scholarly journals Hollywood Forever: Exploring The Digital African Diaspora In Poetry

2021 ◽  
Author(s):  
Helena Wright

<div>Abstract from First Paragraph:</div><div><br></div><div>This essay exclusively examines Holiday’s ebook Hollywood Forever. The e-book is non-traditional and includes a variety of media and performative elements that might otherwise be experienced in art exhibits or installations. The e-book is uniquely crafted to display a blend of visual and auditory features like posters, news reports, and podcasts. Moreover, the multimedia production adds layers of meaning, complexity, and emotion to the text. Holiday’s inclusion of historical materials from American Black culture is a recreation of the Black diaspora archives. Through the unity of old and new media, Holiday weaves together a complex narrative that combines past historical oppression, racial injustice, and intergenerational trauma to recontextualized contemporary social issues. The e-book embodies afropresentism, the combination of digital archival materials, to empower the Black voice. By reshaping history to create space for Black identities, digital texts can participate in the making of their own social and archival construction. The process of rememory uses archival material to reconstruct the narrative of a previously marginalized group. Holiday’s text uses rememory to investigate cultural biases and rearticulate the reader’s approach to racial injustices. </div>

2021 ◽  
Author(s):  
Helena Wright

<div>Abstract from First Paragraph:</div><div><br></div><div>This essay exclusively examines Holiday’s ebook Hollywood Forever. The e-book is non-traditional and includes a variety of media and performative elements that might otherwise be experienced in art exhibits or installations. The e-book is uniquely crafted to display a blend of visual and auditory features like posters, news reports, and podcasts. Moreover, the multimedia production adds layers of meaning, complexity, and emotion to the text. Holiday’s inclusion of historical materials from American Black culture is a recreation of the Black diaspora archives. Through the unity of old and new media, Holiday weaves together a complex narrative that combines past historical oppression, racial injustice, and intergenerational trauma to recontextualized contemporary social issues. The e-book embodies afropresentism, the combination of digital archival materials, to empower the Black voice. By reshaping history to create space for Black identities, digital texts can participate in the making of their own social and archival construction. The process of rememory uses archival material to reconstruct the narrative of a previously marginalized group. Holiday’s text uses rememory to investigate cultural biases and rearticulate the reader’s approach to racial injustices. </div>


2021 ◽  
Author(s):  
Virginia Ulichney ◽  
Johanna Jarcho ◽  
Thomas Shipley ◽  
joy ham ◽  
Chelsea Helion

Preventing the negative impacts of major, intersectional U.S. social issues hinges on personal concern and willingness to take action. We examined social comparison of COVID-19, racial injustice, and climate change during Fall 2020. Participants in a U.S. university sample (n = 288), reported personal levels of concern and action taken on these issues, and estimated their peers’ concern and action. Participants accurately estimated similar levels of personal and peer concern for racial injustice and climate change, but overestimated peer concern for COVID-19. At higher personal concern levels, people estimated that they took greater action than peers for all issues. Exploratory analyses found that perceived personal control over social issues increased participants’ concern and action for racial injustice and climate change, but yielded no change for COVID-19. This suggests that issue-specific features, including perceived controllability, may drive people to differently assess their experience of distinct social issues relative to peers.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Pyemo Afego ◽  
Imhotep Alagidede

Purpose The purpose of this study is to explore how citizen protests against perceived acts of racial injustice impact on share prices of companies who weigh in on the protests. In particular, corporate statements that directly address the issues around the protests are identified and possible mechanisms underlying how these may impact shareholder value are discussed. Design/methodology/approach The authors first use a qualitative research approach of content and sentiment analysis to track how companies or their chief executive officers (CEOs) present their stance against racial injustice, as represented by their use of linguistic markers. Then, the authors use an event study methodology to assess the response from stock market participants. Findings The findings suggest that CEOs primarily convey their stance using language that is emotive and empathic. In addition, shareholders earn a significant abnormal return of 2.13%, on average, in the three days following the release of the statements. Research limitations/implications This study considered only US-listed companies. The sample size, also, is relatively small. Institutional and cultural differences across countries may also vary. Thus, future research could explore the extent to which the findings generalize to other contexts. Practical implications Results provide insights to top managers who communicate with various stakeholders on emotionally charged social issues. Findings also offer insights on the timing of trades for investors and arbitrageurs. Social implications Findings contribute to the understanding of corporate behaviour in times of social upheaval. Insights from the study may also be used to inform corporate communication decisions about important social issues. Originality/value This study brings into focus the role that affective appeal and moral emotion can play in evoking motivation for corporate activism, and the impact that this has on investor opinions’ formation process.


