scholarly journals FUNGSI GENDING AYAK WOLU PADA WAYANG KULIT GAGRAG JAWA TIMURAN KI SURWEDI

2019 ◽  
Vol 11 (2) ◽  
Author(s):  
Jepri Ristiono

ABSTARCT This article originated from the interest of the author when he saw the phenomenon that occurred in the East Javanese leather puppet show Ki Surwedi, especially gending Ayak pathet Wolu which is very dominating. The discussion is focused on the gending function of Ayak pathet Wolu which concerns the relation of the song with the gamelan, so that it can conclude about the role and function of the song. Therefore, this article is qualitative with priority on the form of interview data and literature, and presented in descriptive-analytic. The data collected from various sources was analyzed using the function theory initiated by Alan P. Merriam in a book entitled The Anthropology of Music, translated by Hajizar in the form of "Concept as Source of Analysis". From this research, it can be concluded that the gending function of Ayak pathet Wolu in wayang Ki Surwedi is one of the art forms from ancestors that has been passed down from generation to generation. Therefore, it has become our collective duty to preserve it in order to avoid extinction. Kata kunci: ayak wolu, fungsi gendhing, wayang Jawa Timuran, Ki Surwedi

2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Aji Santoso Nugroho

This article aims to describe the musical accompaniment in the Menak Sukarno Golek Golek performance by Ki Sukarno. Musicology analysis is done using karawitan to reveal the structure, shape, workmanship, and function of karawitan in Ki Sukarno’s Menak Yogyakarta Golek Puppet show. From the observations of Ki Sukarno’s performance, it was concluded that the accompaniment of Menak Puppet Golek music used in the performance was basically not much different from the wayang kulit of Yogyakarta puppet. The difference between the two lies in the laya or rhythmic dish and the obstacle pattern, namely the wayang motion, the ater open the playon and the playon level. Laya or rhythm used refers to dance music and the pattern of resistance. This is because in the Menak Puppet Puppet contains elements of dance movement vocabulary. The performances of Menak Golek Puppet have a standard composition as accompaniment, namely the Gending Goal of Kabor Topèng, Orange Flower Sifter, Playon Kembang Jeruk, Playon Gégot, and Playon Gambuh. Karawitan in the performance of Menak Golek Puppet serves as a confirmation of scene changes, emphasizes the atmosphere of the scene, reinforces dramatic elements, emphasizes the character, and reinforces the character of puppet movements. The presentation structure of Menak Yogyakarta Golek Puppet refers to the structure of Purwa Yogyakarta Puppet Leather, both from the structure of the division of the scene, to the use of gamelan which only uses sléndro tunings. The element that  distinguishes it is only found in the scene ajon-ajon or majeng beksa, namely the motion of dance before committing a war and a fierce war scene. Artikel ini bertujuan mendeskripsikan iringan karawitan dalam pergelaran Wayang Golek Menak Yogyakarta versi Ki Sukarno. Analisis musikologi garap karawitan digunakan untuk mengungkap struktur, bentuk, garap, dan fungsi karawitan dalam pertunjukan Wayang Golek Menak Yogyakarta versi Ki Sukarno. Dari pengamatan terhadap pergelaran Ki Sukarno didapatkan kesimpulan bahwa iringan karawitan Wayang Golek Menak yang digunakan dalam pergelarannya pada dasarnya tidak berbeda jauh dari karawitan Wayang Kulit Yogyakarta. Perbedaan dari keduanya terletak pada sajian laya atau irama dan pola kendhangan yaitu ater-ater gerak wayang, ater-ater buka playon dan suwuk playon. Laya atau irama yang digunakan mengacu pada karawitan tari dan pola kendhangan. Hal ini dikarenakan dalam Wayang Golek Menak terkandung unsur vokabuler gerak tari. Pergelaran Wayang Golek Menak mempunyai gending baku sebagai iringan yaitu Ketawang Gending Kabor Topèng, Ayak-ayak  Kembang Jeruk, Playon Kembang Jeruk, Playon Gégot, dan Playon  Gambuh. Karawitan dalam pergelaran Wayang Golek Menak berfungsi sebagai penegas pergantian adegan, penegas suasana adegan, penegas unsur dramatik, penegas karakter tokoh, dan penegas karakter gerak wayang. Struktur penyajian Wayang Golek Menak Yogyakarta mengacu pada struktur Wayang Kulit Purwa Yogyakarta, baik itu dari struktur pembagian adegan, sampai penggunaan gamelan yang hanya  menggunakan laras sléndro. Unsur yang membedakannya hanya terdapat pada adegan ajon-ajon atau majeng beksa, yaitu gerak tarian sebelum melakukan perang dan adegan perang gecul.


