Leroi-Gourhan and the Field of Ethnology

Paragraph ◽  
2020 ◽  
Vol 43 (1) ◽  
pp. 10-44
Author(s):  
Christopher Johnson
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Intellectual History ◽  
Natural Environment ◽  
Human Sciences ◽  
Arctic Circle ◽  
Ethnographic Fieldwork ◽  
Language Technology ◽  
Formative Experience ◽  
Post War

The work of French ethnologist and prehistorian André Leroi-Gourhan (1911–86) represents an important episode in twentieth-century intellectual history. This essay follows the development of Leroi-Gourhan's relationship to the discipline of ethnology from his early work on Arctic Circle cultures to his post-war texts on the place of ethnology in the human sciences. It shows how in the pre-war period there is already a conscious attempt to articulate a more comprehensive form of ethnology including the facts of natural environment and material culture. The essay also indicates the biographical importance of Leroi-Gourhan's mission to Japan as a decisive and formative experience of ethnographic fieldwork, combining the learning of a language with extended immersion in a distinctive material and mental culture. Finally, it explores how in the post-war period Leroi-Gourhan's more explicit meta-commentaries on the scope of ethnology argue for an extension of the discipline's more traditional domains of study to include the relatively neglected areas of language, technology and aesthetics.

scholarly journals The Contemporaneity of ‘Counter-Enlightenment’. From the French Revolution to German Post-War Sociology

2019 ◽  
Vol 7 (1) ◽  
pp. 940-970
Author(s):  
Sonja Asal
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Intellectual History ◽  
French Revolution ◽  
Self Reflection ◽  
Before And After ◽  
History Of ◽  
Post War ◽  
German Sociology ◽  
The French Revolution

While resistance to Enlightenment thought occurring in the eighteenth century is often framed by the concept of ‘Counter-Enlightenment’, the term itself was not introduced before the twentieth century. The article first reconstructs the anti-Enlightenment polemic before and after the French Revolution to highlight that while the notion of Counter- Enlightenment is appropriate for the identification of hitherto unexplored strands of thought, in view of a broader and more differentiated approach to the intellectual history of the eighteenth and early nineteenth centuries, it does not allow for a substantial definition. Subsequently, the article examines the history of the concept in French, English and German linguistic contexts, the German sociology of the interwar period and discussions about the legacy of the Enlightenment after World War II, to retrace how the different iterations have to be understood as a key for the self-reflection of modern societies throughout the twentieth century.

ʿAllāma Ṭabāṭabāʾī (d. 1981),

2016 ◽  
Author(s):  
Sajjad Rizvi ◽  
Ahab Bdaiwi
Keyword(s):  
Twentieth Century ◽  
Intellectual History ◽  
Existence Of God ◽  
Realist Theory ◽  
Mulla Sadra ◽  
Ontological Proof ◽  
Intellectual Milieu ◽  
Post War

In modern Shiʿi intellectual history, Sayyid Muḥammad Ḥusayn Ṭabāṭabāʾī (d. 1981) stands out as the most important and influential philosopher and exegete in the twentieth century. The chapter is divided into parts: the first an account detailing his career and the intellectual milieu in which he lived; the second an exposition of his philosophical ideas, showing that Ṭabāṭabāʾī (1) formulated a realist theory of epistemology to combat skepticism; (2) rehearsed the traditional ontological proof for the existence of God for the new-theology of post-war Shiʿi intellectual history; (3) went to great lengths to demonstrate how philosophy could contribute to a more rigorous theological response to modernity; (4) provided the philosophy of being, championed by Mullā Ṣadrā (d. 1635), with a new impetus by stressing above all else the rationalistic facet of the tradition; and (5) reoriented philosophy to augment theological positions articulated in response to the challenges of modernity.

Ebony Magazine and Lerone Bennett Jr.

