scholarly journals Imagologies: media philosophy

2021 ◽  
Author(s):  
Donald J. Gilles
Keyword(s):  
Media Philosophy

The title of this book (also referred to in the antetext as "book") is given in several variants of imagologies media philosophy. It has been regularized at the head of this review to a conventional title format, thus betraying on the part of the reviewer a linear-mindedness probably inimical to the open pluralistic presentational intentions of the authors. But that is all right: each reader will necessarily generate an individual meaning of this stylish book /counter-book by dint of sustained scrutiny of its elaborately graphic deconstruction.

Meta / Dia Zwei unterschiedliche Zugänge zum Medialen

2010 ◽  
Vol 1 (2) ◽  
pp. 185-208 ◽  
Author(s):  
Dieter Mersch
Keyword(s):  
Literal Sense ◽  
Media Philosophy ◽  
Similar Vein

In media philosophy since Benjamin, the concept of medium is conceived in terms of »translation« or »transport«. In a similar vein, Christoph Tholen has brought the literal sense of »metaphor« as »meta-pherein« into focus. In my paper I argue that Tholen's approach misses the »meta« (»in the middle« or »beyond«) of »metaphor«, corresponding to the Latin »trans«. This is contrasted with the greek »dia« that allows the development of a performative notion of medium, which orients itself at material practices of transition.

A Liar’s Epistemology

Qui Parle ◽  
2021 ◽  
Vol 30 (1) ◽  
pp. 119-157
Author(s):  
Brett Zehner
Keyword(s):  
Artificial Intelligence ◽  
Intelligent Systems ◽  
Large Scale ◽  
Computational Models ◽  
Nervous Activity ◽  
Bad Faith ◽  
Computer Scientists ◽  
Human Decision ◽  
Media Philosophy ◽  
Historical Accounts

Abstract This methodologically important essay aims to trace a genealogical account of Herbert Simon’s media philosophy and to contest the histories of artificial intelligence that overlook the organizational capacities of computational models. As Simon’s work demonstrates, humans’ subjection to large-scale organizations and divisions of labor is at the heart of artificial intelligence. As such, questions of procedures are key to understanding the power assumed by institutions wielding artificial intelligence. Most media-historical accounts of the development of contemporary artificial intelligence stem from the work of Warren S. McCulloch and Walter Pitts, especially the 1943 essay “A Logical Calculus of the Ideas Immanent in Nervous Activity.” Yet Simon’s revenge is perhaps that reinforcement learning systems adopt his prescriptive approach to algorithmic procedures. Computer scientists criticized Simon for the performative nature of his artificially intelligent systems, mainly for his positivism, but he defended his positivism based on his belief that symbolic computation could stand in for any reality and in fact shape that reality. Simon was not looking to actually re-create human intelligence; he was using coercion, bad faith, and fraud as tactical weapons in the reordering of human decision-making. Artificial intelligence was the perfect medium for his explorations.

Approaches to a Concept of Simulation

2017 ◽  
Author(s):  
Inge Hinterwaldner
Keyword(s):  
Computer Simulation ◽  
Media Studies ◽  
Computer Simulations ◽  
Natural Sciences ◽  
The Other ◽  
Single Spectrum ◽  
Media Philosophy ◽  
Technical Sense ◽  
The One ◽  
Definition Of

It can be shown that the different conceptions of ‘simulation’ (the one of culture critique on the one hand and the denomination of technical applications on the other) that seem to be incompatible with each other can be reconciled on a single spectrum. Its basis in models, its replacement of reality, its lack of reference and of precession of the referent are some pejorative characteristics often emphasized in media philosophy with regard to simulations, for which the sciences applying computer simulations have no use for. It helps crossing over the views that first seem opposite to each other, but that turn out to be compatible if its root in reality is recognized and thus the representational logic is accepted at least according to the intention. The chapter combines ideas of the 'simulacrum' retrieved in the natural sciences with traces of cybernetic thinking in media studies. The whole study builds on a definition of computer simulation in the technical sense as the involvement with and the act of execution f a dynamic mathematic or procedural model that projects, depicts, or recreates a system or process.

Toward a Black media philosophy

2020 ◽  
Vol 34 (6) ◽  
pp. 851-873
Author(s):  
Armond R. Towns
Keyword(s):  
Media Philosophy ◽  
Black Media

Cultural Sustainabilities

2019 ◽  
Keyword(s):  
Digital Media ◽  
Case Studies ◽  
Cultural Practices ◽  
Digital Transmission ◽  
Expressive Culture ◽  
Cultural Survival ◽  
Cultural Sustainability ◽  
Cultural Systems ◽  
Media Philosophy ◽  
Applied Ethnomusicology

This collection of essays is driven by the proposition that environmental and cultural sustainability are inextricably linked. The authors are unified by the influence of the pioneering work of Jeff Todd Titon in developing broadly ecological approaches to folklore, ethnomusicology, and sustainability. These approaches lead to advocacy and activism. Building on and responding to Titon's work, the authors call for profoundly integrated efforts to better understand sustainability as a challenge that encompasses all living beings and ecological systems, including human cultural systems. While many of the chapters address musicking and ecomusicology, others focus on filmmaking, folklore, digital media, philosophy, and photography. Organized into five parts, Part 1 establishes a theoretical foundation and suggests methods for approaching the daunting issues of sustainability, resilience, and adaptive management. Part 2 offers five case studies interpreting widely divergent ways that humans are grappling with ecological and environmental challenges by engaging in expressive culture. Part 3 illustrates the role of media in sustainable cultural practices. Part 4 asks how human vocal expression may be central to human self-realization and cultural survival with case studies ranging from the digital transmission of Torah chanting traditions to Russian laments. Part 5 embraces Titon's highly influential work establishing and promoting applied ethnomusicology, and speaks directly to the themes of advocacy and activism.

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