scholarly journals THE IMPERIAL HERITAGE IN THE POLITICAL CULTURE OF THE PEOPLES OF THE INNER ASIA AT THE DAWN OF THE QING DYNASTY FORMATION

Author(s):  
Boris Vandanovich Bazarov ◽  
◽  
Evgeniy Vladimirovich Nolev ◽  
Inner Asia ◽  
2018 ◽  
Vol 20 (1) ◽  
pp. 26-63
Author(s):  
Ning Chia

Abstract This article discusses the political and cultural importance of the Qing sable tribute for the expression and maintenance of imperial authority by focusing on the Solon, the largest sable-hunting group of the Qing dynasty in Heilongjiang. The political use of fur tribute items at the Qing centre reveals how the privilege of wearing fur defined the boundaries of the ruling hierarchy and, therefore, why sable tribute throughout the dynasty was a mechanism for maintaining relations between the Manchu court and the hunting population. The high demand for sable and other furs by the Qing emperor and other members of the political elite explains why the Qing empire needed the hunting population and their native places in the borderlands.


2008 ◽  
Vol 32 (2) ◽  
pp. 281-304
Author(s):  
Victor Lieberman

Peter C. Perdue'sChina Marches Westargues that the Qing dynasty's ability to break through historical territorial barriers on China's northwestern frontier reflected greater Manchu familiarity with steppe culture than their Chinese predecessors had exhibited, reinforced by superior commercial, technical, and symbolic resources and the benefits of a Russian alliance. Qing imperial expansion illustrated patterns of territorial consolidation apparent as well in Russia's forward movement in Inner Asia and, ironically, in the heroic, if ultimately futile, projects of the western Mongols who fell victim to the Qing. After summarizing Perdue's thesis, this essay extends his comparisons geographically and chronologically to argue that between 1600 and 1800 states ranging from western Europe through Japan to Southeast Asia exhibited similar patterns of political and cultural integration and that synchronized integrative cycles across Eurasia extended from the ninth to the nineteenth centuries. Yet in its growing vulnerability to Inner Asian domination, China proper—along with other sectors of the “exposed zone” of Eurasia—exemplified a species of state formation that was reasonably distinct from trajectories in sectors of Eurasia that were protected against Inner Asian conquest.


2018 ◽  
pp. 11-23
Author(s):  
Boris V. Bazarov ◽  
◽  
Ekaterina V. Sundueva ◽  
Chingis Ts. Tsyrenov ◽  
Evgenii V. Nolev ◽  
...  

The article analyzes a corpus of sources that formed the basis of the most notable record of the Qing Empire, the ‘Truthful Record of the Qing Dynasty’ (Qingshilu). The analysis is based on a careful study of Russian, Chinese and Mongolian scholarship. A historical treatise ‘Truthful Record of the Mongols under the Qing Dynasty’ based on the Qingshilu and written in the Old Mongolian script was published in the Inner Mongolia Autonomous Region of the People’s Republic of China in 2013. A team of researchers from the Institute of Mongolian, Buddhist and Tibetan Studies of the Siberian Branch of the Russian Academy of Sciences (RAN) has been working on its translation, source studies and historical analysis, as its materials supplement the available data on the purport and sources of the Qingshilu. Review of its sources allows a better assessment of the veracity of the historical data of the ‘Truthful Record of the Qing Dynasty’ and a deeper understanding of its rich historical material on the Manchu dynasty ruling China, as well as Inner Asia during the Qing period. The article reviews the sources of the Qingshilu as listed in the ‘Truthful Record of the Mongols under the Qing Dynasty.’ Information on the Man Wen Lao Dang (‘The Old Archive of the Manchu Language’) is amassed and analyzed. The Man Wen Lao Dang was one of the sources used in compiling of early chronicles of the deeds of the first Manchu rulers into the ‘Truthful Record.’ The official historiographical and record-keeping tradition was then emerging in China under the Manchu dynasty. The authors assess the purport of the ‘Truthful Record of the Qing Dynasty’ throughout the spectrum of historical and political functions of the treatise. Analyzing of the sources of the ‘Truthful Record of the Qing Dynasty,’ including official documents untainted by compilers’ interpretation, and studying the import of the text in the political life allows to contend great value and veracity of the Qingshilu. The authors see new possibilities for studying international relations in the history of Inner Asia.


2020 ◽  
Vol 70 (1) ◽  
pp. 85-117
Author(s):  
Cheng-hua Wang

Abstract This research focuses on one of the most famous paintings made at the court of the Qing dynasty (1644–1911)—Qingming shanghe (Up the River during Qingming). Commissioned by the Yongzheng emperor (r. 1723–1735) and completed in the second year of the Qianlong emperor's reign (1736–1795), the painting is a rare example of Qing court art that reveals how Qianlong furthered his father's artistic vision while formulating his own in the first fifteen years of his long tenure as ruler. This vision involved how to reinterpret and reinvent the Chinese painting tradition through time-honored themes. The article is divided into four sections. In the first, it brings attention to the salient and crucial but long neglected stylistic features of the painting—those that emphasize theatricality and spectatorship. These interconnected features link and characterize the paintings commissioned by Yongzheng. The second section shifts to discuss the emerging cultural agenda of Yongzheng as seen through the manner in which court art references the Chinese painting tradition. The most remarkable act regards the reinterpretation of old painting themes that include Qingming shanghe and Baijun tu (One Hundred Horses). The third section analyzes how the paratextual elements of Qingming shanghe, especially Qianlong's poem and inscription, inform us of the emperor's views about the production mechanism of court painting and the political meaning of this work. The last section, based on Qianlong's understanding of the painting, highlights the emperor's cultural agenda associated with the idea of yuanben, which pointed to new versions of old themes made by his painting academy.


Land ◽  
2021 ◽  
Vol 10 (3) ◽  
pp. 281
Author(s):  
Tiantian Zhang ◽  
Zefeng Lian

Suzhou city was the cultural centre of ancient south China. It continues the urban pattern of more than 800 years ago. Suzhou gardens are the essence of Chinese gardening art, as well as the valuable world cultural heritage site. This paper compared the evolution in the distribution and scale of Suzhou gardens among five historical periods, and discussed the influence of urbanization on gardening. It revealed that: (1) The distribution of Suzhou gardens was affected by the layout and changes of the political centre and commercial centre of Suzhou city; (2) The scale of Suzhou gardens was mainly affected by the available land scale within the city and the wealth of its owner; (3) The cityscape of ‘half city occupied by gardens’ was largely resulted from the rapidly increasing number of small courtyard gardens in the Qing Dynasty; (4) The evolution of Suzhou gardens’ distribution and scale affected interior layouts. The evolution and social development of ancient cities can affect the distribution and scale of gardens. At the same time, the popularization of gardening art also optimizes the cityscape.


2019 ◽  
Vol 41 (1) ◽  
pp. 39-55
Author(s):  
Takashi Takekoshi

In this paper, we analyse features of the grammatical descriptions in Manchu grammar books from the Qing Dynasty. Manchu grammar books exemplify how Chinese scholars gave Chinese names to grammatical concepts in Manchu such as case, conjugation, and derivation which exist in agglutinating languages but not in isolating languages. A thorough examination reveals that Chinese scholarly understanding of Manchu grammar at the time had attained a high degree of sophistication. We conclude that the reason they did not apply modern grammatical concepts until the end of the 19th century was not a lack of ability but because the object of their grammatical descriptions was Chinese, a typical isolating language.


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