2020 ◽  
Author(s):  
E. James West
Keyword(s):  
Twentieth Century ◽  
Intellectual History ◽  
Black History ◽  
Senior Editor ◽  
Emory University ◽  
Major Producer ◽  
Post War ◽  
The Impact ◽  
Martin Luther King ◽  
History Book

This study reveals the previously hidden impact of Ebony magazine as a major producer and disseminator of popular black history during the second half of the twentieth century, stretching from its formation in 1945 to its role in the movement to establish a national holiday for Dr. Martin Luther King Jr. during the 1980s. Benefitting from unprecedented access to new archival materials at Chicago State and Emory University, it focuses on the impact of Lerone Bennett, Jr., the magazine’s in-house historian and senior editor. More broadly, West highlights the value placed upon Ebony’s role as a “history book” by its contributors and readers. Using Ebony as a window into the trajectory of the post-war “modern black history revival”, this study offers a bold reinterpretation of the magazine’s place within modern American cultural and intellectual history and highlights its role as a critical tool for black history empowerment and education on a local, national and international scale.

War in Social Thought

2012 ◽  
Author(s):  
Hans Joas ◽  
Wolfgang Knöbl
Keyword(s):  
Twentieth Century ◽  
Intellectual History ◽  
Large Scale ◽  
Theoretical Work ◽  
German Idealism ◽  
Social Thought ◽  
Social Progress ◽  
Modern World ◽  
Critical History ◽  
Original Argument

This book provides a sweeping critical history of social theories about war and peace from Thomas Hobbes to the present. It presents both a broad intellectual history and an original argument as it traces the development of thinking about war over more than 350 years—from the premodern era to the period of German idealism and the Scottish and French enlightenments, and then from the birth of sociology in the nineteenth century through the twentieth century. While focusing on social thought, the book draws on many disciplines, including philosophy, anthropology, and political science. It demonstrate the profound difficulties most social thinkers—including liberals, socialists, and those intellectuals who could be regarded as the first sociologists—had in coming to terms with the phenomenon of war, the most obvious form of large-scale social violence. With only a few exceptions, these thinkers, who believed deeply in social progress, were unable to account for war because they regarded it as marginal or archaic, and on the verge of disappearing. This overly optimistic picture of the modern world persisted in social theory even in the twentieth century, as most sociologists and social theorists either ignored war and violence in their theoretical work or tried to explain it away. The failure of the social sciences and especially sociology to understand war, the book argues, must be seen as one of the greatest weaknesses of disciplines that claim to give a convincing diagnosis of our times.

Exhausted Commodities: The Material Culture of Music

2000 ◽  
Vol 25 (1) ◽  
Author(s):  
Will Straw
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Economic Value ◽  
Social Institutions ◽  
Digital Information ◽  
Contemporary Practice ◽  
Flea Market ◽  
Musical Styles

Abstract: The twentieth century ended with the widespread conversion of cultural artefacts into digital information. Less attention has been granted to the ways in which cultural artefacts accumulate in the form of "things"-tangible books, recordings, and other objects whose economic value has often withered. This article examines the question of cultural waste and looks at those commercial and social institutions (such as the flea market and garage sale) which have evolved in order to keep old cultural commodities circulating. The recycling of old musical styles within contemporary practice is examined as one means of retrieving and revalorizing cultural waste. Résumé: La transposition massive d'artefacts culturels sous forme digitale a marqué la fin du 20e siècle. En revanche, on a porté moins d'attention à l'accumulation de ces artefacts sous forme de «choses»-livres, enregistrements et autres objets matériaux dont la valeur marchande a fortement diminué dans bien des cas. Cet article examine la question de détritus culturels, et jette un regard sur les institutions commerciales et sociales (telles que le marché aux puces et la vente de garage) qui ont évolué afin de garder les vieux biens culturels en circulation. En outre, l'article examine le recyclage d'anciens styles musicaux dans la pratique contemporaine, à titre d'exemple de récupération et de remise en valeur de détritus culturels.

