Jose Marti: the “Molder” of the Cuban Revolution

2020 ◽  
pp. 31-42
Author(s):  
Magomed Kodzoev
Keyword(s):  
2014 ◽  
Vol 70 (3) ◽  
pp. 489-521
Author(s):  
Jaime M. Pensado

On July 26, 1961, a mob of approximately 500 students affiliated with an anti-castrista group called “Mariano” gathered at the National Autonomous University of Mexico (UNAM) in Mexico City. After splashing the Cuban and Soviet embassies with red paint, they headed toward the School of Economics with the intent to burn an effigy of Fidel Castro. The activists timed their act to coincide with the inaugural celebration of the Mexican- Cuban Institute of Cultural Relations José Martí; the event itself was scheduled on the eighth anniversary of the Moncada Barracks attack that sparked the Cuban Revolution. The anti-Castro protestors denounced the proceedings with chants and signs that read “A direct threat to Mexico.” Warning other students about the “the red hand” manipulated by the “despot Fidel,” the group condemned the entire July 26 Revolutionary Movement, calling it a continental menace that, if allowed to succeed, would introduce “communist tyranny to all Latin America.”


Author(s):  
Jeffrey Lawrence

This chapter focuses on a paradigmatic misencounter between an American experiencer and a Latin American reader. Examining an implicit debate about the sources of Walt Whitman’s poetry and vision of the Americas, I argue that Waldo Frank, one of the twentieth century’s main literary ambassadors from the US to Latin America, positioned Whitman as the representative US writer whose antibookish experiential aesthetics could serve as a model for “American” writers both in the North and in the South. I show how Frank’s framework provided a foil for Borges’s idiosyncratic view that Whitman’s poetry about America derived entirely from his readings of European and US writers. Although much of the best scholarship on Whitman’s reception in Latin America has concentrated on poets like José Martí and Pablo Neruda, who adapted Whitman’s naturalism, I contend that Borges’s iconoclastic portrait of Whitman as a reader profoundly influenced a range of anti-experiential literary theories and practices in Latin America.


1962 ◽  
Vol 4 (1) ◽  
pp. 105-120 ◽  
Author(s):  
Pedro C. M. Teichert

The Cuban revolution has profoundly shaken the economic and political foundation traditional in most of the 20 Latin American republics. The demand by the rest of Latin America for Cuban type reforms has also required a reappraisal of U. S.-Latin American relations, which with the breaking off of diplomatic intercourse between Cuba and the U. S., January 4, 1961, have reached their lowest point since the initiation in the mid 1930's of the Good Neighbor Policy by President Roosevelt. Furthermore, the spread of the Cuban revolution, with its ideals and aspirations for the fulfilment of the age-old political, social, and economic aspirations of the downtrodden masses, is now an imminent threat for the remaining undemocratic Latin American governments. There is no denying the fact that most Latin American countries are still run by an oligarchy of landlords and the military.


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