2020 ◽  
Vol 4 (3) ◽  
pp. 167-178
Author(s):  
Zurayna Sari

ABSTRAKPelabuhan berperan sebagai fasilitas penunjang pusat pertumbuhan regional dalam proses pembangunan ekonomi wilayah. Pelabuhan Bebas Sabang diarahkan sebagai pusat pertumbuhan ekonomi regional dan diharapkan dapat meningkatkan perekonomian Kawasan Sabang. Permasalahan yang dihadapi Pelabuhan Bebas Sabang adalah belum optimalnya peran dan fungsi Pelabuhan Bebas Sabang dalam menunjang perekonomian wilayah. Penelitian ini bertujuan untuk mengetahui peran Pelabuhan Bebas Sabang dalam mendorong perkembangan perekonomian Kawasan Sabang. Lingkup materi yang dibahas mencakup peran-peran Pelabuhan Bebas Sabang, menentukan potensi dan masalah serta upaya-upaya peningkatan peran Pelabuhan Bebas Sabang. Metode analisis yang dilakukan adalah analisis deskriptif dengan pendekatan analisis data kualitatif dan kuantitatif. Alat analisis yang digunakan adalah analisis SWOT IFAS-EFAS. Hasil analisis menunjukkan dalam kurun waktu 4 (empat) tahun terakhir dari tahun 2010-2013, Pelabuhan Bebas Sabang belum optimal dalam menjalankan perannya, sehingga membutuhkan strategi pengembangan dengan pendekatan Agressive Maintenance Strategy (strategi perbaikan agresif), yaitu strategi konsolidasi internal dengan memperbaiki faktor-faktor kelemahan untuk memaksimalkan pemanfaatan peluang.Kata kunci: Pengelolaan, SWOT IFAS-EFAS, WilayahABSTRACTPort was supporting facility of regional growth center in the process of regional economic development. Sabang free port was directed as the center of regional economic growth and expected to raise the economy of sabang. Problems faced by sabang free port was yet optimal role and function in supporting the economy of the region. This study aimed to determine the role of sabang free port in supporting the economic development of sabang. The covered material scope included roles of sabang free port, determining the potentials and problems and efforts of increasing the role of sabang free port. The method of analysis was descriptive analysis with qualitative and quantitative approach. The analytical tool used was the swot ifas-efas analysis. The analysis results showed in the period of 4 (four) years from 2010 until 2013, sabang free port was not optimal in carrying out its role yet, so it requires development strategies with agressive maintenance strategy approach, which is internal consolidation strategy by improving vulnerability factors to maximize the utilization of opportunities.Keywords:, Management, Regional, SWOT IFAS-EFAS


2018 ◽  
Vol 4 (2) ◽  
pp. 150
Author(s):  
Rahmadini Darwas

<p><strong><em>Abstract<br /></em></strong><em>Laboratory is one of the supporting facilities in im[roving the learning process. Problems found by students regarding the information system laboratory facilities at STMIK Indonesia Padang are</em><em> the computers that suddenly die when operated, the less cold room, display data is blurred, making the inconvenience in the learning process that causes the students less satisfied with the services provided. Students will feel satisfied if the service is expected to match the received. Therefore, a decision support system is needed to analyze the quality of services provided to the students so that it can support the role and function of the laboratory optimally and what attributes need to be improved the quality of service. The method used is Fuzzy Service Quality (Servqual) method. The results showed that the service quality received was not in accordance with the expected because there is a gap of -1.55 for tangibles dimension. Attributes that need to be improved the quality of services are laboratory space is cool and comfortable, the use of laboratories relevant to the field of science, the responsibility of laboratory assistant, the availability of professional teachers and attitudes and behavior of labor officers.<br /></em></p><p><strong><em>Abstrak<br /></em></strong>Laboratorium merupakan salah satu fasilitas pendukung dalam meningkatkan proses pembelajaran. Permasalahan yang ditemukan mahasiswa mengenai fasilitas laboratorium sistem informasi pada STMIK Indonesia Padang adalah komputer yang tiba-tiba mati saat dioperasikan, ruangan yang kurang dingin, data <em>display</em> yang buram sehingga membuat ketidaknyamanan dalam proses pembelajaran yang menyebabkan mahasiswa kurang puas terhadap layanan yang diberikan. Mahasiswa akan merasa puas apabila layanan yang diharapkan sesuai dengan yang diterima. Oleh sebab itu, diperlukan suatu sistem pendukung keputusan untuk menganalisis kualitas layanan yang diberikan kepada mahasiswa sehingga dapat mendukung peran dan fungsi laboratorium secara optimal serta atribut apa saja yang perlu ditingkatkan kualitas layanannya. Metode yang digunakan adalah metode <em>Fuzzy Service Quality </em>(<em>Servqua</em>l). Hasil penelitian menunjukkan bahwa kualitas layanan yang diterima belum sesuai dengan yang diharapkan karena terdapat <em>gap</em> sebesar -1.55 untuk dimensi <em>tangibles</em>. Atribut yang perlu ditingkatkan kualitas layanannya yaitu ruangan laboratorium yang sejuk dan nyaman, penggunaan laboratorium yang relevan dengan bidang ilmu, tanggungjawab asisten labor, tersedianya tenaga pengajar yang professional dan sikap serta perilaku petugas labor</p><p><strong><em>Kata kunci</em></strong><strong> : sistem pendukung keputusan, laboratorium, <em>fuzzy</em>, <em>servqual</em></strong></p><p><strong><em><br /></em></strong></p>


