scholarly journals A Resurrection Of Laneways: Toronto's Activation Of Public Space Through Lanes

Author(s):  
Holly Carrie-Mattimoe

The intention of this research is to examine the viability in activating Toronto’s neglected laneways. Behind the densely populated streets of Toronto’s downtown core, lie arguably one of its most underutilized assets: its laneways. Dimly lit, and typically filled with rubbish, these are spaces with potential. This research focuses on Toronto’s possibilities in the creation of laneways as a legitimate urban space; forgotten spaces with the potential to stimulate growth and create lively, safe communities. The literature will examine current policies that may hinder the widespread use of, or lead to the neglect of these spaces, as well as draw conclusions about possible policy and cultural shifts with the potential to revive and create an adaptive laneway culture.

2021 ◽  
Author(s):  
Holly Carrie-Mattimoe

The intention of this research is to examine the viability in activating Toronto’s neglected laneways. Behind the densely populated streets of Toronto’s downtown core, lie arguably one of its most underutilized assets: its laneways. Dimly lit, and typically filled with rubbish, these are spaces with potential. This research focuses on Toronto’s possibilities in the creation of laneways as a legitimate urban space; forgotten spaces with the potential to stimulate growth and create lively, safe communities. The literature will examine current policies that may hinder the widespread use of, or lead to the neglect of these spaces, as well as draw conclusions about possible policy and cultural shifts with the potential to revive and create an adaptive laneway culture.


Author(s):  
Linda Matthews ◽  
Gavin Perin

The valence of any visual paradigm and its accompanying technologies is subject to the contingencies of political regimes and cultural shifts. The instigation, implementation and even reconfiguring of any associated technological system effects a translation and adjustment to the structure and use of these supporting mechanisms that both re-defines the relationship between object and viewer and ultimately influences its translation into material form. The permeation of digital systems throughout contemporary urban space is typified by Internet Protocol webcam systems, instigated by civic authorities for surveillance and the imagistic promotion of iconic city form. This paper examines how this system’s reception and subsequent translation of transmitted data signals into digital information not only presents new material to mediate people’s engagement with public space, but moreover, how it presents new opportunities for the designer to materialize its three-dimensional form within the spatial ambiguity of virtual and real-time environments.


Author(s):  
Mykhailo Zubar ◽  
◽  
Oleh Mahdych ◽  

Taras Shevchenko is one of the most researched and discussed figures in Ukrainian society. In each historical period receptions and assessments around Shevchenko` personality differentiates, depending on the public circumstances or prevailing trends in humanitarian discourse. These perceptions swayed between positive and critical judgment. Authors identified several key perceptions of Shevchenko in Ukrainian public space, for instance, «national hero», «father of the nation», «poet», «revolutionary democrat». In their opinion, modern Ukraine still faces the search for Shevchenko` new image. New forms of public honour (commemoration) are being developed, including through museum exhibition projects. Authors also analyze the significance of the museum narrative expositions and exhibitions for the creation of new public images, giving the example of the exhibition project «Shevchenko by the urban tongue», which took place in the Taras Shevchenko national museum from November 4th to January 31th in 2021. Curators attempted to explore how personal experience in the city changed due to the process of urbanization from the XIX-th century and how the urban space influenced the shaping of the Taras Shevchenko figure. Specifically, in the XIX-th century, cities ultimately transformed into an environment, which created trends, emphases of the global public development that influenced Shevchenko, since exactly in the city he gained domestic freedom, profession and widened his social circle. The city gave him a sense of understanding of the culture, its influence and importance not only for consumer purposes or acceptance but also for the creation of new meanings. According to the authors, this approach allows us to better understand the significance of Taras Shevchenko, his connection to modern Ukrainian realities and world context.


Urban Studies ◽  
2021 ◽  
pp. 004209802199335
Author(s):  
Branwyn Poleykett

Senegal has a long tradition of the collective management of public space via community cleaning. Since the explosion of the popular ecology movement Set Setal (meaning clean and be clean in Wolof) in the early 1990s, ‘set’ or hygienic aesthetics have been central to the construction and control of urban space and deployed to include and enfold but also expel citizens. In January 2020 the Senegalese President Macky Sall called on the population to join him in ‘Cleaning Days’, bypassing ‘set’ practices. Cleaning Day was met with a response ranging from indifference to anger and open conflict. In this article I use Cleaning Day as a lens to analyse the production and reception of set aesthetics in a time of ‘emergence’. Focusing on the power of subaltern practice to resist the encroachment of a state in search of meaningful symbols, I challenge the idea that contemporary urban aesthetics is geared towards the creation of a perceived continuity of interests organised around an aspiration to a global urban standard.


