scholarly journals 2º Simposio de Nanomateriales 2D , Grafeno, Dispositivos y Aplicaciones

AJEA ◽  
2021 ◽  
Author(s):  
Facultad Regional Buenos Aires UTN
Keyword(s):  
Buenos Aires

La Universidad Tecnológica Nacional Facultad Regional Buenos Aires (UTN.BA) ha organizado, junto a la Secretaría de Ciencia, Tecnología e Innovación Productiva, el Departamento de Electrónica, y el Laboratorio de NanoElectrónica (UTN-UIDI-CONICET) , la 2da edición del Simposio de Nanomateriales 2D, Grafeno, Dispositivos y Aplicaciones (https://nanomateriales2d.frba.utn.edu.ar/). El mismo se realizó íntegramente en formato virtual, dada las circunstancias de aislamiento que impone la pandemia de Covid-19. Este evento se dedicó al estudio de todos los materiales 2D que iniciaron con el descubrimiento del grafeno y su objetivo principal fue abordar las temáticas relativas a las propiedades físicas y químicas de los materiales 2D. A su vez se incluyeron las diversas aplicaciones de estos materiales, como ser la conformación de dispositivos, el almacenamiento y conversión de energía, el sensado y catálisis química, propiedades óptica y electrónica flexible entre otras más. El Simposio ha contado con las ponencias de más de 18 profesores distinguidos de EEUU, España, Chile y Argentina, que lideran la más amplia gama de investigaciones regionales, y en la mesa redonda participaron 4 especialistas del área de transferencia de conocimientos a la industria. Por otra parte, se han recibido diversos trabajos científicos y pósters , que fueron evaluados por los 10 miembros que componían el comité científico, y que participaron de la premiación al mejor Poster, mejor Video y al mejor Trabajo Finalista del simposio, y la concurrencia total al simposio superó las 100 visitas virtuales de diversos países entre los cuales cabe destacar diversas participaciones desde Brasil, Perú, Colombia, Chile y Argentina. Finalmente los vídeos del simposio se encuentran disponibles para su reproducción en la dirección: https://livestream.com/utnba/2dosimposionanomaterialesdia34. Desde el comité organizador agradecemos la participación de los asistentes del simposio y a cada uno de los que trabajaron arduamente para la realización de esta 2da edición del evento. Comité científicoProf. Dr. Felix Palumbo (Presidente / Chair)Prof. Dr. Francisco IbañezProf. Dra. Liliana ArracheaProf. Dra. Emilia HalacProf. Emérito Dr. Eduardo J. QuelProf. Dra. Mariela del GrossoProf. Dr. Hernan CalvoProf. Dr. Ricardo ArmentanoProf. Dr. Walter LegnaniProf. Dr. Julio Raba Comité OrganizadorDr. Francisco IbañezDr. Felix PalumboIng. Brenda RossiIng. Damian GranzellaIng. Emiliano BorghiIng. Cesar FuocoIng. Sebastián PazosIng. Fernando AguirreLic. Santiago BoyerasIng. Gabriel MaroliFranco CapraruloCarlos Nicolas AlanesSebastián FalconeAndrea MarquinezCristian De BonisDiego Gabriel AlboresDr. Hernan Giannetta (Presidente / Chair)

Open discussion

1982 ◽  
Vol 99 ◽  
pp. 605-613
Author(s):  
P. S. Conti
Keyword(s):  
Buenos Aires ◽  
Large Mass ◽  
List Type ◽  
Common Phenomenon ◽  
Open Discussion ◽  
The Stability ◽  
Ring Nebulae

Conti: One of the main conclusions of the Wolf-Rayet symposium in Buenos Aires was that Wolf-Rayet stars are evolutionary products of massive objects. Some questions:–Do hot helium-rich stars, that are not Wolf-Rayet stars, exist?–What about the stability of helium rich stars of large mass? We know a helium rich star of ∼40 MO. Has the stability something to do with the wind?–Ring nebulae and bubbles : this seems to be a much more common phenomenon than we thought of some years age.–What is the origin of the subtypes? This is important to find a possible matching of scenarios to subtypes.

