Blogging Donnie Yen: remaking the martial arts body as a cyber-intertext

2018 ◽  
pp. 29-56
Author(s):  
Dorothy Wai Sim Lau
Keyword(s):  
Martial Arts ◽  
Hip Hop ◽  
Hip Hop Culture ◽  
Ethnic Representation ◽  
Chinese Nationalism ◽  
Bruce Lee

This chapter inquires Donnie Yen’s martial arts body in blogosphere. It analyses that Yen’s kinetic body, often the focus of bloggers’ interest, is not only the corporeal entity that appears in individual films he starred in and become famous for, such as SPL: Sha Po Lang, Ip Man, and Legend of the Fist: The Return of Chen Zhen. It is also an outcome of sundry participatory forces, bridging the martial arts body to the elements in extra-diegetic settings such as Hollywood sci-fi genre, martial arts culture and hip hop culture. It, hence, appears as an intertextual phenomenon which bloggers keep reworking and renegotiating Chinese nationalism in tandem with cyber legends of Ip Man, Bruce Lee, and Chen Zhen. This chapter also pursues to discuss how the Chinese body of Yen is further questioned and complicated when users mix symbolic components drawn from Chinese or non-Chinese systems, and how the offscreen existence of Yen shows both resonance and incongruity to his screen personae complicating his martial arts image. This chapter ultimately argues that these new forms allow bloggers to revisit, represent, and contend the ethnic representation of Yen.

Introduction

2011 ◽  
Vol 40 (3) ◽  
pp. 1-3
Author(s):  
Christopher Driscoll
Keyword(s):  
African American ◽  
American Academy ◽  
Annual Meeting ◽  
Hip Hop ◽  
Religious Studies ◽  
Hip Hop Culture

At the 2010 annual meeting of the American Academy of Religion held in Atlanta, GA, a group of young scholars organized a wildcard session titled “What’s This ‘Religious’ in Hip Hop Culture?” The central questions under investigation by the panel were 1) what about hip hop culture is religious? and 2) how are issues of theory and method within African American religious studies challenged and/or rethought because of the recent turn to hip hop as both subject of study and cultural hermeneutic. Though some panelists challenged this “religious” in hip hop, all agreed that hip hop is of theoretical and methodological import for African American religious studies and religious studies in general. This collection of essays brings together in print many findings from that session and points out the implications of hip hop's influence on religious scholars' theoretical and methodological concerns.

IMAGINING A BETTER WORLD:

2018 ◽  
Vol 15 (02) ◽  
pp. 353-385
Author(s):  
Lakeyta M. Bonnette-Bailey ◽  
Ray Block ◽  
Harwood K. McClerking
Keyword(s):  
African Americans ◽  
Civic Engagement ◽  
Political Participation ◽  
Hip Hop ◽  
Youth Culture ◽  
Black Youth ◽  
Black Music ◽  
Hip Hop Culture ◽  
Negative Messages ◽  
Mass Level

AbstractDespite a recent increase in research on its sociopolitical implications, many questions regarding rap music’s influence on mass-level participation remain unanswered. We consider the possibility that “imagining a better world” (measured here as the degree to which young African Americans are critical of the music’s negative messages) can correlate with a desire to “build a better world” (operationalized as an individual’s level of political participation). Evidence from the Black Youth Project (BYP)’s Youth Culture Survey (Cohen 2005) demonstrates that rap critique exerts a conditional impact on non-voting forms of activism. Rap critique enhances heavy consumers’ civic engagement, but this relationship does not occur among Blacks who consume the music infrequently. By demonstrating rap’s politicizing power and contradicting certain criticisms of Hip Hop culture, our research celebrates the possibilities of Black youth and Black music.

Promoting Academic Literacy with Urban Youth through Engaging Hip-Hop Culture

2002 ◽  
Vol 91 (6) ◽  
pp. 88 ◽  
Author(s):  
Ernest Morrell ◽  
Jeffrey M. R. Duncan-Andrade
Keyword(s):  
Urban Youth ◽  
Hip Hop ◽  
Academic Literacy ◽  
Hip Hop Culture

Policing in a Largely Minority Jurisdiction: The Influence of Appearance Characteristics Associated with Contemporary Hip-Hop Culture on Police Decision-Making

2017 ◽  
Vol 34 (7) ◽  
pp. 1310-1338 ◽  
Author(s):  
Dean A. Dabney ◽  
Brent Teasdale ◽  
Glen A. Ishoy ◽  
Taylor Gann ◽  
Bonnie Berry
Keyword(s):  
Decision Making ◽  
Hip Hop ◽  
Hip Hop Culture ◽  
Police Decision Making

Preserving hip hop culture

2004 ◽  
Vol 18 (2) ◽  
pp. 207-214 ◽  
Author(s):  
Marcyliena Morgan
Keyword(s):  
Hip Hop ◽  
Hip Hop Culture

Movimiento Hip Hop en Ciudad de Punta Arenas. / Hip Hop Culture in Punta Arenas

2014 ◽  
Vol 3 (06) ◽  
pp. 67-81
Author(s):  
Pablo Tascón España
Keyword(s):  
Social Sciences ◽  
Young People ◽  
Social Structure ◽  
Cultural Change ◽  
Hip Hop ◽  
Hip Hop Culture ◽  
Current Action ◽  
The Social ◽  
Historical Root ◽  
The City

El presente estudio busca comprender bajo un enfoque naturalista cómo en un periodo denominado por autores de las Ciencias Sociales ( Bajoit, 2009; Sandoval, 2010) de “cambio cultural”, emerge el movimiento Hip Hop y su particular forma de expresión en la ciudad de Punta Arenas. La investigación tiene un objetivo central y busca interpretar la relación entre la expresión contracultural y los jóvenes que son parte de tal, como así también sus significados respecto al ser actores del mismo. La investigación pretende identificar, entonces, la lógica de acción actual de los jóvenes y a su vez dilucidar si existe relación o no con la raíz histórica del movimiento Hip Hop, es decir una expresión de disidencia en razón de la estructura social establecida y las contradicciones que afloran de la misma. The following study aims to understand under the naturalist approach how in a period called for authors of the social sciences (Bajoit, 2009; Sandoval, 2010) of “cultural change”, emerges the Hip Hop movement and its particular form of expression in the city of Punta Arenas. The research has a main objective and seeks to interpret the relation between the expression counterculture and the young people that are part of it, likewise the meaning concerning to be actors of it. The research pretends to identify the logic of current action of the youngsters and at the same time elucidate if there is a relation or not with the historical root of the movement “Hip Hop”, i.e. an expression of dissent aiming with the social structure established and the contradictions that came out from itself.

Sign in / Sign up

Export Citation Format

Share Document