11. General Wilson and the Channel Tunnel before and after the Great War

2010 ◽  
pp. 213-220
Author(s):  
Thomas LaBorie Burns

Este artigo apresenta um panorama da importante ficção anglo-americana (Hemingway, etc.) da Primeira Guerra Mundial, com atenção especial às obras menos conhecidas, incluindo autores estrangeiros que influenciam às obras citadas durante e depois do conflito. Finalmente, alguns romances mais recentes sobre esta guerra serão abordados aqui por sua preocupação com o resgate da memória de uma época de um século atrás.


Balcanica ◽  
2018 ◽  
pp. 157-169
Author(s):  
Dragan Bakic

The Kingdom of Serbs, Croats and Slovenes, officially named Yugoslavia after 1929, came into being on the ruins of the Habsburg Empire in 1918 after the immense war efforts and sacrifices endured by Serbia. The experience of anti-Habsburg struggle both before and after 1914 and the memory of some of the most difficult moments in the Great War left a deep imprint on the minds of policy-makers in Belgrade. As they believed that many dangers faced in the war were likely to be revived in the future, the impact of these experiences was instrumental to their post-war foreign policy and military planning. This paper looks at the specific ways in which the legacy of the Great War affected and shaped the (planned) responses of the Yugoslav government to certain crises and challenges posed to Yugoslavia and the newly-established order in the region. These concern the reaction to the two attempts of Habsburg restoration in Hungary in 1921, the importance of the Greek port of Salonica (Thessaloniki) for Yugoslavia?s strategic and defence requirements, and military planning within the framework of the Little Entente (the defensive alliance between Yugoslavia, Czechoslovakia and Romania) in the early 1930s. In addition, it is ar?gued here that the legacy of Serbo-Croat differences during the war relating to the manner of their unification was apparent in the political struggle between Serbs and Croats during the two decades of the Kingdom of Yugoslavia?s existence.


2020 ◽  
Vol 38 (1) ◽  
pp. 113-128
Author(s):  
Kathleen Antonioli

This article argues that French novelist Sidonie-Gabrielle Colette occupies a central position in the canon of French women’s writing, and that from this position her reception was deeply influential in the development of the myth of French singularity. After World War I, a style of femininity associated with Colette (natural, instinctive, antirational) became more largely synonymous with good French women’s writing, and writers who did not correspond to the “genre Colette” were excluded from narratives of the history of French women’s writing. Characteristics associated with Colette’s writing did not shift drastically before and after the war, but, in the wake of the Great War, these characteristics were nationalized and became French.


Itinerario ◽  
1990 ◽  
Vol 14 (2) ◽  
pp. 35-57
Author(s):  
Michael Adas

In his recent work on the Rise and Fall of the Great Powers, Paul Kennedy stresses the importance of Great Britain's colonial empire in establishing its credentials as the most imposing ofthe great powers in the decades before the First World War. Britain not only possessed ‘the greatest empire the world had ever seen’, but its status as the great global power appeared to be enhanced by the fact that in the last three decades of the nineteenth century ‘it had added 4.25 million miles and 66 million people to the empire’. Other key ‘indicators of British strength’ marshalled by Kennedy include overseas fleets, naval bases and cable stations, which were inextricably bound up with its farflung colonial enterprises. Though empire is essential to Britain's great power status, in Kennedy's argument it has almost nothing to do with the steady decline in British power in the period before the Great War and, at an accelerating pace, throughout the twentieth century. He alludes in places to imperial crises and commitments as key contributors to Britain's perilously overextended position both before and after the war. He also concedes that resistance by colonized peoples, whether in the form of ‘tribal unrest’ or ‘western-educated lawyers and intellectuals seeking to create mass parties’ was somewhat troublesome, but ‘less threatening’ than developments within Europe itself. In Kennedy's view, Britain's retreat from imperial and global power (and, for that matter, that of France as well) can best be understood by charting the decline, relative to that of the other great powers, of its economic base, both industrial and commercial, and its incapacity, due to that decline, to meet the ever-expanding and more costly military commitments that its leaders viewed as essential to the maintenance of its positions as a great power.


2009 ◽  
Vol 134 (2) ◽  
pp. 243-269 ◽  
Author(s):  
Zoë Lang

Johann Strauss Sr's most famous composition, his 1848 Radetzky March, was premièred during revolutionary times. The March soon became a standard piece for Habsburg bands in the nineteenth century and was considered ideal for fostering patriotic sentiments at the start of the First World War. After the Great War, however, commentators portrayed the work very differently. No longer a part of contemporary culture, the Radetzky March now belonged to a bygone era. Biographers of the Strauss family found this work to be proof of Strauss Sr's support for the conservatives during the Revolution, a claim not supported by evidence. More generally, treating the piece as a relic from another age transformed it into a marker of nostalgia in the 1930s, as is best demonstrated in Joseph Roth's novel, Radetzkymarsch (1932).


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