scholarly journals “The street is ours”. A comparative analysis of street trading, Covid-19 and new street geographies in Harare, Zimbabwe and Kisumu, Kenya

Food Security ◽  
2021 ◽  
Author(s):  
Richard Kiaka ◽  
Shiela Chikulo ◽  
Sacha Slootheer ◽  
Paul Hebinck

AbstractThis collaborative and comparative paper deals with the impact of Covid-19 on the use and governance of public space and street trade in particular in two major African cities. The importance of street trading for urban food security and urban-based livelihoods is beyond dispute. Trading on the streets does, however, not occur in neutral or abstract spaces, but rather in lived-in and contested spaces, governed by what is referred to as ‘street geographies’, evoking outbreaks of violence and repression. Vendors are subjected to the politics of municipalities and the state to modernize the socio-spatial ordering of the city and the urban food economy through restructuring, regulating, and restricting street vending. Street vendors are harassed, streets are swept clean, and hygiene standards imposed. We argue here that the everyday struggle for the street has intensified since and during the Covid-19 pandemic. Mobility and the use of urban space either being restricted by the city-state or being defended and opened up by street traders, is common to the situation in Harare and Kisumu. Covid-19, we pose, redefines, and creates ‘new’ street geographies. These geographies pivot on agency and creativity employed by street trade actors while navigating the lockdown measures imposed by state actors. Traders navigate the space or room for manoeuvre they create for themselves, but this space unfolds only temporarily, opens for a few only and closes for most of the street traders who become more uncertain and vulnerable than ever before, irrespective of whether they are licensed, paying rents for vending stalls to the city, or ‘illegally’ vending on the street.

2014 ◽  
Vol 11 ◽  
pp. 560-565 ◽  
Author(s):  
Vincenzo del Giudice ◽  
Francesca Torrieri ◽  
Pierfrancesco de Paola

The article examines the relationship between property value and level of conservation of public urban space. While many studies have examined the effect of proximity of open space, parks, and trees on property value, there has been few examination of how projects of urban revitalization and ordinary and extraordinary maintenances of public spaces can influence property values. While intuition can suggest that a low level of quality and maintenance of a public space can negatively affect property value, even if the standard requirement of public spaces and services are meet, this yet to be empirically proven.We proposes the application of a new econometric models for quantitative analysis of the characteristics of real estate property (Generalized Additive Model), to assess the impact of maintenance condition on property values, due to the better prevision that these functions can obtain in a real estate market context.The control of the formal and logical adequacy of the proposed theoretical model is referred to the case study under analysis, in the city of Naples. The results obtained show that a well preserved urban environment influences property price by approximately 6%. The experimental test of the model has provided results that, by reason of their formal consistency with the results obtained in other contexts, can be considered representative of the effectiveness of the methodology proposed.


GeoTextos ◽  
2021 ◽  
Vol 17 (1) ◽  
Author(s):  
António Cláudio do Nascimento Silva ◽  
Daniel Paiva

<p>Este artigo pretende refletir sobre a complexa relação entre os artistas de rua, as suas performances e o espaço urbano. Para esta reflexão, baseamo-nos num estudo desenvolvido na Baixa lisboeta, localizada no centro histórico da cidade de Lisboa, Portugal. Metodologicamente, o estudo implicou observação sombreada com recurso a caminhadas e à videografia entre 2016 e 2021, bem como um conjunto de 15 entrevistas realizadas a artistas de rua em 2018. Conceptualmente, o estudo recorre ao crescente corpo de bibliografia no âmbito da geografia sensorial e da etnomusicologia, nomeadamente em relação aos artistas de rua e às suas performances, e a sua intersecção com questões económicas, os aspetos da urbanidade, a influência do turismo e as experiências sensoriais. Os nossos resultados desvendam o processo de territorialização dos locais de performance na Baixa lisboeta, o impacto das performances artísticas no espaço público, e a relação dos artistas de rua com os agentes formais da economia urbana. Concluímos o artigo com uma breve reflexão sobre a importância do turismo para a expansão do busking.</p><p><span>Abstract</span></p><p>URBAN ECONOMY AND STREET ARTISTS: PERFORMANCE, MOBILITY, AND CONFLICT IN A TOURISTIFIED PUBLIC SPACE</p><p>This article reflects on the complex relationship between street artists, their performances and urban space. For this reflection, we draw upon a study conducted in the Baixa, located in the historic centre of the city of Lisbon, Portugal. Methodologically, the study involved shadowed observation, including walks and videography, which took place between 2016 and 2021, as well as a set of 15 interviews with street artists which were conducted in 2018. Conceptually, the study draws upon the growing body of works within the scope of sensory geography and ethnomusicology, namely regarding street artists and their performances, and their intersection with economic issues, aspects of urbanity, the influence of tourism and sensory experiences. Our results reveal the process of territorialization of performance sites in Lisbon’s Baixa, the impact of artistic performances in the public space, and the relationship of street artists with the formal agents of the urban economy. We conclude the article with a brief reflection on the significance of tourism for the expansion of busking.</p>