Author(s):  
Adam Brown

Digitally generated views of Townsville's recent city centre redevelopment attempt to overlay visions of a European urban space on the contested territory of the tropical city. Such views obscure the site of an uneven relationship between the various communities which inhabit the city space, by representing a space of apparent completeness and fixity. Applying insights<br />from critical spatial studies and psychogeography, such representations of the city appear to ossify public discourse rather than work towards the creation of genuine multi user spaces, which are always problematic to successfully design and visualise.


Author(s):  
Linda Matthews ◽  
Gavin Perin

The valence of any visual paradigm and its accompanying technologies is subject to the contingencies of political regimes and cultural shifts. The instigation, implementation and even reconfiguring of any associated technological system effects a translation and adjustment to the structure and use of these supporting mechanisms that both re-defines the relationship between object and viewer and ultimately influences its translation into material form. The permeation of digital systems throughout contemporary urban space is typified by Internet Protocol webcam systems, instigated by civic authorities for surveillance and the imagistic promotion of iconic city form. This paper examines how this system’s reception and subsequent translation of transmitted data signals into digital information not only presents new material to mediate people’s engagement with public space, but moreover, how it presents new opportunities for the designer to materialize its three-dimensional form within the spatial ambiguity of virtual and real-time environments.


Author(s):  
Galit Noga-Banai

This chapter focuses on the creation of holy sites in Rome that are comparable in their significance to those in Jerusalem—that is, touched by past sacred events and/or sacred bodies. It maps the reasons for the change of attitude toward Jerusalem in Rome, and makes the argument that once the locally connected holy sites projected into the urban space, especially the local bonding of the sites related to Peter and Paul, it was possible to include Jerusalem in the Roman decorative programs. The discussion concentrates on the dynamic involved in the commemoration of sacred spaces in Rome, from the architecture of the holy sites (Basilica Apostolorum, S. Paolo fuori le mura) to portable objects related to them.


Author(s):  
Deonnie Moodie

At the turn of the twenty-first century, middle-class men and women formed non-governmental organizations (NGOs) and filed public interest litigation suits (PILs) in order to expand temple space, knock down buildings that block views of Kālīghāṭ’s façade, and remove undesirable materials and populations from its environs. Employing the language of cleanliness and order, they worked (and continue to work) to make Kālīghāṭ a “must-see” tourist attraction. Scholarship has shown that India’s new middle classes—those produced through India’s economic liberalization policies in the 1990s—desire highly visible forms demonstrating their modernity as well as their uniqueness on the international stage of urban space. The example of Kālīghāṭ indicates how India’s new middle classes build on the work of the old middle classes to deploy the temple as emblematic of both their modernity and their Indian-ness. In so doing, they read the idioms of public space onto sacred space.


Food Security ◽  
2021 ◽  
Author(s):  
Richard Kiaka ◽  
Shiela Chikulo ◽  
Sacha Slootheer ◽  
Paul Hebinck

AbstractThis collaborative and comparative paper deals with the impact of Covid-19 on the use and governance of public space and street trade in particular in two major African cities. The importance of street trading for urban food security and urban-based livelihoods is beyond dispute. Trading on the streets does, however, not occur in neutral or abstract spaces, but rather in lived-in and contested spaces, governed by what is referred to as ‘street geographies’, evoking outbreaks of violence and repression. Vendors are subjected to the politics of municipalities and the state to modernize the socio-spatial ordering of the city and the urban food economy through restructuring, regulating, and restricting street vending. Street vendors are harassed, streets are swept clean, and hygiene standards imposed. We argue here that the everyday struggle for the street has intensified since and during the Covid-19 pandemic. Mobility and the use of urban space either being restricted by the city-state or being defended and opened up by street traders, is common to the situation in Harare and Kisumu. Covid-19, we pose, redefines, and creates ‘new’ street geographies. These geographies pivot on agency and creativity employed by street trade actors while navigating the lockdown measures imposed by state actors. Traders navigate the space or room for manoeuvre they create for themselves, but this space unfolds only temporarily, opens for a few only and closes for most of the street traders who become more uncertain and vulnerable than ever before, irrespective of whether they are licensed, paying rents for vending stalls to the city, or ‘illegally’ vending on the street.


Author(s):  
Martin Lundsteen ◽  
Miquel Fernández González

AbstractRecent studies have argued for more nuanced understandings of zero tolerance (ZT) policing, rendering it essential to analyze the significance and actual workings of the policies in practice, including the context in which they are introduced. This article aims to accomplish this through a comparison of two case studies in Catalonia: one in the neighborhood of Raval in Barcelona and one in Salt—a municipality in the comarca (or county) of Girona. We identify a transformation in the use of ZT policies in Catalonia and a contradiction between their social effects and proclaimed objectives. This article attempts to address how specific sociocultural groups gain power and privilege from these policies. The main argument is that a set of commonsensical ideas have become hegemonic, which allows and naturalizes certain sociocultural practices in urban space, while persecuting others, fundamentally pitting two categories against each other: the desired civil citizen and the undesirable and uncivil stranger.


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