El Acuerdo de Buenos Aires

1998 ◽  
Vol 26 (152) ◽  
pp. 576
Author(s):  
Oscar H. del Brutto Perrone ◽  
José Antonio Bueri ◽  
Antonio Culebras ◽  
Jordi Matías-Guiu Guía ◽  
Marco Tulio Medina Hernández ◽  
...  
Keyword(s):  
Buenos Aires

Rebellious Wallflowers and QueerTangueras: The Rise of Female Leaders in Buenos Aires’ Tango Scene

2018 ◽  
Vol 36 (2) ◽  
pp. 173-197
Author(s):  
Juliet McMains
Keyword(s):  
Social Norms ◽  
Buenos Aires ◽  
Female Leaders ◽  
Same Sex ◽  
Overlapping Communities ◽  
Heterosexual Women ◽  
Bisexual And Transgender ◽  
History Of

This paper interrogates the history of same-sex dancing among women in Buenos Aires' tango scene, focusing on its increasing visibility since 2005. Two overlapping communities of women are invoked. Queer tangueras are queer-identified female tango dancers and their allies who dance tango in a way that attempts to de-link tango's two roles from gender. Rebellious wallflowers are women who practice, teach, perform, and dance with other women in predominantly straight environments. It is argued that the growing acceptance of same-sex dancing in Argentina is due to the confluence of four developments: 1) the rise of tango commerce, 2) innovations of tango nuevo, 3) changing laws and social norms around lesbian, gay, bisexual, and transgender rights, and 4) synergy between queer tango dancers and heterosexual women who are frustrated by the limits of tango's gender matrix. The author advocates for increased alliances between rebellious wallflowers and queer tangueras, who are often segregated from each other in Buenos Aires' commercial tango industry.

Review of Beckett Festival, Buenos Aires, Argentina, 2006

2010 ◽  
Vol 19 (1) ◽  
pp. 116-123
Author(s):  
Lucas Rimoldi
Keyword(s):  
Buenos Aires

Pablo Neruda's Transnational Modernist Networks: Colombo-Madrid-London-Buenos Aires (1927–1933)

2017 ◽  
Vol 12 (2) ◽  
pp. 198-225
Author(s):  
Patricia Novillo-Corvalán
Keyword(s):  
Chamber Music ◽  
Latin American ◽  
Buenos Aires ◽  
Cultural Institutions ◽  
Complex Composition ◽  
British Colonial ◽  
The One ◽  
Composition Process ◽  
In Transit ◽  
Standing Question

This article positions Pablo Neruda's poetry collection Residence on Earth I (written between 1925–1931 and published in 1933) as a ‘text in transit’ that allows us to trace the development of transnational modernist networks through the text's protracted physical journey from British colonial Ceylon (now Sri Lanka) to Madrid, and from José Ortega y Gasset's Revista de Occidente (The Western Review) to T. S. Eliot's The Criterion. By mapping the text's diasporic movement, I seek to reinterpret its complex composition process as part of an anti-imperialist commitment that proposes a form of aesthetic solidarity with artistic modernism in Ceylon, on the one hand, and as a vehicle through which to interrogate the reception and categorisation of Latin American writers and their cultural institutions in a British periodical such as The Criterion, on the other. I conclude with an examination of Neruda's idiosyncratic Spanish translation of Joyce's Chamber Music, which was published in the Buenos Aires little magazine Poesía in 1933, positing that this translation exercise takes to further lengths his decolonising views by giving new momentum to the long-standing question of Hiberno-Latin American relations.

From the Tower of London to the Thomas More Society of Buenos Aires: “Give me thy grace, good Lord, to set the world at nought”

Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 187-206
Author(s):  
Clare M. Murphy
Keyword(s):  
Buenos Aires ◽  
Short History ◽  
Thomas More ◽  
Tower Of London ◽  
Hebrew Poetry ◽  
Prayer Book ◽  
The World ◽  
History Of ◽  
Book Of Hours ◽  
Almost All

The Thomas More Society of Buenos Aires begins or ends almost all its events by reciting in both English and Spanish a prayer written by More in the margins of his Book of Hours probably while he was a prisoner in the Tower of London. After a short history of what is called Thomas More’s Prayer Book, the author studies the prayer as a poem written in the form of a psalm according to the structure of Hebrew poetry, and looks at the poem’s content as a psalm of lament.

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