2016 ◽  
Vol 1 (1) ◽  
pp. 129
Author(s):  
Camilo Vladimir De Lima Amaral

This research aims to analyse the ongoing privatization of public spaces in London. It also seeks to explore the impact of the 2009 Mayor’s policy document named ‘A Manifesto for Public Space - London’s Great Outdoors’ in this process. The manifesto argues in opposition to the growing ‘corporatisation’ and exclusion of privately controlled spaces and in favour of spaces that are open ‘for all Londoners’ and with a planning process overseen by the Public Sector. In order to understand if these goals were achieved, an initial inventory listed all the developments after 2009. The projects’ examination made it possible to identify the most important cases in each group. This article analyses whether these developments are private public spaces or whether they remain genuinely public, thus examining the manifesto’s effectiveness on London’s lived spaces. In order to do that, a critical approach was constructed upon the literature review, in order to confront the ideas of public space with the spatial experience. This dissection demonstrated how recent complexity of urban space production has created new phenomena in the city, that can be assembled in the concepts of Velvet Ground, Tangled Orbits and Repeated Compulsion of Space Consumption. The concepts clarify the relationship between social control, the democratic openness of public space, and citizenship. The study concludes that a new form of privatized space is taking over the city, and the proposed policies were unable to stop this tendency.


Author(s):  
Jonathan Stutz

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.


2019 ◽  
Author(s):  
Bambang Sulistyantara ◽  
Imawan W. Hidayat ◽  
A. Nasirudin Taher ◽  
Hendrawan

Trees are essential elements of an urban space. The presence of trees in urban areas is not only appreciated as physical attribute, but beyond this, it serves a fundamental function in balancing and conserving urban ecosystem. Especially in tropical countries like Indonesia which receive high levels of solar radiation, trees contribute to the protection of urban areas from the impact of excessive micro-climatic conditions. But, the presence of trees sometimes resulted in the accidents for the residences because of broken branches and human injuries. This situation leads the city to prepare a tree inventory system, which is beneficial in giving the information about tree conditions and thus the information that would be useful for tree maintenance activities. The tree inventory on application for the city of East Jakarta was built for this purpose, comprising a tree inventory and easy access to the database. The application connects the database source with the GIS map, so that the users could retrieve information for each kind of data.


2020 ◽  
pp. 177-192
Author(s):  
Iman Hegazy

Public spaces are defined as places that should be accessible to all inhabitants without restrictions. They are spaces not only for gathering, socializing and celebrating but also for initiating discussions, protesting and demonstrating. Thus, public spaces are intangible expressions of democracy—a topic that the paper tackles its viability within the context of Alexandria, case study Al-Qaed Ibrahim square. On the one hand, Al-Qaed Ibrahim square which is named after Al-Qaed Ibrahim mosque is a sacred element in the urban fabric; whereas on the other it represents a non-religious revolutionary symbol in the Alexandrian urban public sphere. This contradiction necessitates finding an approach to study the characteristic of this square/mosque within the Alexandrian context—that is to realize the impact of the socio-political events on the image of Al-Qaed Ibrahim square, and how it has transformed into a revolutionary urban symbol and yet into a no-public space. The research revolves around the hypothesis that the political events taking place in Egypt after January 25th, 2011, have directly affected the development of urban public spaces, especially in Alexandria. Therefore methodologically, the paper reviews the development of Al-Qaed Ibrahim square throughout the Egyptian socio-political changes, with a focus on the square’s urban and emotional contextual transformations. For this reason, the study adheres to two theories: the "city elements" by Kevin Lynch and "emotionalizing the urban" by Frank Eckardt. The aim is not only to study the mentioned public space but also to figure out the changes in people’s societal behaviour and emotion toward it. Through empowering public spaces, the paper calls the different Egyptian political and civic powers to recognize each other, regardless of their religious, ethnical or political affiliations. It is a step towards replacing the ongoing political conflicts, polarization, and suppression with societal reconciliation, coexistence, and democracy.


