MEMAHAMI RELIEF-RELIEF PADA CANDI-CANDI KERAJAAN-KERAJAAN KEDIRI, SINGASARI DAN MAJAPAHIT DI JAWA TIMUR

Jurnal SCALE ◽  
2019 ◽  
Vol 6 (2) ◽  
pp. 24
Author(s):  
Sri Pare Eni
Keyword(s):  
Life Story ◽  
The Temple ◽  
Culture Technology

Architecture of the ancient kingdoms of Kediri, Singasari and Majapahit, have the same  religion that is Hindu and Buddhist shrines, which requires either a temple. Each temple has a good difference in the environment, culture technology, function, and form of the building.The method of the description will be used here to be able to give you an idea of the temple reliefs in details.Each temple has a different relief and can be found on the head / body / foot which tells about the life story or series, or legend of a moral message containing the story.

Ninnaji and Otherworlds in the Nō Tsunemasa

2013 ◽  
Vol 2 (2-3) ◽  
pp. 152-170
Author(s):  
Elizabeth A. Oyler
Keyword(s):  
Life Story ◽  
Main Character ◽  
Unusual Structure ◽  
Performance Traditions ◽  
The Dead ◽  
The Temple ◽  
One Act ◽  
A Performance

Abstract This essay discusses the Nō Tsunemasa in connection with narratives about the life of the warrior Taira Tsunemasa, killed during the Genpei War, and his biwa lute, Seizan. A mugen Nō (“dream Nō,” in which the main character, the shite, is a ghost) in one act, the play exhibits an unusual structure: it is the enactment of a memorial musical service for the dead Tsunemasa, set at Ninnaji, the temple at which he served during his youth, rather than at the locale where he died, the more common setting for such plays. Focusing on Ninnaji as the setting for the play, I discuss how its structure as a performance of a service creates connections with several other scenes of virtuoso biwa performance found in Tsunemasa’s life story. I argue that the play’s use of the meaningful site of Ninnaji—arguably the center of Shingon practice and a temple at which royal princes served as Omuro, or “prince-abbot”—creates complex ways of addressing the character of Tsunemasa historically and within the performance traditions of Heike monogatari recitation and the Nō.

scholarly journals Sistem Identifikasi Relief pada Situs Bersejarah Menggunakan Perangkat Mobile Android (Studi Kasus Candi Borobudur)

2014 ◽  
Vol 10 (1) ◽  
pp. 133
Author(s):  
Rajif Agung Yunmar ◽  
Agus Harjoko
Keyword(s):  
Feature Extraction ◽  
Royal Society ◽  
Extraction Method ◽  
Nearest Neighbor ◽  
Life Story ◽  
Computation Time ◽  
Feature Extraction Method ◽  
Average Computation Time ◽  
The Temple ◽  
Image Object

Abstrak            Bangsa yang besar adalah bangsa yang menghargai sejarah dan asal usulnya. Relief yang terdapat pada candi Borobudur menggambarkan banyak cerita, termasuk sejarah dan asal usul bangsa ini. Mulai dari cerita kehidupan kalangan kerajaan, kehidupan masyarakat, dan adat istiadat pada saat bangunan candi tersebut dibuat, dsb.            Penelitian ini merancang sebuah perangkat lunak mobile Android untuk identifikasi citra relief Candi Borobudur sehingga dapat membantu wisatawan dalam menerjemahkan pesan dan informasi yang terkandung didalamnya. Metode ekstraksi ciri yang digunakan adalah Speeded-Up Robust Feature (SURF) dan hierarchical k-means tree nearest-neighbor untuk identifikasinya.            Pengujian identifikasi citra relief dilakukan dengan berbagai macam variasi, yaitu sudut, jarak, rotasi, intensitas cahaya dan keutuhan citra masukan untuk melihat pengaruhnya terhadap hasil pengenalan citra relief tersebut. Metode identifikasi yang diajukan memberikan hasil pengenalan sebesar 93.30% dengan rata-rata waktu komputasi 59.55 detik.  Abstract            The great nation built from people who can respects they history and origins. Reliefs at Borobudur temple contained many stories, including the history and origins of this nation. Starting from the life story of the royal, society, and customs at the time of the building of the temple was made, and so on.            This study develops mobile Android software for identification of Borobudur Temple relief image object so that it can help travelers in translating the story and the information contained therein. Feature extraction method used is speeded-Up Robust Feature (SURF) and hierarchical k-means tree nearest-neighbor for identification.            Identification testing of relief images is done by different variations, ie angle, distance, rotation, intensity of the light and wholeness of image input to see the effect on the relief image recognition results. The proposed identification method gives recognition results of 93.30% and the average computation time for 59.55 seconds.

A Life-Story Approach to Identity

1987 ◽  
Vol 32 (9) ◽  
pp. 788-789
Author(s):  
Judith C. Schwartz
Keyword(s):  
Life Story

Death in the City

2017 ◽  
Author(s):  
Kathryn A. Sloan
Keyword(s):  
Scientific Inquiry ◽  
The United States ◽  
Violent Death ◽  
Special Relationship ◽  
Intimate Friend ◽  
Counter Narrative ◽  
Wide Range ◽  
European Heritage ◽  
The City ◽  
The Temple

Popular culture has long conflated Mexico with the macabre. Some persuasive intellectuals argue that Mexicans have a special relationship with death, formed in the crucible of their hybrid Aztec-European heritage. Death is their intimate friend; death is mocked and accepted with irony and fatalistic abandon. The commonplace nature of death desensitizes Mexicans to suffering. Death, simply put, defines Mexico. There must have been historical actors who looked away from human misery, but to essentialize a diverse group of people as possessing a unique death cult delights those who want to see the exotic in Mexico or distinguish that society from its peers. Examining tragic and untimely death—namely self-annihilation—reveals a counter narrative. What could be more chilling than suicide, especially the violent death of the young? What desperation or madness pushed the victim to raise the gun to the temple or slip the noose around the neck? A close examination of a wide range of twentieth-century historical documents proves that Mexicans did not accept death with a cavalier chuckle nor develop a unique death cult, for that matter. Quite the reverse, Mexicans behaved just as their contemporaries did in Austria, France, England, and the United States. They devoted scientific inquiry to the malady and mourned the loss of each life to suicide.

Features of the development of an unmanned rocket-culture technology in the first half of the twentieth century

2018 ◽  
pp. 135-144
Author(s):  
O. O. Gubka
Keyword(s):  
Twentieth Century ◽  
Subsequent Formation ◽  
Technical Schools ◽  
Space Industry ◽  
The World ◽  
Culture Technology

The features of unmanned rocket and space engineering´s development in the USSR and in the world in the first half of the XX century were considered in the article. They defined subsequent formation of scientific and technical schools in the rocket and space industry.

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