Author(s):  
Kavita Karan

The use of popular culture of music, dance, songs, theatre, videos and films for electioneering has been part of the Indian election process. Politics has been the narrative of Indian cinema since the beginning of century where political themes, political roles and political issues were exemplified through lead roles of politicians, enactment of political scenes, political satires and songs. This chapter examines the role of film artists in politics, popular political songs in films and campaign films that have expanded the levels of traditional and new media campaigning in India. Films and songs in the films glorify the country, arouse patriotism and whenever needed expose social issues such as high prices, corruption, feudalism, and other political issues. In the process, political campaign films became a way of marketing parties and candidates. This further characterizes the future of the political cultural system and the political economy of Indian cinema.


Info ◽  
2014 ◽  
Vol 16 (2) ◽  
pp. 67-79 ◽  
Author(s):  
Seong Eun Cho ◽  
Dong-Hee Shin

Purpose – This study aims to examine the impact of news frames associated with traditional media and with Twitter discourse on social issues. Design/methodology/approach – Using semantic network analysis, it identifies the role of new alternative channels as well as discussing ways of understanding and consuming news content in the changing media environment. Additionally, it focuses on the dominant Twitter communicators who rank high in betweenness centrality. Findings – The results confirmed that traditional news media tend to superficially describe main events and media strikes without comment. They tended to consciously or unconsciously favor media corporations by engendering anxiety and conflict or by restraining reports on the rationales of the strike. Twitter discourse, on the contrary, positively represents the striker's arguments and frequently reveals support of the strike. Research limitations/implications – The data set of this study was specialized, not generalized. However, the findings extend literature relating to the role of journalism and alternative channel. For example, this study indicated that the change of media environment has reinforced partiality of news, including both traditional and alternative channels. Practical implications – The findings imply that the advent of new media does not purely represent a laymen's voice and rather tends to strengthen the partiality of media, including both traditional and new media, beyond selective exposure on content of the receiver. Originality/value – By clarifying the influence of alternative channels, this study suggests the counterpart of traditional journalism in the near future.


1996 ◽  
Vol 73 (2) ◽  
pp. 427-444 ◽  
Author(s):  
Dolf Zillmann ◽  
Rhonda Gibson ◽  
S. Shyam Sundar ◽  
Joseph W. Perkins

A news report on the plight of a minority of American family farmers was manipulated to create versions differing in the degree of precision of general information (precise, imprecise) and in the use of exemplifying case histories (selective, blended, representative). Selective exemplification featured only histories of failing farms, representative exemplification a distribution of histories of failing and successful farms proportional to their actual occurrence. Respondents reported their own views concerning the farmers' plight either shortly after reading or after a delay of one or two weeks. The accuracy of estimates of failing farms was found to be highest for representative and lowest for selective exemplification—despite the availability of corrective general information. These effects were stable over time.


2019 ◽  
Vol 5 (2) ◽  
pp. 45-52 ◽  
Author(s):  
Zofia Sawicka

Abstract The dissemination of the media has led to the phenomenon of the mediatization of social reality, which in the era of new media has become dominant, because the new media have infiltrated almost every aspect of human functioning. The surprising paradox of the new media is the fact that on the one hand they give access to almost unlimited information, on the other hand they narrow it down extremely. The modern media user, often without realizing it, “uses” only the information that is offered to him by specially selected internet algorithms. Created in this way the so-called “information/filter bubble” condemns him to the only vision of reality - and in the absence of the possibility of verifying his observations what results from the way the new media works - in his opinion the only true one. This is particularly important in creating the vision of social order and the functioning of the state. The mediatisation of Polish social reality - especially in the context of social media - led to the emergence of polarized groups isolated from each other and caused a lack of rational political debate on a number of important social issues.


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