Dimensions ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 183-202
Author(s):  
Sergiy Ilchenko

Abstract This contribution elaborates upon the appropriation of urban space in spatiotemporal and procedural interventions in the example of the city of Kharkiv, as well as the impact of urban space on the process of how various groups rediscover and use various parts of the city. Being moved during collective actions - in the sense of feeling urged to move along - goes beyond routine practices by influencing the city and its perception. It seems that these general processions, celebrations, and festive activities of the residents are their contributions to the process of »urban renaissance« - the rebirth of interest in the urban way of life. Since public spaces reflect the historical inheritance of local communities, joint transformative actions such as, »appropriation «, »production«, and »governance« of urban spaces are considered. This article advocates for the practice of domestication of urban space by the local community, as well as the need for the existence of »urban lagoons« - free (unregulated) areas of the city used as resources for urban development and interaction of citizens.


2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.


2010 ◽  
Vol 38 (109) ◽  
pp. 55-69
Author(s):  
Hjørdis Havsteen Brandrup

CULTURAL DYNAMIC IN THE URBAN EXPERIENCE SCAPE – AN ANALYSIS OF BRANDTS KLÆDEFABRIKBrandts Klædefabrik (Brandt’s Textile Mill) is a cultural cluster in the city of Odense, Denmark. The cultural experiences available at Brandts Klædefabrik cover a wide field and are relevant for people of all levels of education and all ages, embracing as they do not only fine culture but also triviality and excitement. Brandts Klædefabrik is therefore a culturally inclusive place, although its symbolic power is dominated by a cultural and economic elitetrying to maintain an exclusively controlled social and physical order in the urban space. However, Brandts Klædefabrik is part of a city which contains a wide range of cultural groups: a Danish cultural elite, immigrants, homeless people and drug addicts. In this cultural multiplicity Brandts Klædefabrik is a cultural cluster and an urban entertainment district which does not include marginalised groups. Paradoxically, the attempt to maintainan exclusive order to satisfy an audience with buying power runs against the creative profile of the area, in which cultural and social multiplicity are important values. The area around Brandts Klædefabrik is a public space; but if it is going to be a public domain and the scene of cultural exchanges between different groups in the city, it needs to become more culturally inclusive. Brandts Klædefabrik may turn into a public domain if a cultural dynamic and multiplicity are given the chance to unfold there.


2021 ◽  
Vol 53 (1) ◽  
Author(s):  
Sajad Afzali ◽  
Faezeh Taheri Sarmad ◽  
Mojtaba Heidari ◽  
Seyed Hossein Jalali

Urban geology is a preliminary study for the construction and development of cities, which has been more prominent in recent decades in some countries despite its long application history. It assesses the impact of geological and natural phenomena on urban space and available structures. The earthquake on Nov. 21, 2017, inflicted a lot of damage to the city of Sarpol-e Zahab, west of Iran, including financial losses and casualties. Reconstruction of this city and planning for its sustainable development entail conducting urban geological studies. In the present study, the effect of natural phenomena on Sarpol-e Zahab County was studied by investigating its geology and geomorphology. The results showed that, in addition to the earthquake that habitually affected the city of Sarpol-e Zahab, the hazards of other phenomena are also significant. Recorded horizontal acceleration in the recent earthquake confirmed the high seismicity of Sarpol-e Zahab has.


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