While Caribbean journalists do partake in worldwide American-led changes such as colloquialization, as evident in the occurrence of contractions or the tendency to prefer that over which, the frequencies with which they do so align neither with American English nor with British English but often resemble those found in the Indian and Nigerian corpora. Contemporary Caribbean newspaper writing, thus, neither follows traditional British norms, nor is it characterized by massive linguistic Americanization; rather, there appears to be a certain conservatism common to New Englishes generally. We discuss these results in light of new considerations on normativity in English in the 21st century.

Melancholia, Slavery, and Racial Pathology in Eighteenth-Century Cuba

2005 ◽  
Vol 18 (2) ◽  
pp. 179-199 ◽  
Author(s):  
Adrián López Denis
Keyword(s):  
Eighteenth Century ◽  
Professional Practice ◽  
Daily Life ◽  
Clear Picture ◽  
Systematic Analysis ◽  
The Caribbean ◽  
Sugar Plantations

Between February of 1797 and July of 1798, Francisco Barrera y Domingo, a Spanish surgeon, wrote an extensive treatise on slave medicine in the Caribbean. Entitled Reflexiones Historico Fisico Naturales Medico Quirurgicas, this 894-page manuscript accounts for eighteen years of its author's professional practice in the region. It provides a clear picture of daily life in the sugar plantations as seen through the eyes of a modest surgeon, thus presenting us with an opportunity to explore the ideological and intellectual universe of this “invisible” category of colonial practitioners. Despite its importance, Barrera's Reflexiones remains almost unknown. Only a handful of scholars have even acknowledged the existence of the volume and no systematic analysis of its content is available in English.

The Swing Plow as an Eighteenth-Century Universal Machine

2020 ◽  
pp. 116-145
Author(s):  
James Livesey
Keyword(s):  
Eighteenth Century ◽  
Material Object ◽  
Technological Innovations ◽  
Left Behind ◽  
Universal Machine ◽  
The Caribbean

This chapter talks about cases of many intellectually complex, socially ubiquitous, and highly significant technological innovations, such as the development of fore and aft rigging for sailing vessels that intensified coastal trade in Europe and later the Caribbean. The majority of the blacksmiths who experimented with plows do remain anonymous, but the contribution of James Small was so striking that he left behind a written record as well as a material object. Small was a blacksmith and cartwright from Berwickshire in southern Scotland, who in 1764 introduced a wheel-less iron plow inspired and provoked by his adjustments to the Rotherham plow patented in 1730 by Joseph Foljambe and Disney Stanytown. What made Small stand out was that he was able to articulate the thinking that underpinned his innovations in design. He defined the plow not as an object but as a function.

Sign in / Sign up

Export Citation Format

Share Document