Towards the Final Legitimation of the Party

2017 ◽  
Author(s):  
Piero Ignazi
Keyword(s):  
Twentieth Century ◽  
Great Britain ◽  
Political Parties ◽  
Political Party ◽  
Sole Source ◽  
The Political ◽  
Party Formation ◽  
Post War ◽  
Dominant Influence

Chapter 3 investigates the process of party formation in France, Germany, Great Britain, and Italy, and demonstrates the important role of cultural and societal premises for the development of political parties in the nineteenth century. Particular attention is paid in this context to the conditions in which the two mass parties, socialists and Christian democrats, were established. A larger set of Western European countries included in this analysis is thoroughly scrutinized. Despite discontent among traditional liberal-conservative elites, full endorsement of the political party was achieved at the beginning of the twentieth century. Particular attention is paid to the emergence of the interwar totalitarian party, especially under the guise of Italian and German fascism, when ‘the party’ attained its most dominant influence as the sole source and locus of power. The chapter concludes by suggesting hidden and unaccounted heritages of that experience in post-war politics.

Introduction

2017 ◽  
Author(s):  
James Whitehead
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Cultural History ◽  
Intellectual History ◽  
Historical Sociology ◽  
Cultural Representations ◽  
History Of ◽  
Television Film ◽  
Popular Image

The introductory chapter discusses the popular image of the ‘Romantic mad poet’ in television, film, theatre, fiction, the history of literary criticism, and the intellectual history of the twentieth century and its countercultures, including anti-psychiatry and psychoanalysis. Existing literary-historical work on related topics is assessed, before the introduction goes on to suggest why some problems or difficulties in writing about this subject might be productive for further cultural history. The introduction also considers at length the legacy of Michel Foucault’s Folie et Déraison (1961), and the continued viability of Foucauldian methods and concepts for examining literary-cultural representations of madness after the half-century of critiques and controversies following that book’s publication. Methodological discussion both draws on and critiques the models of historical sociology used by George Becker and Sander L. Gilman to discuss genius, madness, deviance, and stereotype in the nineteenth century. A note on terminology concludes the introduction.

Musical Classicisms in Italy Before the Madrigal

2020 ◽  
Author(s):  
Tim Shephard
Keyword(s):  
Material Culture ◽  
Cultural Capital ◽  
Intellectual History ◽  
Classical Antiquity ◽  
Multiple Copy ◽  
Professional Interest

Abstract Modern evaluations of the relation between music and the fashion for the antique in Italy in the period before the madrigal have tended to proceed from the perspective of intellectual history. This article aims to offer an alternative—although certainly related—perspective, by exploring the circulation of musical classicisms in Italian visual and material culture, roughly from 1450 to 1520. This period saw the rise to prominence in Italy of both commercial text printing and other multiple-copy formats such as the art print, the medal, the bronze plaquette, and a little later historiated maiolica. These technologies offer a particularly compelling lens through which to examine musical encounters with classical antiquity that were not motivated by an expert professional interest in either music or classical texts, but rather characterized by an investment in antiquity as a fashionable source of cultural capital.

scholarly journals Solidarity of the shaken: from the experience (Erlebnis) to history

2021 ◽  
Author(s):  
Michaela Belejkaničová
Keyword(s):  
Twentieth Century ◽  
Political Violence ◽  
Critical Dialogue ◽  
Pierre Teilhard De Chardin ◽  
Ex Nihilo ◽  
Post War ◽  
Opening Up ◽  
Usual Pattern

AbstractIn his Heretical Essays, Jan Patočka introduces the concept of the solidarity of the shaken. He argues that it emerges in the conditions of political violence—the frontline experience (Fronterlebnis). Moreover, Patočka brings into discussion the puzzling concepts of day, night, metanoia and sacrifice, which only further problematise the idea. Researching how other thinkers have examined the phenomenon of the frontline experience, it becomes obvious that Patočka did not invent the obscure vocabulary ex nihilo. Concepts such as frontline experience, sacrifice and the metaphors of the day and night were commonly used by thinkers in the inter-war and post-war eras in their examination of community (Gemeinschaft). This study aims to reconstruct the idea of the solidarity of the shaken as contextualized within a broader scholarly debate on the concept of community (Gemeinschaft). Through the critical dialogue between Patočka’s works and the works of Ernst Jünger and Pierre Teilhard de Chardin, this study will portray how Patočka, in his discourse on the frontline experience, follows the usual pattern of overcoming one’s individuality, transcending and opening up to the constitution of solidarity. This paper will argue that Patočka defined the solidarity of the shaken in an attempt to revive the positive aspects of a community and break with the regressive (if not sinister) uses to which it was put in the twentieth century.

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