Author(s):  
Jonathan Weinel

This chapter discusses shamanism, explaining the ethos and mythology of several indigenous societies, and how these belief systems relate to the design of art and music. First, a general overview of shamanism is provided, which outlines the typical role and function of a shaman. An explanation of the shamanic visionary experience, a type of altered state of consciousness, is then provided. Following this, the chapter explores a variety of visual art from indigenous shamanic cultures, including examples from San, Native American, Huichol, Tukano, and Shipibo traditions. The sound and music of shamanic and trance cultures is also discussed, with reference to Vodou, Tukano, Mazatec, Kiowa, and Mayan examples, and relevant field recordings. Through the course of this discussion, the chapter establishes a view of how shamanic art and music invoke a sense of the spirit world, which informs the subsequent discourse of Inner Sound.


Author(s):  
Chelsea Barabas

This chapter discusses contemporary debates regarding the use of artificial intelligence as a vehicle for criminal justice reform. It closely examines two general approaches to what has been widely branded as “algorithmic fairness” in criminal law: the development of formal fairness criteria and accuracy measures that illustrate the trade-offs of different algorithmic interventions; and the development of “best practices” and managerialist standards for maintaining a baseline of accuracy, transparency, and validity in these systems. Attempts to render AI-branded tools more accurate by addressing narrow notions of bias miss the deeper methodological and epistemological issues regarding the fairness of these tools. The key question is whether predictive tools reflect and reinforce punitive practices that drive disparate outcomes, and how data regimes interact with the penal ideology to naturalize these practices. The chapter then calls for a radically different understanding of the role and function of the carceral state, as a starting place for re-imagining the role of “AI” as a transformative force in the criminal legal system.


Author(s):  
Robert Stojanov ◽  
Sarah Rosengaertner ◽  
Alex de Sherbinin ◽  
Raphael Nawrotzki

AbstractDevelopment cooperation actors have been addressing climate change as a cross-cutting issue and investing in climate adaptation projects since the early 2000s. More recently, as concern has risen about the potential impacts of climate variability and change on human mobility, development cooperation actors have begun to design projects that intentionally address the drivers of migration, including climate impacts on livelihoods. However, to date, we know little about the development cooperation’s role and function in responding to climate related mobility and migration. As such, the main aim of this paper is to outline the policy frameworks and approaches shaping development cooperation actors’ engagement and to identify areas for further exploration and investment. First, we frame the concept of climate mobility and migration and discuss some applicable policy frameworks that govern the issue from various perspectives; secondly, we review the toolbox of approaches that development cooperation actors bring to climate mobility; and third, we discuss the implications of the current Covid-19 pandemic and identify avenues for the way forward. We conclude that ensuring safe and orderly mobility and the decent reception and long-term inclusion of migrants and displaced persons under conditions of more severe climate hazards, and in the context of rising nationalism and xenophobia, poses significant challenges. Integrated approaches across multiple policy sectors and levels of governance are needed. In addition to resources, development cooperation actors can bring data to help empower the most affected communities and regions and leverage their convening power to foster more coordinated approaches within and across countries.


2021 ◽  
Author(s):  
Cholina Trisa Siregar ◽  
Siti Zahara Nasution ◽  
Reni Asmara Ariga ◽  
Lufthiani ◽  
Dudut Tanjung ◽  
...  

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